Partitions de Barenreiter pour Violon et Piano

for Violin and Piano-15 character-pieces about animals from the zoo. For young violinists in their first two years with piano accompaniment. The kangaroo vividly jumps up and down beavers are nibbling tireless and the crocodile dexterously sneaks through the legato.

In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano

Ravel, Maurice
Sonata / Berceuse sur le nom de Fauré for Violin and Piano
- New scholarly-critical edition of Ravel?s famous sonata
- First scholarly-critical edition of the ?Berceuse sur le nom de Fauré?
- Foreword on the historical context and performance practice issues (Eng/Ger) as well as a Critical Commentary (Eng)
Ravel worked on his Sonata for Violin and Piano for four years (1923?1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the ?fundamental incompatibility? of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a ?perpetuum mobile? finale.
This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the ?Berceuse sur le nom de Fauré? which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Fauré?s name. / Partitions classique / Cordes / Violon / BARENREITER

Un fragment autographe de la Sonate pour violon op. 47 est intitulé, dans la main de Beethoven, 'Sonata mulattica composta per il mulatto Brischdauer, gran pazzo e compositore mulattico' ' signifiant « Mulatto Sonata composée pour le mulâtre Brischdauer, grand fou et compositeur mulâtre ». La genèse de la sonate, qui allait devenir célèbre sous le nom de « Kreutzer Sonata », est étroitement liée à la visite de George Augustus Polgreen Bridgetower (1778-1860) à Vienne, violoniste de père afro-caribéen et de mère européenne. Dans la langue de cette époque, sa descendance fait de lui un mulâtre. Beethoven était apparemment profondément impressionné par la musicalité et les capacités virtuoses de Bridgetower. Cependant, lorsque la sonate fut publiée en 1805, il la dédia à Rodolphe Kreutzer sous le titre 'Sonata per il Pianoforte ed uno violino obligato in uno stile molto concertante come d'un concerto'. L''uvre « à la manière d'un concerto » est probablement la sonate pour violon la plus exigeante de Beethoven, et fait partie du répertoire principal des grands virtuoses du violon depuis le XIXe siècle.

Les dix sonates pour piano et violon de Beethoven, ainsi que celles de Mozart, constituent le c'ur de ce genre de musique classique. Suivant l'exemple des dernières sonates de Mozart, Beethoven laisse la partie violon devenir de plus en plus indépendante de la partie piano. Non seulement l'édition critique de Clive Brown propose un texte méticuleusement édité, mais elle présente pour la première fois une liste de références et un rapport critique. De plus, Brown documente un grand nombre de passages où la notation soulève quelques questions, selon les normes actuelles. Ces passages avaient auparavant été négligés dans le manuscrit autographe, mais leur signification est maintenant clarifiée. Un exemple peut être trouvé dans le « Tempo di Minuetto » de Beethoven, extrait de la Sonat op. 30 n ° 3, où il utilise une idiosyncratie notationnelle basée sur le livre de son fils C.P.E. Bach « Versuch über die wahre Art das Clavier zu spielen », pour indiquer une pause. Ce symbole musical, figurant dans la première édition publiée du vivant de Beethoven, n'a été abordé dans aucune édition moderne à ce jour. De plus, une partition dénotant un accord arpégé ne peut pas non plus être retrouvée dans les éditions modernes précédentes.

Konzertrondo für Violine und Klavier. Par DVORAK ANTONIN. / Répertoire / Violon et Piano

Par DEBUSSY CLAUDE. Claude Debussy had difficulties finishing his last major work, the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy' s progressing illness as well as the First World War. The first edition, published during the final year of Debussy' s life, contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work' s later reception. Both are examined here in a fresh light. In addition to the Sonata, this edition contains arrangements of „La fille aux cheveux de lin' and „Il pleure dans mon coeur' by the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece „Minstrels' , also included in our edition. - Debussy' s complete works for violin and piano - With arrangements by Debussy' s acquaintance Hartmann - Informative Foreword (Eng/Fr/Ger) - Critical Commentary (Eng)/ Répertoire / Violon et Piano

Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck's correspondence proves that he was directly involved in the printing of the sonata. Consequently, our new scholarly performing edition draws mainly on the first edition of the separate violin part. For the piano part, the first edition of the version for violoncello and piano, which appeared during Franck's lifetime, was an important source as many engraver's errors found in the first printing of the violin version had been corrected in this violoncello version. In addition to these sources, both autograph scores of the violin sonata (Franck's working copy and his fair copy) were consulted to clarify questionable readings.Bärenreiter's new edition also includes two short separate movements for the same instrumentation: the early 'Andantino quietoso? op. 6 (1843), a hauntingly beautiful piece composed for performances with Franck's violinist brother Joseph, as well as 'Mélancolie?, first published after Franck's death in 1911. This second piece is based on a solfège exercise and written at the height of the composer's creative powers, at about the same time as his famous violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the three compositions (Ger/Fr/Eng), a complete list of sources, editorial notes and a Critical Commentary (Eng).- Pioneering new Urtext edition- Informative text on the genesis and reception history of the sonata and its versions (Ger/Fr/Eng)- Two small individual movements for violin and piano published for the first time- Detailed Critical Commentary (Eng) / Violon Et Piano