4″ & 5″ Bongos

SKU: HL.197507

UPC: 888680645953. 6.0x12.25x7.25 inches.

It is believed that the first bongo drums were used in Cuba during the late 19th century. They were used for the music styles called Changui amd Son. This music originated with equal influences from both the African and Spanish cultures that lived in Cuba during that time. It eventually evolved into today's Salsa. Bongos are made of two differently-sized drums that are attached to one another. The larger one is called the “hembra” (meaning female in Spanish) and the smaller one is called the “macho” (meaning male). Tuned to varying pitches, the two are played together to create different tones and rhythms within a musical piece. Children can enjoy playing the IQ Plus Bongos by clamping it between their legs, adjusting the macho to lean against one thigh, hembra angles down against the opposite calf, and start making music by striking the drums with the pads of their fingertips. The bongos are one of the most popular instruments for beginner percussion players as it is one of the easiest to learn. Children will be able to enjoy creating different rhythms and sounds along with other percussion instruments as part of a band, or they can play individually as well! Features: •Constructed of environmentally friendly rubber wood •Equipped with premium buffalo skin heads •Durable and light weight, easy for children to hold and play.

SKU: KJ.JB117

UPC: 084027053508.

Compo ser Jack Stampâ??s memorable melodies float over an infectious Latin groove seasoned with maracas, bongos, claves, guiro and more from the large percussion section. Wellbalanced among the band, this dance is perfect for festival and concert performances.

SKU: SU.50502310

A transcription by the composer of an original work - Music for Recorder and Four Drums.Viola, 4 Drums (Bongos, Congas, Timpani (or any combination ad lib.) Duration: ca. 5'30 Composed: 2007/transcription 2021 Published by: Seesaw Music.

SKU: KJ.JB117F

UPC: 084027053515.

Compo ser Jack Stampâ??s memorable melodies float over an infectious Latin groove seasoned with maracas, bongos, claves, guiro and more from the large percussion section. Wellbalanced among the band, this dance is perfect for festival and concert performances.

SKU: KN.19747

UPC: 822795197471.

This grade 5+ piece is like a conversation between two people. The question is played by player 1 and answered by player 2. Since each player has different drums, like humans, their voices are different - thus a conversation is heard. Sometimes they even speak in unison. Player 1: 4 tom-toms and snare drum; Player 2: bongos, timbales and snare drum. Duration ca. 8:00.

SKU: BT.DHP-1115054-070

ISBN 9789043135085. 9x12 inches.

Instantly recognisable Mexican folk song.Part 1 Fl Ob Eb/Bb Clar Tpt Part 2 Fl Bb Clar A Clar A Sax Tpt Hn Part 3 Eb Clar T Sax Bsn Hn Trom Euph Part 4 T Sax Bsn Trom Euph Part 5 Bass Clar Bari Sax Bsn Trom Euph Tuba Cont Bsn

Henk Hogestein arrangeerde Cuba’s bekendste en meest geliefde lied voor vijfstemmig variabel ensemble met optionele partijen voor bongo’s, maracas en tamboerijn.

Henk Hogestein bearbeitete das berühmte Volkslied für eine fünfstimmig variable Bläserbesetzung mit optionalen Stimmen für Bongos, Maracas und Tamburin.Part 1 Fl Ob Kl B/Es Trp Part 2 Fl Kl B A-Kl A-Sax Trp Hn Part 3 A-Kl T-Sax Fg Hn Pos Euph Part 4 T-Sax Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb

Henk Hogestein a arrangé cette célèbre mélodie pour un ensemble instrumentation variable 5 voix, avec parties optionnelles de Bongo, Maracas et Tambourin.Part 1 Fl Htb Cl. Si♭/Mi♭ Trp Part 2 Fl Cl. B. Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. T. Basson Cor Trb Eup. Part 4 Sax. T. Basson Trb Eup. Part 5 Cl. B. Sax. B. Basson Trb Eup. Tuba C. Cordes

Henk Hogestein ha arrangiato la famosa canzone per strumentazione variabile a cinque voci con parti opzionali di bongos, maracas e tamburello.Voce 1 Flauto Oboe Cl. Sib/Mib Tromba Voce 2 Flauto Cl. sib Cl. Alt Sax A. Tromba Corno Voce 3 Cl. Alt Sax T. Fg Corno Tbn Euf. Voce 4 Sax T. Fg Tbn Euf. Voce 5 Cl. Sib Sax B. Fg Tbn Euf. Tuba St. Bass.

SKU: CF.FE189

ISBN 9780825877513. UPC: 798408077518. 9.5 x 13 inches.

Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth Testimonium, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist. It is dedicated to Recha Freier, the originator and prime mover of the festival. Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a new song for a new bride. When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills -- the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother's ardent pleas, instructions, admonitions, and even innuendos, the daughter's mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit -- with the use of improvised melodic lines for which only the gestural outlines are given -- she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter's shoulder, and quietly muses, then also closes her eyes. --Samuel Adler  .
Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth “Testimonium” , a festival to preserve Jewish heritage.  The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist.   It is dedicated to Recha Freier, the originator and prime mover of the festival.Nuptial Scene is based on a simple medieval poem of prenuptial instruction.  Part of it is in Catalan and part in Hebrew.  The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492.  A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a “new song” for a “new bride”.When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty.  This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction.  When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills — the dress, the party, the dancing.  In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent.  Therefore, during the mother’s ardent pleas, instructions, admonitions, and even innuendos, the daughter’s mind wanders and dreams of dancing.  Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance.  At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit — with the use of improvised melodic lines for which only the gestural outlines are given — she goes into a kind of rapturous trance.  The daughter, however, seems unmoved, and she falls asleep.  The mother calms down, puts her head on the daughter’s shoulder, and quietly muses, then also closes her eyes.—Samuel Adler .

SKU: CF.CPS213

ISBN 9781491152393. UPC: 680160909896.

Alcaz ar is a dynamic piece with a definite Spanish flair.  Using changing meters and syncopated rhythms in its Allegro introduction, the piece continues this vitality into its main theme alternating between 4/4 and 6/8 time signatures.  Alcaza r should prove to be a favorite of your student musicians as well as your audiences.  This is the perfect vehicle for concert and contest performance.
Alcazar  is a concert band work commissioned by the Cortland High School Concert Band, Richard B. Eleck, conductor, of the Cortland Enlarged City School District, Cortland, N.Y.  Premiered on June 1, 2017, Alcazar is a dynamic piece with a definite Spanish flair.  Using changing meters and syncopated rhythms in its Allegro introduction, the piece continues this vitality into its main theme alternating between 4/4 and 6/8 time signatures.  This opening theme then moves to a secondary theme largely in 5/4, first presented in the woodwinds, followed by a tutti section finishing with a punctuated conclusion to this Allegro.  The clarinets then take us into a melodic Andante middle section, using quarter-note triplets as its rhythmic motive. As this builds to a climax, we are moved into a return to the 5/4 Allegro heard earlier in the piece. As it seems to come to an end, a sudden use of the alternating 4/4, 6/8 earlier motive returns and takes us through an extended ending with a dynamic conclusion. Alcazar should prove to be a favorite of your student musicians as well as your audiences. This is the perfect vehicle for concert and contest performance.

SKU: HL.49000667

ISBN 9790001004879. UPC: 884088040574. 9.0x12.0x0.067 inches.

Fur den zeitgemassen Schlagzeugunterricht sind die kurzen Trios bestens geeignet. Sie stellen jedoch auch wirkungsvolle Vortragsstucke dar.