Blues Guitar Technique

En présentant les duo country blues de Big Bill Broonzy, Blind Blake et Lonnie Johnson, Wood Mann et Bob Brozman explore les techniques qui permettent de créer des duo de guitare flattant les deux guitaristes. 62 minutes, en anglais. / Guitare

Cette troisiéme leçon de Stefan Grossman comporte une grande variété de blues en La et Mi. Depuis les blues de Lightnin' Hopkins aux morceaux jouer avec une guitare accordée en DADGBE. Les techniques utilisées dans le style Delta Blues sont expliquées grâce qux chansons et idées de Son House, Willie Brown, Charlie Patton, Tommy Johnson et Skip James. Stefan Grossman vous donnera des conseils pour gagner en liberté lors de vos improvisation blues.Il vous enseignera également à jouer les morceaux ci-dessous. Chaque morceaux est éudié phrase à phrase, joué normalement puis plus doucement. Le livret contient toutes les partitions. 85 minutes, en anglais. / Guitare

As part of Stefan Grossman's Guitar Workshop Audio Series this comprehensive and thorough collection of fingerpicking guitar lessons contains invaluable tips and instruction implemented throughout the arrangements in this book. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. Lesson One: Basic fingerpicking patterns, bass runs, intermediate fingerpicking patterns, arpeggios, basic rock and blues beats. Fred teaches the songs 'Nine Pound Hammer?, 'Careless Love?, 'Red River Valley?, 'Worried Man Blues?, 'House of the Rising Sun? and more. Lesson Two: Fingerpicking syncopation, blues backup techniques, Boogie Bass pattern, turnarounds and licks. Songs: 'Railroad Bill?, 'Hesitation Blues?, 'Betty and Dupree? and more. Lesson Three: Country Fingerpicking, hammer-ons. Songs include: 'Bury Me Beneath the Willow?, 'Roll In My Sweet Baby's Arms?, 'Leaning On The Everlasting Arms? and more. / Guitare (Fingerpick) / 40 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Leçon ONE : stylistes de débuts - les racines du BLUES électrique - blues électrique est issu de la cueillette de guitare des solistes de single-chaîne polyvalents comme Lonnie Johnson et Scrapper Blackwell et les bluesmen de pays, tourné électrique, comme Lightnin' Hopkins et John Lee Hooker. Fred ralentit et d'analyse les licks, les échelles et les techniques de ces joueurs. LECON deux : Electrique SLIDE GUITAR - à l'aide de plusieurs airs de l'échantillon, Fred enseigne comment les maîtres à jouer de la guitare électrique dans les styles du blues, les joueurs qui ont inspiré de Johnny Winter, The Allman Brothers, Ron Wood et le reste du rock d'aujourd'hui diapositive guitaristes. Plusieurs techniques sont couverts pendant que vous apprenez les techniques de Tampa rouge (open D), Muddy Waters (ouvrez G), Elmore James (Epsilon) et Robert Nighthawk (réglage standard) et comment appliquer ces techniques à des progressions de roche. Leçon 3: Début BLUES/ROCK : CHUCK BERRY et BO DIDDLEY - ces guitare rock défini de deux guitaristes dans leur journée. Les styles ils utilisés, et licks dérivée f... / Guitare / 48 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Country Blues Guitar styles span a wide horizon. In these three lessons the ideas and techniques of Rev. Gary Davis, Charley Jordan, Tommy Johnson and Mississippi John Hurt are presented. The arrangements vary from alternating bass to a Delta strum to a monotonic bass. In notation and tablature with three compact discs featuring 3 full hours of note-by-note, phrase-by-phrase instruction. LESSON ONE: Rev. Davis's Cocaine Blues and You Got The Pocket Book, I Got The Key both played in the key of C and in what Rev. Davis called 'old fashion' pickin'. The popular blues Crow Jane played in the key of E. LESSON TWO: Charley Jordan's Keep It Clean and Hunkie Tunkie Blues both played in the key of E and presenting Jordan's unusual blues approach. Tommy Johnson's Canned Heat played in dropped D tuning. LESSON THREE: We begin with Come Back Baby, a slow blues in A using a monotonic bass. We follow this with Mississippi John Hurt's Monday Morning Blues also played in the key of A but using an alternating bass. / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11 X 8,5

A partir de ground zero, Fred Sokolow vous apprend comment accompagner vous-même tout en chantant le blues. Vous apprendrez à jouer des mélodies et solo dans plusieurs clés, tout au long du cou. Ce livre aidera à construire la Fondation pour votre compréhension des techniques de la guitare blues et des styles pour guitare électrique et acoustique. Aborde la forme simple blues E, G et C, élargissant progressivement sur des concepts. Comprend les simple première position blues échelles nécessaires pour isolation (fingerpicking et flatpicking) dans les clés de E, G et les chansons de c. et les solos sont présentés dans la notation standard et tablature avec des paroles. Comprend 3 CD / Guitare (Fingerpick) / 48 pages / niveau : Débutant / Partition/3-Cd Set - Format: 11,75 X 8,75

The Ultimate Guitar Lesson Book-With the Play Like series you'll study the trademark styles of some of the world's greatest artists so that you can learn to replicate their unique sound. This volume focuses on blues Guitar royal Freddie King. Play Like Freddie King is a book/audio teaching method that provides a detailed analysis of King's gear tone techniques styles songs licks riffs and much more. You'll learn everything you need to know about King's legendary Guitar playing from his early '60s Guitar instrumental hits to his '70s blues-funk excursions and beyond. The book includes access to audio tracks online for download orstreaming using the unique code inside the book. It also includes Playback+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys pan left or right. Songs include: Going Down I'm Tore Down Remington Ride San-Ho-Zay The Stumble and more.

In his friendly, humorous style, Greg Horne makes learning acoustic guitar fun and easy. This revised edition features examples in TAB and standard music notation and a new DVD hosted by guitar virtuoso Jared Meeker. You'll learn how to hold the instrument, play with a pick, count time, read music, and play simple chords. After mastering the basics, you'll be introduced to fingerpicking, barre chords, improvisation, music theory, and a variety of styles including blues, rock, country, and folk. Beginning Acoustic Guitar is a must-have for anyone serious about starting to learn acoustic guitar. Second Edition Features: * Updated examples in the styles of acoustic guitar masters * New companion DVD demonstrating the examples in the book * Improved instruction on acoustic guitar techniques and theory, covering flatpicking, fingerstyle, and strumming / Guitare

One of the greatest blues albums ever recorded by one of the greatest guitarists ever to have lived, every note of Live At The Regal by B. B. King is presented here in staff notation and Guitar tablature so that now you can learn all the details of this legendary performance.Recorded in 1964 at the Regal theatre in Chicago, guitarist B. B. King and his Guitar, Lucille, took to the stage and unleashed one of the most powerful performances in living memory. Blasting through a set of original compositions like Please Love Me and You Upset Me Baby, mixed in with covers of blues standards like Every Day I Have The Blues, King brought his uniquely expressive way of playing to the masses. Now, with this edition of Live At The Regal, you can learn from the greatest, following every sublime lick and expert bend until you've nailed the entire performance.Featuring staff notation and tablature, this book is ideal for the blues-loving guitarist who already knows the basics and wants to sharpen their lead-playing, and what better example to learn from than the King of Blues? The detailed instructions tell you every nuanced technique, such as every time King employs vibrato and sometimes even which pickup to use. At the back of the book there is a useful chart to explain the tablature notation for specific techniques that are used throughout the songbook. To view the complete list of songs included here, please scroll down to the song list.Guitarists like Eric Clapton and John Mayer say that they often listen to this record before their own performances, so if you're looking to follow in the footsteps of the King, don't Worry, Worry, check out Live At The Regal and learn how to get the blues. / Guitare

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and Ralph Stanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley's music in the late 1950s. This video begins with James Alan Shelton, the current lead guitar player for Ralph Stanley and the Clinch Mountain Boys, picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his 'crosspicking? guitar technique. George demonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard, 'Will You Miss Me.? George and James then pick 'Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique. James then teaches a 'turnaround? to 'Rank Stranger? which utilizes the crosspicking technique to 'fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song, 'Uncloudy Day,? and incorporate the crosspicking technique between the melody notes. Next, James teaches a crosspicking break to 'Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into a crosspicking solo using the song 'Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes 'Road to Coeburn? and 'Tom's Creek.? This is followed by a fingerstyle performance of Ralph Stanley's favorite guitar number, 'Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings, picks, and capos and provides 'tricks of the trade? to help you keep your flatpick in good shape. George and James both talk about their signature model Huss and Dalton guitars and the video concludes with George and James picking 'Banks of the Ohio? together. All of the songs that are taught in the video are transcribed in the accompanying transcription book. / Guitare (Flatpick) Et Plectre

Fingerpicking Blues Guitar is a never ending study full of surprises and discoveries. Each key of the Guitar offers new sounds and textures. A blues played in the key of C sounds world's apart from a blues played in the keys of A G D or E. This series focuses on a single key for each lesson. The key of G offers specific advantages. It is ideal for the alternating bass technique i.e. Mississippi John Hurt's style of playing. In this lesson we start by learning an arrangement of Marshall Owens' 1930s recording of Try Me One More Time. This was originally played in an Open G tuning but is here arranged in standard tuning using a JohnHurt approach. Not all blues from the 1920s and 1930s were fingerpicked. Jim Jackson was a popular Memphis songster who basically strummed his Guitar. But his repertoire was full of wonderful songs. Stefan Grossman has taken his Wild About My Loving and has tried to keep the original feel by combining a strum approach intermingled with fingerpicking the melody. Little Hat Jones was an amazing fingerstyle bluesman. His Bye Bye Baby Blues was played in the key of G. Here his version is fully transcribed note for note. Blind Boy Fuller recorded many blues in the key of G. In this lesson we'll tackle three of his arrangements: Baby Let Me Lay It On You Baby Quit Your Low Down Ways and I Crave My Pigmeat. We study his playing note for note but also explore variations. By the end of this lesson you will know six great tunes and have an insight in to fingerpicking blues in the key of G. A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. As well the original old recordings are included in the Bonus Audio section. Titles include: Try Me One More Time Wild About My Loving Bye Bye Baby Blues Baby Let Me Lay It On You Baby Quit Your Low Down Ways and I Crave My Pigmeat. 100 minutes