Open Up The Sky

SKU: MB.30701M

ISBN 9781513461663. 8.75 x 11.75 inches.

This guitar method focuses on playing engaging rhythmic themes entirely on open strings. What seems at first to be a simple task quickly becomes a real challenge, requiring a high level of accuracy and an excellent sense of rhythm. While the picking hand can only play what the other hand has prepared, nothing musical will happen unless you pluck the right string. Sven Niers exercises and tunes offer motivating, effective training to facilitate hitting the correct string with precision, winning half the coordination battle. While the audio examples are recorded on an electric instrument, guitar teachers and beginning students in all styles will appreciate this innovative book. Includes access to outstanding play-along online audio with and without the solo part.

SKU: HL.225433

UPC: 888680672621. 5.0x5.0x0.15 inches. Pamela Stewart/John Purifoy. Isaiah 42:7, Isaiah 49:9, Isaiah 61:1, Isaiah 64:1.

A lament of depth and beauty is found in this stunning original. Hopeful in its substance, the expressive arching melody paints the words, O Savior, open heaven wide. Bend down and hear our cry. Each voice part is given a rich fulfilling treatment, and the piano accompaniment adds layers of sonic beauty. A chamber orchestration provides options for directors looking for instrumental opportunities. Poignant! Score and Parts (fl, ob, eng hn, vn 1-2, va, vc, db) available as a digital download.

SKU: HL.48184528

UPC: 888680834746. 9.0x12.0x0.059 inches.

Gerard Berlioz: Yes, open the Door (Percussions 3).

SKU: MB.99801M

ISBN 9781513460949. 8.75 x 11.75 inches.

John Fahey was a pioneer in composing and arranging guitar solos in open tunings. In this lesson series for the intermediate guitarist, John teaches a wide variety of techniques, musical textures and styles. The book includes the notation and tablature for the lessons and access to online audio featuring phrase-by-phrase instruction. LESSON ONE:  Open G tuning: On the Sunny Side of the Ocean, Spanish Two Step and It Came Upon A Midnight Clear. St. Louis Blues played in a dropped D tuning. LESSON TWO:  In this lesson John explores the possibilities of playing in an open C tuning. The Union Pacific has a distinct blues quality, Requiem For John Hurt has an Eastern feel. Simplicity often creates beauty and John does this with his version of Auld Lang Syne. LESSON THREE:  This lesson concentrates on John's slide guitar playing. Steamboat Gwine Round the Bend played in open G demonstrates many of John's unique technical ideas. The Christmas carol Silent Night is presented in the slide style. John's popular arrangement of Poor Boy A Long Way From Home played in open D tuning finishes the series.  Includes access to online audio.

SKU: CA.3115611

ISBN 9790007208776. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

SKU: CA.3115614

ISBN 9790007208806. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

SKU: OU.9780193550964

ISBN 9780193550964. 10 x 7 inches.

For SSAA and piano Like the original version for SATB voices, this upper-voice arrangement of Wide Open Spaces reflects on the journeys and adventures to be found in the wide opens spaces within ourselves and in the world around us.

SKU: CA.3115621

Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

SKU: HL.1341907

UPC: 809164027829. 15.75x42.5x3.75 inches.

Thin design, big sound! Patriot Decree SB Open Pore guitars combine boutique-inspired styling and exceptional tone, in a thin, lightweight body design. The striking open pore texture and satin finish enhance resonance without compromising the instrument's tone. The exotic sungkai tonewood top is paired with a slim mahogany body to give the Patriot SB Open Pore a distinctly resonant and clear sound. A 22-fret ebony fingerboard produces a bright tone and allows for first, fluid lines. The set-in mahogany neck, with its contoured heel and modern C shape, is comfortable to play and allows easy access to the upper frets. The Great 8 Mod gives you quick and easy access to a wide range of tonal options. Its two Rockfield® Select Wound Custom humbuckers eacch with a mini toggle switch allow you to to coil split the pickups. The 3-way pickup selector gives you eight different unique sonic options to choose from. The Patriot SB Open Pore features a Tune-O-Matic bridge with string-thru body design and Grover® tuners, and is finished with speed knobs and sleek chrome hardware. Features: • Single-cutaway electric guitar with lightweight slim body design • Mahogany body provides warmth and punch while accentuating the mids and highs • Mahogany neck with ebony fretboard • Two Rockfield® SWC humbucker pickups • Great 8 Mod with 3-way pickup selector and two mini toggle coil-split switches • 22 medium jumbo frets • Grover® tuners, string-thru body with Tune-O-Matic bridge.

SKU: CA.3115612

ISBN 9790007208783. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

SKU: CA.3115613

ISBN 9790007208790. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

SKU: HL.48185571

UPC: 888680854089. 9x12 inches.

“Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for Open Air, therefore, makes for a well-informed compilation. As suggested by the title, Open Air focuses on breath control. With a typical performance lasting around three minutes and ten seconds, this Trombone work is a delightful, alternative piece for young trombonists. Open Air is a delightful addition to the intermediate Trombone repertoire.&rdquo.