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BIBLIOTHÈQUE
Haendel, Georg Friedrich Georg Friedrich Haendel
Allemagne Allemagne
(1685 - 1759)

2017 Partitions
2733 MP3
485 MIDI





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Haendel, Georg Friedrich: Suite in G Minor for Piano

Suite in G Minor for Piano
HWV 432 No. 7
Georg Friedrich Haendel




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Compositeur :Georg Friedrich HaendelHaendel, Georg Friedrich (1685 - 1759)
Instrumentation :

Piano seul

Genre :

Baroque

Arrangeur :
Editeur :
Georg Friedrich HaendelMagatagan, Mike (1960 - )
Tonalité :Sol mineur
Droit d'auteur :Public Domain
Most music lovers have encountered Georg Friedrich Händel (1685 – 1759) through holiday-time renditions of the Messiah's "Hallelujah" chorus. And many of them know and love that oratorio on Christ's life, death, and resurrection, as well as a few other greatest hits like the orchestral Water Music and Royal Fireworks Music, and perhaps Judas Maccabeus or one of the other English oratorios. Yet his operas, for which he was widely known in his own time, are the province mainly of specialists in Baroque music, and the events of his life, even though they reflected some of the most important musical issues of the day, have never become as familiar as the careers of Bach or Mozart. Perhaps the single word that best describes his life and music is "cosmopolitan": he was a German composer, trained in Italy, who spent most of his life in England.

Back in the days before international copyright laws, any publisher could publish anything they wanted without fear of legal action. Thus, Jeanne Roger of Amsterdam published "surrepticious [sic] and incorrect Copies" of the suites in 1719 without paying or informing the composer. This led Handel to publish the works himself in London in 1720. The Suite in G Suite is one of the grandest and most impressive of the suites. In six movements, the Suite in G minor is much more than a standard-issue set of stylized dance movements. The first movement is an overture in the French style with a massive opening Adagio, followed by a fast and brutal Presto, with a pummeling theme played in thirds, sixths, and octaves. The following movement is a quietly lyrical Andante with a gently embellished melody. The next movement is a propulsive, two-voice Allegro in 3/8 time. The central Sarabande, marked Andante con moto, is an incredibly simple and affecting series of three- and four-voice chords with the melody as the top voice. The Gigue that follows is a hurtling movement in two virtuoso voices. The climax and culmination of the Suite in G minor is the monumental Passacaglia of contrapuntal force majeure.

Source: AllMusic (https://www.allmusic.com/composition/suite-for-keyboar d-suite-de-piece-vol1-no7-in-g-minor-hwv-432-mc00026597 26).

Although originally written for Keyboard, I created this Transcription of the Suite in G Minor (HWV 432 No. 7) for Piano.
Source / Web :MuseScore
Ajoutée par magataganm le 2018-05-13
Partition centrale :Suite de pièce in G minor, Vol 1 No 7, 432 (5 partitions)



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Cette partition est associée à la collection de magataganm :
Piano
Piano
des arrangements pour piano
Liste des partitions :
› Étude in Gb Major for Piano
› "2 Ave Regina" for Trumpet, Horn & Piano - Trompette et Piano
› "2 Christmas Songs" for Piano - Piano seul
› "Agitation" from "Lieder ohne Worte" for Piano
› "Agnus Dei" from the Requiem in C Minor (Mvt. 7) for Piano Duet
› "Allegra" for Bassoon & Piano - Basson, Piano
› "Andante Grazioso" from "Lieder ohne Worte" for Piano
› "Après un Rêve" for Viola & Piano
› "Asturias (Leyenda)" from the Suite "Española" for Piano
› "Ave Maria" (Arcadelt-Dietsch) for Piano - Piano seul





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