Matériel : Partition
with Bagatelle in A minor WoO 59 'Für Elise'. Par BEETHOVEN LUDWIG VAN. This edition brings together all of Beethoven's pieces that he himself associated with the term 'bagatelle', a trifle. The Bagatelles reflect Beethoven's diverse compositional cosmos in miniature and span almost his entire oeuvre from 1801/02 to 1824/25. In terms of playing technique, they range from moderate dexterity to demanding virtuosity. In addition to the well-known collections opp. 33, 119 and 126, ten more pieces were found after Beethoven's death in an envelope labelled Bagatelles . These included the revised version of Für Elise as well as two further revisions of bagatelles which appear here in print for the first time. Beethoven conceived the cycle, still known today as 'op. 119' although this opus number did not stem from him as two separate projects with five and six pieces respectively. Our edition presents these two collections separately for the first time, as Beethoven proposed. Variants, additions and revisions in the first print that go beyond the main manuscript source and were most likely intended by Beethoven are presented in grey print. A variety of new insights, an informative Foreword and insightful notes on Viennese piano playing in Beethoven's time (German/English) as well as a detailed Critical Commentary (Eng) offer the performer an abundance of information and a new perspective on Beethoven's bagatelle oeuvre. / Date parution : 2024-01-06/ Recueil / Piano
SKU: HL.50486923
ISBN 9789639155435. 9.25x12.25x0.286 inches.
SKU: BT.MUSAM39645
ISBN 9780711906723. English.
All five books of The Complete Piano Player series are published in this single volume at a substantial savings over the price of the five individual books. Complete with keyboard chart.
SKU: PO.PEL07
ISBN 9781877564666.
The Douglas Lilburn Complete Piano Edition was established to accompany Trust Records award-winning recorded collection of the same name. The seventh volume in a series of eight, it comprises Prelude (1951), Five Bagatelles (1942), Three Pieces (1965), and Christmas 1943.
SKU: SU.00220504
This CD Sheet Musicâ?¢ collection makes available the wide range of Ludwig van Beethoven's piano music, both familiar and less well-known. Includes: Bagatelles, 32 Sonatas, Sonatinas, 5 Piano Concertos, Triple Concerto, Diabelli Variations, Contradances, Ecossaises, German Dances, Ländlers, Minuets, Rondos, Variations, Waltzes, and more Also includes composer biographies and relevant articles from the 1911 edition of Groveâ??s Dictionary of Music and Musicians 1500 pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: SU.00220614
This CD Sheet Music collection makes available the wide range of Ludwig van Beethoven's piano music, both familiar and less well-known. Includes: Bagatelles, 32 Sonatas, Sonatinas, 5 Piano Concertos, Triple Concerto, Diabelli Variations, Contradances, Ecossaises, German Dances, Ländlers, Minuets, Rondos, Variations, Waltzes, and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1500+ pages.
SKU: HL.14036975
ISBN 9788759868010. Danish.
Pelle Gudmundsen-Holmgreen 3 EPIGRAMS'3 Epigrams' (1963) came into existence following my piece for chamber orchestra 'Chronos' (1962). My purpose with these pieces (and others of the same period) was to explore the sound experiences of serialism in space and time but without using the original and fundamental substance of serialism - the tone row. The chromatic space was constituted by four identical and complementary tone columns (established by transposition). The time was divided into 25 different sizes, plasticly conceived and graphically notated. These distances were then divided in 25 new distances in the same proportions etc ... into smaller and smaller durations completely hierarchally carried through. This time division, 'rhythm', de-termines the gradual or sudden shifts from one tone column to another.The 3 Epigrams became a little play of my own with this material and the work is, therefore, quite clear to read and easy to play - a kind of bagatelle, really.I am now afraid that a classic situation is emerging: If this programme note is any longer it will take more time to read this than it will take to play the three pieces.Pelle Gudmundsen-Holmgreen.
SKU: BT.EMBZ1763
French.
'Two pieces of scherzo character in triple time flank a slower movement in duple time. The first burlesque entitled 'Quarrel' is Márta's piece, Nov. 1908, is a dispute between two opposing characters, with grimaces and taunts. The second burlesque, with the subtitle 'Slightly Tipsy' or 'A bit drunk' is one of Bartók's ingenious programme music miniatures, with characteristic performance indications. The figure appearing in a stumbling rhythm begins to sing indifferently, then continues ruvido (coarsely). By the end of the middle section, to be played in dry tone, our hero collapses completely, and takes leave as a pitiful figure, like the wooden puppet after the dance in The WoodenPrince ballet. ...Finally, the titleless third burlesque, Molto vivo, capriccioso, also stimulates the imagination: one can detect in it the grotesque rush of the last bagatelle, 'My Dancing Sweetheart,' just like the Wooden Prince dance. (HCD 32525 Bartók New Series Vol. 25, László Somfai).
SKU: OU.9780193683181
ISBN 9780193683181. 13 x 10 inches.
The volume contains all the works for piano (solo, piano duet, two pianos), and works for organ and guitar. It includes an introduction, textual notes, and facsimiles.
About William Walton Edition
In March 2014 Oxford University Press published the last volume in its magnificent William Walton Edition, the only complete critical edition of a 20th-century British composer's oeuvre. All 24 volumes are handsomely printed and bound. Walton's entire output is now available to scholars and performers in a definitive and fully practical edition, based on the form in which the composer ultimately wished his music to be performed. The general editor, David Lloyd-Jones - the eminent conductor, English music specialist, and founder of Opera North - invited a world-class expert to edit each volume. Carefully researched introductory essays place the works in their historical context and in the composer's oeuvre, and there are full critical notes.
