Wolfgang Amadeus Mozart: Viennese Sonatinas Arranged For Flute And Piano: Flute:

Wolfgang Amadeus Mozart’s Wind Divertimenti KV 439b later appeared in a version for Piano entitled Viennese Sonatinas. Arrangements of these sonatinas for Flute and Piano will provide flautists with much needed repertoire of music from this period. Detailed phrasing and dynamics are included to aid and inspire the players. For middle-grade flautists.

Viennese Sonatas 1781-1788 with fragments and variations-This new publication in two volumes contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new Bärenreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully Bärenreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '... a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006)

Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Conducteur

The choral collection Mozart · Haydn contains sacred music of two famous pairs of composers from the Viennese classical school: father and son Leopold and Wolfgang Amadeus Mozart, and the brothers Joseph and Johann Michael Haydn. Works selected for this collection include Latin and German settings, canons, motets and movements from the Ordinary of the Mass for a cappella choir or with keyboard accompaniment. The choice of works has been made not only with a view to the broadest possible practical use, but also to providing a selection ranging in difficulty from easy to moderately difficult. This compilation of both famous and little-known works offers a broad insight into therepertoire of church music from the Viennese classical school./ Répertoire / SSA-TTB

The choral collection Mozart · Haydn contains sacred music of two famous pairs of composers from the Viennese classical school: father and son Leopold and Wolfgang Amadeus Mozart, and the brothers Joseph and Johann Michael Haydn. Works selected for this collection include Latin and German settings, canons, motets and movements from the Ordinary of the Mass for a cappella choir or with keyboard accompaniment. The choice of works has been made not only with a view to the broadest possible practical use, but also to providing a selection ranging in difficulty from easy to moderately difficult. This compilation of both famous and little-known works offers a broad insight into therepertoire of church music from the Viennese classical school./ Répertoire / SATB

Piano Sonata 'Facile' In C Major. Par MOZART WOLFGANG AMADEUS. These two sonatas in C major (KV 545) and A major (KV 331) are among the most popular of all Mozart's piano sonatas. KV 545 is a firm favourite with piano teachers and their pupils (for many pianists it is their first introduction to the sonata repertoire) and KV 331 with its famous variation movement and the renowned Rondo alla turca is one of the most popular works of the whole Viennese classical period. / Niveau : Facile / Répertoire / Piano

Composed just three years before Mozart's premature death theSonata in C K.545 has become perhaps his most widely known composition for piano. The piece was probably written for one of Mozart's pupils though it was not published during his lifetime. It has since come to symbolise in miniature the dominant elements of the Mozart style: clarity melodic charm and exquisite balance. These characteristics epitomise the music of the Viennese classical period of the late 18th century.The three-movement work opens with an elegant Allegro followed by a tuneful Andante and concludes with a light-hearted Rondo finale.This version ofMozart's popular work has been edited by Randall Faber.

After Volumes IV and III of the series with Mozartâ??s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively Mozart expert Wolf-Dieter Seiffert now presents Volume II â?? in full score and individual parts. Included are the â??Early Viennese Quartetsâ? from 1773 K. 168â??173. Entries in the autograph manuscript by the composerâ??s father Leopold however suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation thereby producing a new assured musical text. With artistic input from the Armida Quartet Volume II of the String Quartets also sets the benchmark in the Mozart Edition! After Volumes IV and III of the series with Mozartâ??s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively Mozart expert Wolf-Dieter Seiffert now presents Volume II â?? in full score and individual parts. Included are the â??Early Viennese Quartetsâ? from 1773 K. 168â??173. Entries in the autograph manuscript by the composerâ??s father Leopold however suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation thereby producing a new assured musical text. With artistic input from the Armida Quartet Volume II of the String Quartets also sets the benchmark in the Mozart Edition!