Partitions de Novello & Co Ltd. pour Clarinette et Piano

Sonatine Joseph Horovitz 'pour clarinette et piano a été composé entre Janvier et Avril 1981. Un léger Sonatine, qui suit le schéma traditionnel de la division en trois mouvements et est mélodiquement et rythmiquement très influencé par le jazz et autres musiques populaires. / Clarinette / Partition

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes there are five pieces in the set each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and as a tribute to them Gregson tried to invade indeed imitate their stylistic worlds in these pieces.They are as follows:To Francis Poulenc (for Emma Johnson) a rather dreamy toccata lyrical in feel but interrupted by typically quirky and disruptive rhythmic episodes.To Gerald Finzi (forJohn Bradbury) slow and lyrical with long melodic arches.To Igor Stravinsky (for Linda Merrick) asymmetric rhythms dominate with wide leaps in the solo line and bitonal harmony on the Piano.To Olivier Messiaen (for Nicholas Cox) based on the ravishing slow movement for Cello in his Quartet for the End of Time a seamless melody is woven around ever-changing repeated chords on the Piano.To Béla Bartók (for Michael Collins) the most virtuoso of the set; after a slow introduction a swirling folk-like dance unfolds mirroring Bartok?s penchant for simple modal shapes and ostinati rhythms.

A collection of arrangements of piano works of Eric Satie arranged by Sidney Lawton for clarinet and piano.

Arnold Cooke's Sonata in B flat for Clarinet and Piano was written for the Hampton Music Club in 1959. Duration of the work is 20 minutes.

Composed in 1940 Geoffrey Bush’s Rhapsody For Clarinet And Strings has been transcribed here for Clarinet and Piano and is a great addition to the repertoire of both clarinettists and pianists. While enhancing cooperative skills between musicians it also presents plenty of opportunities for the soloist to show off their talent. Duration ca. 9 minutes.Geoffrey Bush was a British composer organist and scholar of 20th-century English music. His compositions include 5 operas 2 symphonies choral pieces such as his Christmas Cantata and many songs generally in the liederstyle.

Commissioned by The Mühlfeld Trio in 1988 Lullaby is one of a pair of pieces by Lefanu based around twilight and night. The piece features six miniatures illustrating a mother's experiences watching her child drifting into slumber. The miniatures are performed without breaks as one continuous piece with fluctuations surprises and long stretches of blissful chords and undulating textures. The clarinet part is also included on a separate insert.The second piece of the pair Nocturne for Cello and Piano is available: item code NOV361054.

The music of Wagner effectively transcribed for clarinet and piano by Sidney Lawton. Includes four pieces from the music dramas and 'Traume' from the 'Wesendonk Lieder'.

Composed in 1985 for Clarinet and Piano. The piece was commissioned by the Cheltenham Festival with additional funds from South West Arts and the Royal Over-Seas League. It was first performed on 17th July 1986 by Nicholas Cox and Vanessa Latarche as part of the festival at the Pittville Pump Room in Cheltenham.

Charles Camilleri (1931-2009) was a Maltese composer and academic. His compositions were often inspired by the folk traditions of his native Malta which in turn drew on a melting-pot of European Mediterranean and African cultures. He was also Professor of Composition at the Royal Conservatory of Music in Toronto and later became the first Professor of Music at the University of Malta. Divertimento No. 2 was written for solo Clarinet with Piano in three movements the first of which features on the ABRSM Grade 8 Syllabus for Clarinet. It is a light-hearted work which would also be suitable for any recital orconcert.