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Approaching the Standards, Volume 3
$16.95
- Voir plus - Acheter en ligne
Matériel : Partition + CD
By Willie L. Hill, Jr. For E-Flat Instruments. Jazz Ensemble Method. Jazz Improvisation Series. Jazz; play along. Book and CD. 36 pages. Published by Alfred Publishing.
Instrumentation :
Instruments en Mib
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Alfred Publishing
Extrait de partition
Approaching the Standards, Volume 3
$ 16.95
Song List
:
Speak Low
Secret Love
Bye Bye Blackbird
Cool Joe, Mean Joe (Killer Joe)
Cotton Tail
Softly, As In a Morning Sunrise
Take The "A" Train
Information vendeur :
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à l'exception des pays Européens!
, Depuis le 1er juillet 2021, Sheet Music Plus n'exp´die plus de produits physiques en Europe)
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Dr. Willie L Hill: Approaching the Standards Volume 1: Jazz Ensemble:
17.50
Dr. Willie L Hill: Approaching the Standards Volume 1: Jazz Ensemble:
Ensemble Jazz
Alfred Publishing
Approaching The Standards is an innovative user-friendly approach to jazz impr...
(+)
Approaching The Standards is an innovative user-friendly approach to jazz improvisation. Designed for the individual or group each of the three volumes of this play-along CD contains eight classic jazz tunes. Each volume features a jazz group demo recorded by top pros in a typical jazz gig setting clearly written musical examples jazz vocabulary transcription opportunities informative composer insight a glossary of jazz terms and a useful discography.
17.50 GBP - vendu par Musicroom GB
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Dr. Willie L Hill: Approaching the Standards Volume 2: Jazz Ensemble:
17.50
Dr. Willie L Hill: Approaching the Standards Volume 2: Jazz Ensemble:
Ensemble Jazz
Alfred Publishing
Approaching The Standards is an innovative user-friendly approach to jazz impro...
(+)
Approaching The Standards is an innovative user-friendly approach to jazz improvisation. Designed for the individual or group each of the three volumes of this play-along CD contains eight classic jazz tunes. Each volume features a jazz group demo recorded by top pros in a typical jazz gig setting clearly written musical examples jazz vocabulary transcription opportunities informative composer insight a glossary of jazz terms and a useful discography.
17.50 GBP - vendu par Musicroom GB
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Dr. Willie L Hill: Approaching the Standards Volume 1: Jazz Ensemble:
18.95
Dr. Willie L Hill: Approaching the Standards Volume 1: Jazz Ensemble:
Ensemble Jazz
Alfred Publishing
Approaching The Standards is an innovative user-friendly approach to jazz impr...
(+)
Approaching The Standards is an innovative user-friendly approach to jazz improvisation. Designed for the individual or group each of the three volumes of this play-along CD contains eight classic jazz tunes. Each volume features a jazz group demo recorded by top pros in a typical jazz gig setting clearly written musical examples jazz vocabulary transcription opportunities informative composer insight a glossary of jazz terms and a useful discography.
18.95 GBP - vendu par Musicroom GB
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Dr. Willie L Hill: Approaching the Standards for Jazz Vocalists: Voice:
17.95
Dr. Willie L Hill: Approaching the Standards for Jazz Vocalists: Voice:
Voix seule
[Partition + CD]
Alfred Publishing
An innovative user-friendly approach to vocal jazz improvisation. Designed for ...
(+)
An innovative user-friendly approach to vocal jazz improvisation. Designed for the individual or group male or female vocalists this book and sing-along CD contain 10 classic jazz songs selected from and correlated to Approaching The Standards Volumes 1 2 and 3. Included are the same essential features of the instrumental books: CD demo clearly written improvisation examples jazz vocabulary transcription opportunities informative composer insight and a useful discogrphy.
17.95 GBP - vendu par Musicroom GB
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Approaching The Standards V1 + Cd - Eb Instruments
25.00
Approaching The Standards V1 + Cd - Eb Instruments
Instruments en Mib
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Alfred Publishing
For the fearful to the fearless, Approaching the Standards is an innovative, use...
(+)
For the fearful to the fearless, Approaching the Standards is an innovative, user-friendly approach to jazz improvisation. Designed for the individual or group, each of the three volumes of this play-along CD contains eight classic jazz tunes. Each volume features a jazz group demo recorded by top pros in a jazz gig setting, clearly written musical examples, jazz vocabulary, transcription opportunities, informative composer insight, and a useful discography. Everything you need to begin improvising or to improve your jazz skills is included in Volumes 1, 2, and 3, available for C, B-Flat, E-Flat, and Bass Clef instruments. Volume 1 includes: Billie's Bounce * On the Trail * Cantaloupe Island * The Preacher * Summertime * Satin Doll * C Jam Blues * I Got Rhythm.
25.00 EUR - vendu par Woodbrass
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25.00
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[Partition + CD]
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For the fearful to the fearless, Approaching the Standards is an innovative, use...
(+)
For the fearful to the fearless, Approaching the Standards is an innovative, user-friendly approach to jazz improvisation. Designed for the individual or group, each of the three volumes of this play-along CD contains eight classic jazz tunes. Each volume features a jazz group demo recorded by top pros in a jazz gig setting, clearly written musical examples, jazz vocabulary, transcription opportunities, informative composer insight, and a useful discography. Everything you need to begin improvising or to improve your jazz skills is included in Volumes 1, 2, and 3, available for C, B-Flat, E-Flat, and Bass Clef instruments. Volume 1 includes: Billie's Bounce * On the Trail * Cantaloupe Island * The Preacher * Summertime * Satin Doll * C Jam Blues * I Got Rhythm.
25.00 EUR - vendu par Woodbrass
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Approaching Standards 2 Bc (HILL WILLIE DR)
25.40
Approaching Standards 2 Bc (HILL WILLIE DR)
Ensemble Jazz
[Partition + CD]
Warner Bros.Publications
Par HILL WILLIE DR.. Jazz Improvvisation série pour les craintifs d'à l'intré...
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Par HILL WILLIE DR.. Jazz Improvvisation série pour les craintifs d'à l'intrépide, approchant les normes est une approche novatrice et conviviale à l'improvisation jazz. Conçu pour l'individu ou grou p, chacun des trois volumes de ce CD le long de jeu contient huit airs de jazz classiques. Fonctionnalités d'AECEM a enregistré une démo du groupe de jazz pros haut dans un jazz gig paramètre, clairement écrit exemples musicaux, le vocabulaire jazz, possibilités de transcription, insight compositeur informatifs et une discographie utile / Pédagogie / Recueil / Tout Instrument à Clés
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[Partition + CD]
Warner Bros.Publications
Par HILL WILLIE DR.. Jazz Improvvisation série pour les craintifs d'à l'intré...
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Par HILL WILLIE DR.. Jazz Improvvisation série pour les craintifs d'à l'intrépide, approchant les normes est une approche novatrice et conviviale à l'improvisation jazz. Conçu pour l'individu ou grou p, chacun des trois volumes de ce CD le long de jeu contient huit airs de jazz classiques. Fonctionnalités d'AECEM a enregistré une démo du groupe de jazz pros haut dans un jazz gig paramètre, clairement écrit exemples musicaux, le vocabulaire jazz, possibilités de transcription, insight compositeur informatifs et une discographie utile. / Pédagogie / Recueil / Instruments en Do
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27.80
Approaching Standards 3 C (HILL WILLIE DR)
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One of the foremost personalities in the world of Jazz Guitar Larry Coryell has played against the best and here presents an insight into his distinctive and fluid approach.From bebop heroes Sonny Rollins and CharlesMingus to fusion superstars Chick Corea and John McLaughlin Coryell's guitar playing has graced the recordings of the hottest stars in Jazz making him a guitarist of huge reputation and respect. In this three-part DVD seriesCoryell analyses his own Jazz perspective providing an empirical method of solo and chord improvisation.Volume two includes:Creating the improvised lineChord substitutionsImportance of the major/minorseventh soundThe 'Jazz' minor and its related chordsApplying scales to standardsRepositioning chords to fit a single-note lineVocabulary of improvisationBlues phrasing and Bebop sophisticationsGuitaristdevices and techniquesApproaching a solo and small-group performance of the same songDetailed discussion of Autumn Leaves and Coltrane's Moment Of Notice
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Approaching The Standards Vol.3 + Cd - Bass
22.10
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[Partition + CD]
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Volume 3 includes: Tenor Madness * Killer Joe * Bye Bye Blackbird * Take the A T...
(+)
Volume 3 includes: Tenor Madness * Killer Joe * Bye Bye Blackbird * Take the A Train * Softly, As in a Morning Sunrise * Secret Love * Speak Low * Cottontail.
22.10 EUR - vendu par Woodbrass
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Approaching The Standards V2 Eb - Saxophone
22.80
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Volume 2 includes: Now's the Time * Sugar * Honeysuckle Rose * Maiden Voyage * S...
(+)
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22.80 EUR - vendu par Woodbrass
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Approaching The Standards V3 + Cd - C Instruments
22.80
Approaching The Standards V3 + Cd - C Instruments
[Partition + CD]
Alfred Publishing
Volume 3 includes: Tenor Madness * Killer Joe * Bye Bye Blackbird * Take the A T...
(+)
Volume 3 includes: Tenor Madness * Killer Joe * Bye Bye Blackbird * Take the A Train * Softly, As in a Morning Sunrise * Secret Love * Speak Low * Cottontail.
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Quest - Standards (LIEBMAN DAVID)
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Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes...
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Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument
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Aebersold 54 Maiden Voyage
22.40
Aebersold 54 Maiden Voyage
Tous Les Instruments
[Partition + CD]
Jamey Aebersold Jazz
Compilation. Standards and workouts for making the transition from playing scale...
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Compilation. Standards and workouts for making the transition from playing scales & chords. An excellent resource for beginning improv. Features slower tempos, easier changes, and specific tips on approaching soloing. Scales written for every chord change. Perfect for High School and College music directors! For more easy standards at easy tempos, see Volume 70 'Killer Joe. ' Eleven essential jazz standards and 3 important 'workout' tracks for the student ready to make the transition from playing scales, chords and exercises to playing popular jazz standards. This book is an excellent reference material that can be used as a resource for beginning improvisation actual tunes instead of exercises! Features slower tempos and easier changes. Each selection includes it's own specific tips and suggestions on how to approach soloing over it. Scales are written out for every chord change. / Rép International / Recueil / Tout Instrument
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Classic Jazz For Gtr V3 + Cd - Guitar
26.00
Classic Jazz For Gtr V3 + Cd - Guitar
Guitare notes et tablatures
[Partition + CD]
-
Intermédiaire
Alfred Publishing
This must-have new series gives you the opportunity to learn 27 of the most impo...
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This must-have new series gives you the opportunity to learn 27 of the most important jazz standards contained in the Just Jazz and Just Standards Real Books. Learn these great songs by playing along with jazz greats Jimmy Haslip and Barry Coates in a classic trio jazz setting. Plus, in the accompanying books Jimmy and Barry teach their approaches to chord substitution, comping, and soloing concepts; including complete transcriptions of their own improvised solos and Barry's awe-inspiring chord melody arrangements of the heads. Volume 3 titles are: My Funny Valentine * Night and Day * How High the Moon * Emily * Gentle Rain * On Green Dolphin Street * Secret Love * Softly As in a Morning Sunrise * Summertime.
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Sonata For Violin And Piano A Major Op. 100
17.60
Sonata For Violin And Piano A Major Op. 100
Violon et Piano
Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...
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Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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FISCHER SIMON - THE VIOLIN LESSON
53.00
FISCHER SIMON - THE VIOLIN LESSON
Violon
Peters
The Violin Lesson offers players of all standards the opportunity to immediately...
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The Violin Lesson offers players of all standards the opportunity to immediately ? and dramatically ? improve their technique and understanding of violin playing. Presented in twelve comprehensive and highly accessiblelessons filled with more than 500 music examples and over 350 photographs, it provides fresh approaches to neglected aspects of playing whilst covering all the major areas of violin technique, including: toneproduction intonation avoiding aches and pains changing position improving bow strokes vibratoWhether outlining a basic concept or anadvancedtechnique, each topic is handled with the clarity and attention to detail for which Simon Fischer is so highly regarded. Fundamental exercises, principles and practice methods sit alongside case studies and practicalquestion-and-answer sections to present a truly rounded volume ? essential reading for both students and teachers alike. / Violon / Edition Peters
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Sonata Movement For Violin And Piano C Minor Woo 2
15.80
Sonata Movement For Violin And Piano C Minor Woo 2
Violon et Piano
Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...
(+)
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Sonata For Violin And Piano D Minor Op. 108
17.60
Sonata For Violin And Piano D Minor Op. 108
Violon et Piano
Barenreiter
The Works for one Instrument and PianoJohannes Brahms' compositions for one inst...
(+)
The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Approaching The Standards Volume 1 Jazz Improvisation Series E-flat Book And Cd
Instruments en Mib
[Livre + CD]
Alfred Publishing
Volume 1. E-flat. Composed by Willie L. Hill Jr. Improvisation; Jazz Ensemble Me...
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Volume 1. E-flat. Composed by Willie L. Hill Jr. Improvisation; Jazz Ensemble Method; Method/Instruction. Jazz Improvisation Series. Jazz; play along. Book and CD. 36 pages. Alfred Music #00-SBM00003CD. Published by Alfred Music
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Approaching The Standards Volume 2 Jazz Improvisation Series B-flat Book And Cd
Instruments en Sib
[Partition + CD]
Alfred Publishing
By Dr. Willie L. Hill, Jr. For B-Flat Instruments. Jazz Ensemble Method. Jazz Im...
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By Dr. Willie L. Hill, Jr. For B-Flat Instruments. Jazz Ensemble Method. Jazz Improvisation Series. Jazz; play along. Book and CD. 44 pages. Published by Alfred Publishing.
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Approaching the Standards, Volume 3
Instruments en Mib
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Alfred Publishing
By Willie L. Hill, Jr. For E-Flat Instruments. Jazz Ensemble Method. Jazz Improv...
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By Willie L. Hill, Jr. For E-Flat Instruments. Jazz Ensemble Method. Jazz Improvisation Series. Jazz; play along. Book and CD. 36 pages. Published by Alfred Publishing.
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Approaching the Standards, Volume 3
Ensemble Jazz
[Partition + CD]
Alfred Publishing
(Bass Clef). By Dr. Willie L. Hill, Jr. Jazz Ensemble. For Bass Clef Instruments...
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(Bass Clef). By Dr. Willie L. Hill, Jr. Jazz Ensemble. For Bass Clef Instruments. Improvisation; Jazz Ensemble Method; Method/Instruction. Jazz Improvisation Series. Jazz; play along. Book and CD. 36 pages. Published by Alfred Music Publishing
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Approaching The Standards Volume 3 Jazz Improvisation Series C Book And Cd
Instruments en Do
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Alfred Publishing
By Willie Hill. Edited by Pete Barenbregge. Jazz method book (C book). 40 pages....
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By Willie Hill. Edited by Pete Barenbregge. Jazz method book (C book). 40 pages. Published by Alfred Publishing.
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Approaching The Standards Volume 3 Jazz Improvisation Series Rhythm Section / Conductor Book And Cd
Ensemble Jazz
[Conducteur d'étude / Miniature + CD]
Alfred Publishing
By Willie Hill. Edited by Pete Barenbregge. Jazz method book (rhy/cond). 96 page...
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By Willie Hill. Edited by Pete Barenbregge. Jazz method book (rhy/cond). 96 pages. Published by Alfred Publishing.
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Approaching The Standards Volume 2 Jazz Improvisation Series Rhythm Section / Conductor Book And Cd
Ensemble Jazz
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Alfred Publishing
By Willie Hill. Edited by Pete Barenbregge. Jazz method book (rhy/cond). 96 page...
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By Willie Hill. Edited by Pete Barenbregge. Jazz method book (rhy/cond). 96 pages. Published by Alfred Publishing.
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Approaching the Standards, Volume 2
Bass Clef Instruments
[Partition + CD]
Alfred Publishing
By Dr. Willie L. Hill, Jr. For Bass Clef Instruments. Jazz Ensemble Method. Jazz...
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By Dr. Willie L. Hill, Jr. For Bass Clef Instruments. Jazz Ensemble Method. Jazz Improvisation Series. Jazz; play along. Book and CD. 44 pages. Published by Alfred Publishing.
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Approaching The Standards Volume 1 Jazz Improvisation Seriesb-flat Book And Cd
Instruments en Sib
[Livre + CD]
Alfred Publishing
By Willie Hill. Edited by Aaron Stang. Jazz method book (B-flat). 40 pages. Publ...
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By Willie Hill. Edited by Aaron Stang. Jazz method book (B-flat). 40 pages. Published by Alfred Publishing.
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Approaching the Standards, Volume 2
Ensemble Jazz
[Partition + CD]
Alfred Publishing
(E-Flat). By Dr. Willie L. Hill, Jr. Jazz Ensemble. For E-Flat Instruments. Impr...
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(E-Flat). By Dr. Willie L. Hill, Jr. Jazz Ensemble. For E-Flat Instruments. Improvisation; Jazz Ensemble Method; Method/Instruction. Jazz Improvisation Series. Jazz; play along. Book and CD. 44 pages. Published by Alfred Music Publishing
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Approaching The Standards Volume 3 Jazz Improvisation Series B-flat Book And Cd
Instruments en Sib
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Alfred Publishing
By Willie Hill. Edited by Pete Barenbregge. Jazz method book (B-flat). 36 pages....
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By Willie Hill. Edited by Pete Barenbregge. Jazz method book (B-flat). 36 pages. Published by Alfred Publishing.
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Approaching The Standards Volume 1 Jazz Improvisation Seriesc Book And Cd
Instruments en Do
[Partition + CD]
Alfred Publishing
By Dr. Willie L. Hill, Jr. For C Instruments. Jazz Ensemble Method. Jazz Improvi...
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By Dr. Willie L. Hill, Jr. For C Instruments. Jazz Ensemble Method. Jazz Improvisation Series. Jazz. Book and CD. 36 pages. Published by Alfred Music Publishing
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Approaching the Standards, Volume 1
Bass Clef Instruments
[Partition + CD]
Alfred Publishing
By Willie L. Hill, Jr. For Bass Clef Instruments. Jazz Ensemble Method. Jazz Imp...
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By Willie L. Hill, Jr. For Bass Clef Instruments. Jazz Ensemble Method. Jazz Improvisation Series. Jazz; play along. Book and CD. 36 pages. Published by Alfred Publishing.
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Approaching the Standards, Volume 2
Instruments en Do
[Partition + CD]
Alfred Publishing
By Dr. Willie L. Hill, Jr. For C Instruments. Jazz Ensemble Method. Jazz Improvi...
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By Dr. Willie L. Hill, Jr. For C Instruments. Jazz Ensemble Method. Jazz Improvisation Series. Jazz; play along. Book and CD. 44 pages. Published by Alfred Publishing.
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Approaching the Standards, Volume 1
Ensemble Jazz
[Partition + CD]
Alfred Publishing
By Willie L. Hill, Jr. For Rhythm Section / Conductor. Jazz Ensemble Method. Jaz...
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By Willie L. Hill, Jr. For Rhythm Section / Conductor. Jazz Ensemble Method. Jazz Improvisation Series. Jazz; play along; play along. Book and CD. 72 pages. Published by Alfred Publishing.
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Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio
Instruments Sib, Mib, Do et Bass clef
[Partition + CD]
Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...
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Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jazz Play-A-Long For All Musicians. Book with CD. Published by Jamey Aebersold Jazz.
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All For Strings Book 1-violin
Orchestre
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Débutant
Kjos Music Company
By Gerald Anderson. Edited by Robert Frost. (Afs Strg Mthd). orchestra method. L...
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By Gerald Anderson. Edited by Robert Frost. (Afs Strg Mthd). orchestra method. Level: Elementary. Music book. Published by Neil A. Kjos Music Company.
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Sonatas in F minor and E-flat major, Edition for Clarinet and Piano op. 120
Clarinette et Piano
Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...
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Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Costa. For clarinet and piano. Score with parts. Opus 120. Published by Baerenreiter Verlag
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Sonatas in F minor and E-flat major for Viola and Piano op. 12
Alto, Piano
Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...
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Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag
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