Is You Is or Is You Aint My Baby

SKU: LM.PB764

ISBN 9790231307641.

Wake Up - Magic Game - Our Generation - Every Time - Paint your Face - Baby - Trust me - Mum - Waiting for - Tic Tac - My God - See you again - Close and open - When life.

SKU: BA.BA11305-90

ISBN 9790006567034. 27 x 19 cm inches. Text Language: Latin. Preface: Stahl, Christina M.

Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.

Saint-Sa� �«ns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience.

SKU: BA.BA11305

ISBN 9790006567027. 31 x 24.3 cm inches. Text Language: Latin. Preface: Stahl, Christina M.

Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.

Saint-Sa� �«ns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA11309-91

ISBN 9790006569182. 27 x 19 cm inches. Text Language: English.

Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.

SKU: BT.DHP-1145553-070

ISBN 9789043135986. 9x12 inches. English-German-French-Dut ch.

Film composer Henry Mancini wrote Baby Elephant Walk for the 1961 film Hatari!. In this unmistakable classic film score, the composer was able to conjure a very realistic portrayal of a baby elephant’s waddle. This jazz evergreen hasnow been arranged for Brass Quartet by Eric J. Hovi.

Henry Mancini was meester in het componeren van indrukwekkende melodieën. Met zijn talrijke onvergetelijke filmmuziek- en jazzthema´s bewees hij dat keer op keer. BABY ELEPHANT WALK is de titel van muziek die Mancini in 1962 bij de film HATARIcomponeerde. Eric J. Hovi maakte er een vakkundig arrangement van. Een nummer dat alles in zich heeft om de favoriet van uw publiek te worden!

Henry Mancini war ein Meister im Komponieren einprägsamer Melodien - das hat er mit zahlreichen unvergessenen Filmmusiken und Jazzmelodien eindrucksvoll bewiesen. Aus BABY ELEPHANT WALK, von Mancini zum Film Hatari im Jahr 1962 komponiert, schufEric J. Hovi ein cleveres Arrangement für Blechbläserquartett, das das Zeug zum Publikumsliebling hat.

Henri Mancini était maître dans l´art d´ écrire des mélodies mémorables, ses inoubliables musiques de film et ses nombreuses compositions de jazz le démontrent amplement. Eric J. Hovie a maintenant réalisé un arrangement intéressant de BABY ELEPHANTWALK, écrit en 1962 par Mancini pour le film HATARI, qui deviendra certainement un favori du public.

Henry Mancini fu un maestro nel comporre melodie memorabili; prova ne sono le numerose musiche da film e melodie jazz. Mancini compose BABY ELEPHANT WALK per il film HATARI del 1962. L´ arrangiamento per banda di Eric J. Hovi presenta tutti gliingredienti per diventare un sicuro successo di pubblico.

SKU: BT.DHP-1196194-070

ISBN 9789043158442.

Film composer Henry Mancini wrote Baby Elephant Walk for the 1961 film Hatari!. In this unmistakable classic film score, the composer was able to conjure a very realistic portrayal of a baby elephant’s waddle. This jazz evergreen has now been arranged for variable wind ensemble by Eric J. Hovi.

Henry Mancini was meester in het componeren van indrukwekkende melodieën. Met zijn talrijke onvergetelijke filmmuziek- en jazzthema´s bewees hij dat keer op keer. Baby Elephant Walk is de titel van muziek die Mancini in 1962 bij de film Hatari! componeerde. Eric J. Hovi maakte er een vakkundig arrangement van. Een nummer dat alles in zich heeft om de favoriet van uw publiek te worden!

Henry Mancini war ein Meister im Komponieren einprägsamer Melodien - das hat er mit zahlreichen unvergessenen Filmmusiken und Jazzmelodien eindrucksvoll bewiesen. Aus Baby Elephant Walk, von Mancini zum Film Hatari im Jahr 1962 komponiert, schuf Eric J. Hovi ein cleveres Arrangement für variables Bläserensemble das das Zeug zum Publikumsliebling hat.

Henri Mancini était maître dans l´art d´écrire des mélodies mémorables, ses inoubliables musiques de film et ses nombreuses compositions de jazz le démontrent amplement. Eric J. Hovi a maintenant réalisé un arrangement intéressant de Baby Elephant Walk, écrit en 1962 par Mancini pour le film Hatari!, qui deviendra certainement un favori du public.

Henry Mancini fu un maestro nel comporre melodie memorabili: prova ne sono le numerose musiche da film e melodie jazz. Mancini compose Baby Elephant Walk per il film Hatari! del 1962. L´ arrangiamento per banda di Eric J. Hovi presenta tutti gli ingredienti per diventare un sicuro successo di pubblico.

SKU: HL.381031

ISBN 9781705152423. UPC: 196288019435. 9.0x12.0x0.292 inches.

It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. The arrangements also include lyrics. This big edition includes 60 folk favorites: Auld Lang Syne * Aura Lee * Beautiful Dreamer * Buffalo Gals (Won't You Come Out Tonight?) * (Oh, My Darling) Clementine * Cockles and Mussels (Molly Malone) * Danny Boy * Deep River * For He's a Jolly Good Fellow * Frankie and Johnny * He's Got the Whole World in His Hands * My Bonnie Lies over the Ocean * My Wild Irish Rose * Nobody Knows the Trouble I've Seen * 'O Sole Mio * Sailing, Sailing * Scarborough Fair * She'll Be Comin' 'Round the Mountain * Simple Gifts * Skip to My Lou * Take Me Out to the Ball Game * Wayfaring Stranger * Wellerman * When Johnny Comes Marching Home * When the Saints Go Marching In * The Yellow Rose of Texas * and more.

SKU: SU.94010400

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

SKU: BA.BA11309

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding