48 Präludien und Fugen in allen Dur- und Molltonarten. Band 1 : BWV 846-869 / 4...(+)
48 Präludien und Fugen in allen Dur- und Molltonarten. Band 1 : BWV 846-869 / 48 Préludes et Fugues dans tous les tons majeurs et mineurs. Volume 1 : BWV 846-869 / [Das Wohltemperierte Klavier I BWV 846-869] / Classique / Editeur : Alfred Dürr / Partition / Cartonné / Plats de carton /
Concerto for piano and orchestra. Par MOZART WOLFGANG AMADEUS. Piano Concerto No...(+)
Concerto for piano and orchestra. Par MOZART WOLFGANG AMADEUS. Piano Concerto No. 25 in C major K. 503. Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. TheStudy Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano
for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orc...(+)
for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 17 G major K. 453. Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scoresare distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano
for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orc...(+)
for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 22 E-flat major K. 482. Piano Solo, Flute, Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Clarin trumpet (2), Kettledrum, Violin (2), Viola (2), Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano
An Expedition into Czech Piano Music A collection of pieces for early inter...(+)
An Expedition into Czech Piano Music A collection of pieces for early intermediate pianists - Cross-section of Czech piano literature from the 18th to the late 20th century - Works selected and provided with fingering by piano virtuoso Ivo Kahánek - Pieces of easy to moderate technical difficulty The leading Czech pianist Ivo Kahánek has long devoted himself to training young musicians. With this album of recital pieces he offers young pianists quite easy pieces by well-known Czech composers. The collection provides a cross-section of Czech piano literature from the 18th to the late 20th century. It contains pieces from the Czech classical period (Benda and Dusík), 19th-century and ?fin-de-siècle? romanticism (Vorí?ek, Smetana, Dvorák, Fibich, Suk and Novák) as well as pieces of various styles from the latter half of the 20th century (Vre?tál, Kabelác, Eben, Slavický, Dlouhý and Sluka). Fingering has been supplied by the editor to support pianists in their playing. All the pieces appear in their original form; they have neither been arranged nor adapted. · - Benda, Jirí Antonín Sonatina III A minor · - Dusík, Jan Ladislav Chansonette · - Vorí?ek, Jan Vaclav Hugo Rondo G major · - Smetana, Bedrich Friendly Landscape · - Smetana, Bedrich Souvenir · Polka G minor · - Dvorák, Antonín Humoresque G-flat major · - Dvorák, Antonín Goblins' Dance · - Fibich, Zdenek Reminiscence · - Suk, Josef Idylls · - Novák, Vítezslav Devil´s Polka · - Janácek, Leo? The Frýdek Madonna · - Janácek, Leo? The Barn Owl has not Flown Anway! · - Janácek, Leo? Come with us! · - Martinu, Bohuslav Colombine Dances · - Martinu, Bohuslav Harlequin · - Vrestál, Jirí Study in Sixths · - Kabelác, Miloslav Preludio ostinato · - Eben, Petr Bells befor the Lights go out · - Dlouhý, Milan Bagatelle No. 2 · Swans / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER
Liszt, Franz Piano Pieces from the Years 1880?85 - Scholarly-critical ...(+)
Liszt, Franz Piano Pieces from the Years 1880?85 - Scholarly-critical Urtext edition at the cutting edge of musicology - Valuable notes on interpretation by Steffen Schleiermacher (Ger/Eng) - Well-suited for medium-level piano teaching · Romance oubliée (Vergessene Romanze) / Romance oubliée (Forgotten Romance) · Vergessene Romanze (Romance oubliée) / Forgotten Romance (Romance oubliée) · Wiegenlied (Chant du berceau) / Cradle Song (Chant du berceau) · Unstern! (Sinistre) / Disaster! (Sinister) · Die Trauer-Gondel (La lugubre gondola) · The Funeral Gondola (La lugubre gondola) (S 200/1) · Die Trauer-Gondel (La lugubre gondola) · The Funeral Gondola (La lugubre gondola) (S 200/2) · R. W. ? Venezia · Am Grabe Richard Wagners / At the Grave of Richard Wagner · Frage und Antwort. Nocturne / Question and Answer. Nocturne · Schlaflos! Frage und Antwort. Nocturne (nach einem Gedicht von Toni Raab) · Sleepless! Question and Answer. Nocturne (after a Poem by Toni Raab) · Trübe Wolken (Nuages gris) / Gloomy Clouds (Nuages gris) · En rêve. Nocturne / In a Dream. Nocturne / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER
No genre reflects Skrjabin?s artistic evolution more vividly than his piano sona...(+)
No genre reflects Skrjabin?s artistic evolution more vividly than his piano sonatas. Sonatas Nos. 6, 7 and 8 which are presented in this edition were written between 1911 and 1913, at times contemporaneously with the late Sonatas Nos. 9 and 10. All autographs and printed sources including Skrjabin?s sketches and drafts have been thoroughly evaluated. The edition presents a meticulously edited musical text offering new readings and is supplemented by an informative Preface on the sonatas? genesis and significance (Ger/Eng). The Critical Commentary (Eng) provides information on alternative readings and editorial decisions. An elegant well-presented engraving with practical page-turns rounds off this edition at the cutting edge of musical scholarship. · Sonate Nr. 6 op. 62 · Sonate Nr. 7 op. 64 (?Weiße Messe? / ?White Mass?) · Sonate Nr. 8 op. 66 / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER
Couperin, François Pièces de clavecin. Troisième livre for Harpsichord(+)
Couperin, François Pièces de clavecin. Troisième livre for Harpsichord with 4 Concerts royaux - Pioneering edition with the first-time evaluation of an extensive body of sources - With Couperin?s original expression marks - Extensive Introduction, notes on historical performance practice and glossary (Fr/Eng) · Pièces de clavecin. Troisième livre: · Préface · Treiziéme Ordre · Les Lis naissans · Les Rozeaux · L?Engageante · Les Folies françoises, ou les Dominos · L?Âme-en-peine · Quatorziéme Ordre: · Le Rossignol-en-amour · Double du Rossignol · La Linote-éfarouchée · Les Fauvétes-plaintives · Le Rossignol-vainqueur · La Julliet · Le Carillon de Cithére · Le Petit-Rien · Quinziéme Ordre: · La Régente ou la Minerve · Le Dodo ou L?amour au Berceau. Piéce croisée · L?évaporée · Muséte de Choisi · Muséte de Taverni · La Douce, et Piquante · Les Vergers fleüris · La Princesse de Chabeüil ou La Muse de Monaco · Seiziéme Ordre: · Les Graces incomparables ou La Conti · L?himen-Amour · Les Vestales · L?aimable Thérése · Le Drôle de corps · La Distraite · La Létiville · Dix-septiéme Ordre: · La Superbe ou la Forqueray · Courante · Les Petits Moulins à Vent · Les Timbres · Les Petites Chrémiéres de Bagnolet · Dix-huitiéme Ordre: · Allemande La Verneüil · La Verneüilléte · Soeur Monique · Le Turbulent · L?atendrissante · Le Tic-Toc-Choc ou Les Maillotins. Piéce croisée · Le Gaillard-Boiteux · Dix-neuviéme Ordre: · Les Calotins et Les Calotines ou la Piéce à tretous · L?ingénüe · L?artiste · Les Culbutes Jxcxbxnxs · La Muse-Plantine · L?enjoüée · Concerts royaux · Préface / Preface · Premier Concert · Second Concert · Troisiéme Concert · Quatriéme Concert · Appendice / Appendix: · Explication des Agrémens, et des Signes · Critical Commentary: · Sources · Special comments / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER
replaces BA 5630 Schubert's tuneful and buoyant Sonata in G major was published ...(+)
replaces BA 5630 Schubert's tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata', to quote the heading of its first movement. His first reviewer noted that 'the beloved and talented Lieder composer has presented the music world with a fantasy in which he lets his inventiveness loose. He presents the pianist with a harmonic indulgence without however amassing too many difficulties to complicate the execution'.Our scholarly-critical Urtext edition, based on the definitive New Schubert Edition, presents the sonata in a spacious new engraving with practical page turns. The work is introduced by an updated Foreword (Ger/Eng) and detailed notes on key questions of performance practice, e.g. pedalling and Schubert's characteristic way of writing accents. Rounding off the edition is a Critical Commentary (Eng) containing alternative readings of relevance to the performer. Schubert's rejected initial version of the second movement can be accessed via the Barenreiter website. / Piano
The scope of the genres and styles in Jazz Piano Studies 2 is broader compared t...(+)
The scope of the genres and styles in Jazz Piano Studies 2 is broader compared to that of Jazz Piano Studies 1, since it also covers the various offshoots of contemporary popular music related only marginally to jazz. The selection of twenty studies is aimed at amateur piano players who are interested in jazz and popular music, and serves, in particular, for the improvement of technique and style. The studies also equip pianists with the necessary grounding for their own improvisation, although they can also be used by professional piano players. / Partitions jazzandblues / Piano - claviers / Piano / BARENREITER
Jazz Piano Studies 1 is directed at classically trained pianists in order ...(+)
Jazz Piano Studies 1 is directed at classically trained pianists in order to help them learn the basic expressive means applied in jazz. However, the book is also useful for those who would like to play moderndance music. This collection of 25 enjoyable exercises and 3 longer compositions will help novices of the jazz Piano learn the tricks of the trade and provide the necessary grounding for their own improvisation. This editionis published in three language versions (Cz./Ger./Eng.). / Partitions jazzandblues / Piano - claviers / Piano / BARENREITER
The War Years (1914-1916). Par VIERNE LOUIS. Sämtliche Klavierwerke. Hrsg Helga...(+)
The War Years (1914-1916). Par VIERNE LOUIS. Sämtliche Klavierwerke. Hrsg Helga Schauerte-Maubouet (Keine Auslieferung Nach Frankreich, Italien Und Spanien)/ Répertoire / Piano
Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of t...(+)
Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his piano piece: 'In my composition, I tried to follow this path: to organise the smallest coloured and angular glass cubes ? that is, the smallest coloured and angular musical miniature events ? in such a way that they constantly grow and finally culminate in a tangible musical statement.' Despite this seemingly archaic procedure, the composer wants his piece to be understood as a continuation of the virtuoso piano music tradition of the 19th and 20th centuries. The 'Mosaikbilder ? (Mosaic Pictures) are dedicated to the great Hungarian pianist Zsoltán Kocsis, for whom they were written in 2012 / Date parution : 2023-07-31/ Recueil / Piano
Par SCHUBERT FRANZ. Schubert?s piano sonatas reflect the entire cosmos of his di...(+)
Par SCHUBERT FRANZ. Schubert?s piano sonatas reflect the entire cosmos of his distinctive writing, spanning from an early experimentation with this form to the iconic last three sonatas, which the composer completed in 1828, the last year of his life. All three volumes are equipped with informative prefaces on the genesis and sources, as well as valuable notes on piano playing in Schubert's time (including articulation, pedal usage, ornamentation) by Mario Aschauer - with a focus on Schubert's characteristic notation of accents. A quick location of works and individual movements is facilitated by running titles at the top of the right-hand pages with indications of opus and movement numbers. The Critical Commentary lists in particular readings relevant to interpretation. Schubert's drafts and sonata fragments are accessible via the Bärenreiter website. The indispensable three-volume standard work at the cutting edge of Schubert research is available at a special set price! / Date parution : 2023-07-31/ Recueil / Piano
Modern Piano Nocturnes. Par METELKA JAKUB. The album ?The Secret Garden? by Jaku...(+)
Modern Piano Nocturnes. Par METELKA JAKUB. The album ?The Secret Garden? by Jakub Metelka (b. 1986) contains fifteen recital pieces in simple song form, thus tying in with his successful, technically less demanding piano cycle ?Little Virtuoso? (BA11569). The individual compositions in the collection are characterized by Metelka?s unmistakable, tonally anchored melodic style, enriched with many unusual harmonies and colours, which here underlines the slightly melancholic and mysterious character of these nocturnal pieces. The playful illustrations by Andrea Tachezy reflect these moods in an imaginative and charming way. Although it is not really a predetermined cycle, the fifteen atmospheric character pieces, with their programmatic titles and their arrangement tell a kind of fairy tale that culminates in the magical final composition ?The Secret Garden?. / Date parution : 2024-01-06/ Répertoire / Piano
with Bagatelle in A minor WoO 59 'Für Elise'. Par BEETHOVEN LUDWIG VAN. This ed...(+)
with Bagatelle in A minor WoO 59 'Für Elise'. Par BEETHOVEN LUDWIG VAN. This edition brings together all of Beethoven's pieces that he himself associated with the term 'bagatelle', a trifle. The Bagatelles reflect Beethoven's diverse compositional cosmos in miniature and span almost his entire oeuvre from 1801/02 to 1824/25. In terms of playing technique, they range from moderate dexterity to demanding virtuosity. In addition to the well-known collections opp. 33, 119 and 126, ten more pieces were found after Beethoven's death in an envelope labelled ?Bagatelles?. These included the revised version of ?Für Elise? as well as two further revisions of bagatelles which appear here in print for the first time. Beethoven conceived the cycle, still known today as 'op. 119' ? although this opus number did not stem from him ? as two separate projects with five and six pieces respectively. Our edition presents these two collections separately for the first time, as Beethoven proposed. Variants, additions and revisions in the first print that go beyond the main manuscript source and were most likely intended by Beethoven are presented in grey print. A variety of new insights, an informative Foreword and insightful notes on Viennese piano playing in Beethoven's time (German/English) as well as a detailed Critical Commentary (Eng) offer the performer an abundance of information and a new perspective on Beethoven's bagatelle oeuvre. / Date parution : 2024-01-06/ Recueil / Piano
Par CHOPIN FREDERIC. Chopin Berceuse for Piano Op.57 Chopin's ?Berceuse? is one ...(+)
Par CHOPIN FREDERIC. Chopin Berceuse for Piano Op.57 Chopin's ?Berceuse? is one of his most frequently performed works and was regarded by subsequent composers as the prototype of the instrumental lullaby. This piece that Chopin initially named ?Variantes? was composed around the time of his great Sonata in B minor Op.58 and was renamed ?Berceuse? only when it went to print. In it, the composer systematically subjects a four-measure motif to a series of variants which are linked in a continuous flow over an ostinato figure. This Urtext edition reflects the latest state of Chopin research, offering a definitive musical text based on a careful evaluation of the sources. Readings and editorial decisions are documented in the Critical Commentary (Eng) and a detailed Foreword (Ger/Eng) provides information on the work. Hardy Rittner, a Chopin specialist as well as Professor of Piano at the Hochschule für Musik Freiburg, has supplemented the composer's fingering from a historically informed perspective. His chapter on performance practice contains valuable notes, particularly on Chopin's pedal indications which clearly diverge in the sources, on rubato, the execution of ornaments as well as on tonal nuance, voice-leading and cantabilità. - Urtext edition based on the cutting edge of scholarship - Historically informed fingering and notes on performance practice by Hardy Rittner (Ger/Eng) - Well-presented engraving / Date parution : 2023-06-01/ Répertoire / Piano
Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately co...(+)
Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that!
Working with all known sources, Del Mar finally presents us with Beethoven?s solo piano articulation and dynamics and Beethoven?s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven?s Solo and Tutti markings.
All in all, a groundbreaking scholarly critical edition; a ?must? for every pianist, every orchestra and every music library.
The piano reduction will be presented in a new format:
As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted ? as with string and wind concertos ? in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print. / Date parution : 2022-02-25/ Répertoire / Piano
Par FAURE GABRIEL. Fauré?s ?Pavane? was composed for orchestra in 1887, followe...(+)
Par FAURE GABRIEL. Fauré?s ?Pavane? was composed for orchestra in 1887, followed by a version for chorus and orchestra in that same year. Three decades later Serge Diaghilev had it choreographed for his Ballets russes ? a sign of its great popularity. ?Pavane? exudes the spirit of Paris?s fêtes galantes at the turn of the century. A version for solo piano appeared in 1889; it was most likely prepared by Fauré himself, who performed it several times and even recorded it for player piano. Our Urtext edition is based on the musical text from ?Gabriel Fauré ?uvres complètes?. The editor has drawn in particular on the original solo piano print while also consulting the autograph of the orchestral version and Fauré?s second recording of the piano version. Elegant engraving and practical page-turns invite players to study this popular piece. - Urtext edition based on the ?Gabriel Fauré ?uvres complètes? - Musical text at the cutting edge of scholarship incorporating all the sources, including Fauré?s recordings - Informative introduction, notes on performance (Fr/Eng/Ger) and Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Piano
9 Popular Arrangements for Piano solo. Par BEETHOVEN LUDWIG VAN / ARR JEAN KLEEB...(+)
9 Popular Arrangements for Piano solo. Par BEETHOVEN LUDWIG VAN / ARR JEAN KLEEB. Beethoven often incorporated musical influences from other countries in his works. Jean Kleeb has picked up on this idea and developed it further in these arrangements for piano solo. In his tributes to Beethoven he emphasizes ethnic attributes such as 'alla turca” or he coaxes exotic rhythms out of certain works with playful exaggeration. At other times, he simply enjoys demonstrating the stark differences between the 'classical” piano piece and world music. Enjoy pieces in samba style, with Cuban rhythms or jazzy-Arabic-like scales. These pieces are fun to play, making Jean Kleeb's 'Beethoven Around the World” a true musical pleasure.
About the composer:
When it comes to music, Jean Kleeb is a globetrotter. A Brazilian of Swiss descent, he has been living in Germany for many years. Travelling the world with his music, he is always seeking new sources of musical inspiration. As a composer, pianist, choral conductor and lecturer, he regularly amazes and entertains his audiences with his boundless musicality and compositional ease. / Date parution : 2019-06-14/ Répertoire / Piano
Par MARTINU BOHUSLAV. Though Bohuslav Martinu produced a lot of didactic materia...(+)
Par MARTINU BOHUSLAV. Though Bohuslav Martinu produced a lot of didactic material for the piano, not all of it has been published and many delightful works have remained unknown. In this Easy Piano Pieces and Dances album, Martinu’s four-part piano cycle Quarter and Eighth Notes, composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. The work, previously known only from his correspondence, was long considered lost until a copyist’s manuscript of it resurfaced in Brno in 2011. The jazz piece One Step, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’s autograph. Along with these two“discoveries”, this album contains the dance pieces that Martinu composed in Policka in the 1920s as well as the three-part cycle Christmas, composed in Paris in 1927. These were previously available in Compositions for Policka. Though Bohuslav Martinu produced a lot of didactic material for the Piano, not all of it has been published and many delightful works have remained unknown. In this “Easy Piano Pieces and Dances” album, Martinu ’s four-part Piano cycle “Crotchets and Quavers”, composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. The work, previously known only from his correspondence, was long considered lost until a manuscript copy resurfaced in Brno in 2011. The jazz piece “One-step”, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’sautograph. Along with these two “discoveries”, this album contains the dance pieces that Martinu composed in Policka in the 1920s as well as the three-part cycle “Christmas”, composed in Paris in 1927. These were previously available in “Compositions for Policka”. Includes original Martinu works, some published for the first time Foreword (Cz/Eng/Ger) and fingering by Lucie Harasim Berná Easy to moderately difficult pieces / Niveau : Facile / Répertoire / Piano
Par RAVEL MAURICE. It was unmistakably Liszt’s piano piece “Les jeux d’eau...(+)
Par RAVEL MAURICE. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. / Niveau : 5 / Répertoire / Piano
Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 5 E-flat major o...(+)
Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 5 E-flat major op. 73 Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance. The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages. As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano. ' Many wholly new corrections in the solo and orchestral parts ' Piano reduction with a separate solo part, as was customary in Beethoven's day ' With Beethoven's continuo figures for the first time in a modern edition Edition no.: BA 9025-90 ISMN: 9790006559091 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano, Piano Binding: Paperback Pages / Format: 67/49 S. - 31,0 x 24,3 cm
This collection contains 39 easy-to-play piano pieces from the Baroque to the Ea...(+)
This collection contains 39 easy-to-play piano pieces from the Baroque to the Early Modern period and presents an ideal repertoire for music schools and private music-making.Conceived as a current supplement to Bärenreiter's popular anthology 'Easy Classics for Piano? (BA 8758), it offers a wide-ranging repertoire which includes popular classical pieces but also small gems such as Chopin's 'Contredanse? in G-flat major as well as Satie's 'Berceuse? and 'Méditation?. Tried and tested fingering by the experienced pianist and piano teacher Annette Töpel help players to learn the pieces more quickly.- Ideal for students, music-lovers and piano teachers- Tried and tested fingering - Practical page-turnsFrom the contents:Chopin, 'Préludes? in A major and C minor (op. 28 nos. 7 and 20), Contredanse in G-flat major, Schumann, 'Bärentanz and Haschemann? / Bach, 'Preludes? / Debussy, 'The little shepherd? from 'Children's Corner? / Mendelssohn, 'Wedding March? / Brahms, 'Waltz? in E major (op. 39 #5), Theme from the 'Paganini Variations? (op. 35), 'Verstohlen geht der Mond auf? from Piano Sonata op. 1 (movt. 2) / Ravel, Prélude / Satie, 'Berceuse? and 'Méditation? / Piano
Par SAINT-SAENS CAMILLE. “The Etudes op. 52 and op. 111 are little masterpiece...(+)
Par SAINT-SAENS CAMILLE. “The Etudes op. 52 and op. 111 are little masterpieces of invention. On every page you encounter ingenious inventions for piano technique and sound.”
(Isidore Philipp)
What Isidore Philipp described in “Musica” in 1907 is still true today: indeed, the etudes of Saint-Saens offer a panopticon of French piano technique as complex as it is dazzling.
Individual etudes, such as the “Prélude No. 1” and “En forme de valse No. 6” from the “Etudes op. 52” or the “Toccata No. 6” and “Les Cloches de Las Palmas No. 4” are included in recitals time and again - they belong to the standard repertoire of piano students, at least in France. Even the “Etudes for the left hand op. 135” and the '“Fugues op. 161” are full of poetic surprises with their self-imposed limitations.
The editor has written a detailed Introduction to these enchanting discoveries in this definitive volume. In addition to information on the history of the genre and its genesis, the Introduction provides biographical details about the dedicatees, insights on the contemporary reception of the works and notes on interpretation./ Recueil / Piano