Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological res...(+)
Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological research.
With many corrections in the solo part and Orchestral parts.
Piano reduction for 2 Pianos with a separate solo Piano part.
A must for Pianists,Orchestras and Beethoven scholars.
Beethoven?s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation,dynamics and pedal markings are for the most part absent. However, Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with whichBeethovenplaced slurs and pedal markings in order to be consistent and unambiguous.
By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation, dynamics andnotes. In particular, the orchestral parts have been corrected for the first time since Beethoven?s lifetime. / Date parution : 2022-02-26/ Répertoire / 2 Pianos
Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano con...(+)
Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.
The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Šolc./ Répertoire / 2 Pianos
for Pianoforte and Orchestra op. 37-Urtext edition reflecting the latest musico...(+)
for Pianoforte and Orchestra op. 37-Urtext edition reflecting the latest musicological research.With many corrections in the solo part and Orchestral parts.Piano reduction for 2 Pianos with a separate solo Piano part.A must for Pianists Orchestras and Beethoven scholars.Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethovenplaced slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. In particular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.
Mozart, Wolfgang Amadeus Concerto for Piano and Orchestra no. 8 C major K. 246 L...(+)
Mozart, Wolfgang Amadeus Concerto for Piano and Orchestra no. 8 C major K. 246 Lützow Concerto Edition no. BA 5388-90 ISMN 9790006470402 Editor Wolff, Christoph Arranger Töpel, Michael Piano reduction, Urtext edition
Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urt...(+)
Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák's only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel 'olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel 'olc.
For Pianoforte And Orchestra. Par BEETHOVEN LUDWIG VAN. The autograph to Beethov...(+)
For Pianoforte And Orchestra. Par BEETHOVEN LUDWIG VAN. The autograph to Beethoven's Piano Concerto #4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon- the copyist's manuscript of the score with Beethoven's own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.
Though no new sources have been available for this new edition, numerous editorial emendations which have prevailed in all previous editions (even Urtext editions) have now been corrected.
Thus, this new Bärenreiter Urtext edition presents Beethoven's famous work in the clarity which it deserves.
- With numerous corrections
- Piano reduction with a separate solo piano part/ Répertoire / Piano et Orchestre
Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 2 B-flat major o...(+)
Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 2 B-flat major op. 19 Details Edition no.: BA 9022-90 ISMN: 9790006544141 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano (2) Binding: Paperback Pages / Format: 46/35 S. - 31,0 x 24,3 cm Although the sources to Beethoven's piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition. Up till now, no edition was based exclusively on the authentic sources. Previous publications tended to rely on earlier editions, such as the old Beethoven Complete Edition which in turn also did not take exclusively authentic sources into account. Jonathan Del Mar's scholarly-critical edition corrects misreadings of Beethoven's autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work. ' First Urtext edition based on the authentic sources ' Numerous corrections in the orchestral parts ' Piano reduction with a separate solo piano part
Beethoven's fifth and final piano concerto is at the same time the culmination o...(+)
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Piano
[Konzert für Klavier und Orchester B-Dur KV 595 (Nr. 27)] / Classique / Editeur...(+)
[Konzert für Klavier und Orchester B-Dur KV 595 (Nr. 27)] / Classique / Editeur : Wolfgang Rehm / Réduction piano : / Partition / Cartonné / Plats de carton /
[Konzert für Klavier und Orchester d-moll KV 466 (Nr. 20)] / Classique / Editeu...(+)
[Konzert für Klavier und Orchester d-moll KV 466 (Nr. 20)] / Classique / Editeurs : Hans Engel and Horst Heussner / Randeac / Partition / Cartonné / Plats de carton /
[Konzert für Klavier und Orchester Es-Dur KV 482 (Nr. 22)] / Classique / Editeu...(+)
[Konzert für Klavier und Orchester Es-Dur KV 482 (Nr. 22)] / Classique / Editeurs : Hans Engel and Horst Heussner / Réduction / Partition / Cartonné / Plats de carton /
Although the sources to Beethoven's piano concerto op. 19 are generally known, m...(+)
Although the sources to Beethoven's piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition. Up till now, no edition was based exclusively on the authentic sources. Previous publications tended to rely on earlier editions, such as the old Beethoven Complete Edition which in turn also did not take exclusively authentic sources into account.' Jonathan Del Mar's scholarly-critical edition corrects misreadings of Beethoven's autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work.' ' ''First Urtext edition based on the authentic sources' ''Numerous corrections in the orchestral parts' ''Piano reduction with a separate solo piano part / [Concerto pour Piano et Orchestre N°2 Si bémol Majeur Opus 19 (Réduction Piano Parties séparées)] / Classique / Partition / Agrafé /
[Konzert für Klavier und Orchester D-Dur KV 451 (Nr. 16)] / Classique / Editeur...(+)
[Konzert für Klavier und Orchester D-Dur KV 451 (Nr. 16)] / Classique / Editeur : Marius Flothuis / Réduction piano / Partition / Cartonné / Plats de carton /
[Konzert für Klavier und Orchester F-Dur KV 459 (Nr. 19)] / Classique / Editeur...(+)
[Konzert für Klavier und Orchester F-Dur KV 459 (Nr. 19)] / Classique / Editeurs : Paul and Eva Badura-Skoda / Réduction pia / Partition / Cartonné / Plats de carton /