After the regressive phase, represented by the
compositions ascribed to the category "Enfants"
(although, as I wrote in the margin to "Augellino
migrante", the most exact classification would be that
of "Musical Impressionism"), I start again with one of
my usual abstruse conceptual elaborations. It is not
difficult to foresee that, as has happened with the
previous ones ("To be or not to be", “Taux de
chômage en Italie”, "De crassi mortalium gestarum GB
magnificentia", to name a few), the ...(+)
After the regressive phase, represented by the
compositions ascribed to the category "Enfants"
(although, as I wrote in the margin to "Augellino
migrante", the most exact classification would be that
of "Musical Impressionism"), I start again with one of
my usual abstruse conceptual elaborations. It is not
difficult to foresee that, as has happened with the
previous ones ("To be or not to be", “Taux de
chômage en Italie”, "De crassi mortalium gestarum GB
magnificentia", to name a few), the public response
will be very low. But, if you will find even one brave
- perhaps on the opposite side of the globe - willing
to try to play on the keyboard this uncomfortable
succession of notes, that I preferred to delegate to
the computer, I think it will not be useless to publish
it. And, if there is this daring, I greet him as an old
friend, and wish him a good day on his time zone.