Langue : Italiano
Méthode Berklee PressUn guide complet pour organiser la section grande corne. Pour la première fois, vous pouvez apprendre les mêmes techniques enseignées à l'organisation de prestigieux Berklee College of Music et étudiés par les arrangeurs meilleurs et les plus brillants Invitez maintenant. Même si le texte est axé sur les styles de jazz classique et du big band, des informations générales sur pièce et sur ''l'harmonisation de l'éolienne peut être utilisée pour tous les styles moderne, de hip-hop au ska. Cette lintiene toutes les informations dont vous avez besoin lors de l'écriture des scores pour les cuivres, inspiré des pages écrites par les professeurs de Berklee. Le CD d'accompagnement est un excellent outil pour l'apprentissage, mais seulement d'écouter et d'apprécier, avec plus de pistes et de démonstration certains arrangements écrits dans le style des grands maîtres tels que Count Basie, Duke Ellington et Gil Evans. â ' oeSono été très impressionné par ce livre. Est valable non seulement pour les compositeurs et arrangeurs, mais aussi pour les directs / Opéra Théorique/Didactique
SKU: CL.032-4842-01
Avalon is a 1920s jazz-era chart by Vincent Rose and Buddy DeSylva, written originally as an advertisement for the California resort town, and has found fame as a virtuosic showcase for big bands and many vocalists ever since. This big-band version by Mike Hammonds is a real powerhouse! Featuring a melody that’s tuneful and playable by all, the arrangement begins in a small group style, building to a kick section featuring the big, brash sound of the large ensemble that gives everybody a chance to blow! With reasonable tempo and ranges in all parts, Avalon is an excellent choice for your next festival or concert performance!
SKU: HL.49047270
The names of George Gershwin (1898-1937) and Ira Gershwin (1896-1983) are synonymous across the globe with American musical creativity. The Gershwin family estates, their publishers, and the University of Michigan have joined forces to produce The George and Ira Gershwin Critical Edition?the first-ever scholarly edition of the Gershwins' music and lyrics. This all-new practical edition facilitates both study and performance, giving a wide audience of musicians, scholars, students, and enthusiasts alike greater insight into the Gershwins' art. The goal is to create clear and definitive publications that achieve the most accurate representations possible of the Gershwin brothers' unique and pioneering creativity. This all-new critical edition of the original 1924 arrangement of George Gershwin's Rhapsody in Blue presents an authoritative transcription of arranger Ferde Grofé's handwritten holograph score preserved in the collection of the United States Library of Congress in Washington, DC. The edition represents as best as possible the piece as premiered by the Paul Whiteman Orchestra at his ??Experiment in Modern Music? concert on February 12, 1924. Grofé prepared the score for the specific talents and timbres of the Whiteman Orchestra, largely from an ink fair copy of Gershwin's two-piano short-score manuscript. Gershwin continued to modify the piano solo portion of this short score during rehearsals and, most likely, even after the premiere of the piece.
SKU: HL.48024900
ISBN 9781784545475. UPC: 840126930696. 7.25x10.5x0.108 inches.
These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of “Come down, O Love divine” supplies some new harmonic moves to Vaughan Williams' lovely tune “Down Ampney”, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of “God Is Love,” which can also be sung to the supplied words of Charles Wesley's hymn “Love Divine,” again adds more of Todd's iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of “Let all mortal flesh keep silence” is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for the text “Lord most high”. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.
SKU: BT.VOLMB82
ISBN 9788863880793. Italian.
SKU: AP.1-ADV3104
ISBN 9783892210795. UPC: 805095031041. English.
Improvisat ion is at the heart of jazz, but knowing how to play stylistically correct in a large jazz ensemble is also a necessity. How to Play Lead Trombone in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together. How to Play Lead Trombone in a Big Band by Mark Kellogg is an annotated guide written to help trombonists explore the joys and challenges of playing in a large jazz ensemble. Topics covered include the distinct roles of lead and section players in a big band; playing with a cohesive section sound; and performing with an even sense of balance, intonation, and rhythmic feel. These insightful comments are conveyed by taking a detailed look at seven compositions and addressing the specific challenges of each work. The CD which accompanies this text provides a helpful aural guide, enabling the trombonist to listen to each example or to play along with the recording. The variety of jazz styles covered in this volume include medium swing, funk, bossa, fast swing, and Afro-Cuban feels. Composers and arrangers of these pieces include some of the most innovative and respected voices of the genre, such as Clare Fischer, Bill Dobbins, Jim Snidero, Heiner Wiberny, and Joey Sellers. This publication is designed for use by trombonists of all ages and experience levels.
SKU: AP.1-ADV8605
UPC: 805095086058. English.
Living Extra Large by Brent Fischer is a hard-driving big band jazz arrangement for the clarinet family! Playable by college or advanced high school musicians, the scoring features the use of the augmented scale as the basis for building diatonic or chromatic melodic structures. Subtle harmonic changes seem deceptively simple, but will keep soloists on their toes. Arranged for eight clarinets, piano, bass, and drums.
