Format : Accompaniment CD
SKU: MB.30701M
ISBN 9781513461663. 8.75 x 11.75 inches.
This guitar method focuses on playing engaging rhythmic themes entirely on open strings. What seems at first to be a simple task quickly becomes a real challenge, requiring a high level of accuracy and an excellent sense of rhythm. While the picking hand can only play what the other hand has prepared, nothing musical will happen unless you pluck the right string. Sven Niers exercises and tunes offer motivating, effective training to facilitate hitting the correct string with precision, winning half the coordination battle. While the audio examples are recorded on an electric instrument, guitar teachers and beginning students in all styles will appreciate this innovative book. Includes access to outstanding play-along online audio with and without the solo part.
SKU: MB.99251M
ISBN 9781513462202. 8.75 x 11.75 inches.
This is the first book ever of Yuletide music arranged for solo guitar in various open or altered tunings. Â In this genre of guitar music, the instrument is re-tuned to create a voicing ideally suited for each particular song. Â This book contains ten Christmas tunes and covers five open tunings that give voice and life to the music of the Yuletide season. Â The arrangements include old standards, like Silent Night and Joy to the World, and a sprinkling of more obscure tunes, such as Am Weinachts Baum die Lichte Brennen. Â All are beautiful, time-tested songs. Includes access to online audio.
SKU: PR.114423630
ISBN 9781491136447. UPC: 680160689187. Walt Whitman, Song of the Open Road.
Whitman’s epic “Song of the Open Road†is an inspiring metaphor encouraging us to find and explore our own paths, free of anchors or artificial boundaries. Dorff uses 5 brief passages from the poem as movement titles, setting the stage for a suite of sometimes-edgy soliloquies in which the music (and the flutist) explores these open roads.
SKU: HL.225433
UPC: 888680672621. 5.0x5.0x0.15 inches. Pamela Stewart/John Purifoy. Isaiah 42:7, Isaiah 49:9, Isaiah 61:1, Isaiah 64:1.
A lament of depth and beauty is found in this stunning original. Hopeful in its substance, the expressive arching melody paints the words, O Savior, open heaven wide. Bend down and hear our cry. Each voice part is given a rich fulfilling treatment, and the piano accompaniment adds layers of sonic beauty. A chamber orchestration provides options for directors looking for instrumental opportunities. Poignant! Score and Parts (fl, ob, eng hn, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.48184528
UPC: 888680834746. 9.0x12.0x0.059 inches.
Gerard Berlioz: Yes, open the Door (Percussions 3).
SKU: CA.3115611
ISBN 9790007208776. Text language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.
SKU: CA.3115614
ISBN 9790007208806. Text language: German/English.
SKU: CA.3115600
ISBN 9790007186777. Language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale.
SKU: CA.3115619
ISBN 9790007208813. Language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and parts available separately - see item CA.3115600.
SKU: OU.9780193550964
ISBN 9780193550964. 10 x 7 inches.
For SSAA and piano Like the original version for SATB voices, this upper-voice arrangement of Wide Open Spaces reflects on the journeys and adventures to be found in the wide opens spaces within ourselves and in the world around us.
SKU: CA.3115603
ISBN 9790007186784. Language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600.
SKU: CA.3115621
Text language: German/English.
SKU: CA.3115605
ISBN 9790007186791. Language: German/English.
SKU: CA.3115649
ISBN 9790007208820. Language: German/English.
SKU: CA.3115612
ISBN 9790007208783. Text language: German/English.
SKU: CA.3115613
ISBN 9790007208790. Text language: German/English.
SKU: HL.1742629
Signature sound, open feeling. The first beyerdynamic open-ear true wireless headphones deliver high-quality beyerdynamic sound as expected, and leverage the open-ear design to allow users to hear their surroundings. With an open-ear design, secure fit, long-lasting battery life, superior ergonomic comfort, and in-app customizable sound tuning – another first for beyerdynamic – VERIO 200 is perfect for those with active lifestyles. VERIO 200 is equipped with a 16.22mm high-performance, custom-designed graphene neodynmium driver. The new driver delivers precise sound and deep bass while minimizing sound leakage, ensuring an immersive listening experience in any environment. Together with the open-ear design, VERIO 200 enhances spatial awareness, making it an ideal device for use during commutes, workouts, and outdoor activities. With the free beyerdynamic app, users can personalize their sound experience by creating EQ acoustic profiles and tuning the earphones' sound via the 5-band equalizer, as well as customizing on-board controls. The open-ear VERIO 200 features high-quality integrated microphones enhanced with aptX™ Voice technology, ensuring crystal-clear speech intelligibility in any environment – a necessity for on-the-go earphones. Additionally, advanced ambient noise detection and filtering features guarantee clear voice transmission whether engaged in calls or recording audio. Seamless connectivity across multiple applications, thanks to Multipoint Bluetooth® 5.3 compatibility, ensures smooth transitions between devices. Compatible with both iOS and Android devices, VERIO 200 supports the latest audio codecs, including aptX™ Lossless, AAC, and SBC, guaranteeing high-quality audio streaming for an enhanced listening experience. Designed and crafted in Germany using premium materials and components, VERIO 200 exemplifies beyerdynamic's commitment to quality and durability. Available in three colors: Black, Cream, and Sport, VERIO 200 combines style with performance, catering to diverse preferences of discerning users.
SKU: HL.1742630
SKU: HL.1742631
SKU: DY.DO-1521
ISBN 9782897963019.
Dedicated to the luminary Steve Cowan, …empty mind, open heart… is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.Dédiée à la sommité Steve Cowan, … esprit vide, cœur ouvert… est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d’ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d’arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme.