Sonata Per Violoncello E Basso Continuo

Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Edition : Amsterdam, Etienne Roger, s.d. (=c. 1704)Présentation de Nicolas Fromageot : Notice biographique - Terminologie. / Violon Et Basse Continue / 48 pages / niveau : 1 / Fac-Similés - Format: 24 X 32

No.1 D Major Instrumentation : cello and basso continuo Date of Publications : 26/05/1981 Number of Pages : 17 Arranger : Weigart, Bernhard / Koch, Edwin Series : Cello Library

Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co

Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)

Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to off er performers works that satisfy clear critical and musicological criteria.This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of cello music: Luigi Boccherini Sonata VI G. 4 - Antonio Caldara Sonata ottava -Francesco Geminiani Sonata op. V n. 2 H. 104 - Carlo Graziani Sonata op. II n. 3 - Salvatore Lanzetti Sonata op. I n. 5 - Benedetto Marcello Sonata op. I n. 1 - Giovanni Battista Pergolesi Sinfonia avioloncello solo - Giovanni Benedetto Platti Sonata quarta - Nicola Porpora Sinfonia a violoncello solo - Antonio Vivaldi Sinfonia a violoncello solo RV 39

Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three sonatas for Viola Da Gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent Viola Da Gamba player in the courtorchestra a chance to show his virtuosic skills. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father’s example as far as the Sonata in g minor Wq 88 wasconcerned: the right and left hands of the Harpsichord compete with the solo instrument in three equal parts. These sonatas can also be played very effectively on the Cello; the fingerings in the marked copies provide helpfulsuggestions.

A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da gamba) ad lib. editor: Ruf, Hugo composer: Marcello, Benedetto Éditeur: Schott Music Série: Cello Library Difficulté: Intermediate pages: 20 Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus berühmten Komponisten wurde die Sammlung in den wichtigen europäischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher rühren dürften, dass Marcello mit einem fünfsaitigen, um eine e’-Saite ergänzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehören zu den Standardwerken des Violoncellounterrichts.

VI 'Sonata' - Oeuvre VePrivilège GénéralOeuvre écrite pour violoncelle et basse continue. / Violoncelle Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Sebastian Bach (1685-1750) edited by Hans Eppstein. Set of performance parts (includes separate pull-out cello part) for cello and piano (or harpsichord). Urtext of the New Bach Edition. 71 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5210)

Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.

Edition : Londres, S. Weaver, J. Johnson, s.d. c.1735Présentation de Marc Vallon : note biographique - les sonates pour basson - oeuvres de Merci - agrémentation - ornementation - altérations rythmiques.Une des rares partitions du XVIIIème siècle pour basson et basse continue. L'excellente qualité de la gravure permet une lecture aisée. / Bassons Et Basse Continue, Violoncelle Et Basse Continue / 23 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

fur Violoncello und Bass (Klavier). At the end of the eighteenth century, cellist and composer Jean-Baptiste Bréval wrote not only virtuosic concerti for his instrument, but also easier sonatas and duets that still belong to the core repertoire of pedagogical cello literature. Opening with impressive chords, the Sonata in C-major op. 40 no. 1 also offers beginners the chance to savour beautiful melodies and master smaller shifts in position. The Parisian first edition of 1799 leaves the choice of accompanying instrument open. For this reason, this Urtext edition offers several options: a two-part score from which a second cello may comfortably provide accompaniment during lessons, as well as a moderate setting for piano that may be used in concerts. Rounding off this starter kit for cello literature is a carefully marked solo part.

Violoncello (Fagotto) E Basso Continuo - Rv 801. Par VIVALDI ANTONIO. EDIZIONE CRITICA A CURA DI P. EVERETT/ Répertoire / Matériel D'Orchestre

Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation. Présentation de : Philippe Lescat : Biographie de Jean-Baptiste Janson Jean Saint-Arroman : Lecture de la partition Compositeur : JANSON Jean-Baptiste Auteur : LESCAT Philippe - SAINT-ARROMAN Jean Collection : Musique Française classique de 1650 à 1800 Titres : Sonata I en sol majeur : allegro, adagio, tempo di minuetto - Sonata II en ré majeur : allegro, adagio, rondo - Sonata III en ut majeur : allegro moderato, andante, aria con variatione - Sonata IV en sol majeur : allegro moderato, adagio, rondo - Sonata V en si b majeur : andante, allegretto - Sonata VI en ré majeur : allegro moderato, adagio, aria con variatione. Nombre de pages : 38 Format : 24,5 x 33,5 Parution : 02/2000

Domenico Della Bella was active as a chorus master and most likely as a cellist as well in Treviso toward 1700. Besides music for church use his compositions also include some instrumental pieces. This sonata is an example of early authentic Cello literature. With its charming melodies this concise work is guaranteed to delight cellists and their audiences today as much as in the composer's own time.