Wolfgang Amadeus Mozart : A Little Night Music- Romance - Extracts

Leichte Bearbeitungen für Klavier - Die Komponistenserie für Kinder-Little Amadeus & Friends - die Komponistenserie für Kinder - stellt berühmte Komponisten und deren Werke vor.Dieses Spielheft ist dem großartigen Wunderkind und Musikgenie der Wiener Klassik - Wolfgang Amadeus Mozart (1756-1791) - gewidmet. Er tritt hier selbst auf und erzählt in einer spannenden Geschichte aus seinem Leben.Daran anschließend folgen zwanzig seiner beliebtesten Werke in leichten Bearbeitungen für Klavier. Und wiederum ist es der Komponist der hier viele interessante Tipps und Informationen zu seinen Kompositionen beisteuert. Am Schluss gibt es noch ein Mozart-Quiz in dem das erlernte Wissen lustig abgefragt wird. Auf derbeiliegenden CD sind alle Musikbeispiele im Original zu hören. Mit vielen Bilder zum Ausmalen.Aus dem Inhalt:Mozart - Mein LebenKlaviermusikMenuett G-Dur KV 1 e+f (Trio)Menuett F-Dur KV 2 Ah vous dirai-je maman KV 265 Thema Alla turca aus der Klaviersonate A-Dur KV 331 3. SatzKlaviersonate C-Dur KV 545 (1.-3. Satz )Konzerte Klavierkonzert Nr. 21 C-Dur KV 467 2. SatzViolinkonzert G-Dur KV 216 3. SatzKlarinettenkonzert A-Dur KV 622 2. SatzOrchesterwerke Eine kleine Nachtmusik Serenade Nr. 13 G-Dur KV 525 (1.-4. Satz)Sinfonien Sinfonie Nr. 40 g-Moll KV 550 1. SatzKammermusik & Lieder Klarinetten-Quintett A-Dur KV 581 4. Satz Sehnsucht nach dem Frühling KV 596Opern & Singspiele Nun vergiss leises Flehn süßes Kosen (Die Hochzeit des Figaro KV 492) Der Vogelfänger bin ich ja (Die Zauberflöte KV 620)Kirchenmusik Lacrimosa aus dem Requiem d-Moll KV 626Mozart-Quiz

Magical Mozart permet à chaque instrumentiste d'aborder, très tôt dans l'apprentissage, la musique élégante du compositeur de génie Wolfgang Amadeus Mozart. Certaines mélodies sont célèbres, d'autres sont à découvrir. Les notes et les rythmes sont simples et certaines adaptations ont été réalisées. L'accompagnement au piano joint au recueil illumine la partition instrumentale. / Violon / 48 pages / niveau : Facile - Elémentaire / Partition + Cd

The choral collection Mozart · Haydn contains sacred music of two famous pairs of composers from the Viennese classical school: father and son Leopold and Wolfgang Amadeus Mozart, and the brothers Joseph and Johann Michael Haydn. Works selected for this collection include Latin and German settings, canons, motets and movements from the Ordinary of the Mass for a cappella choir or with keyboard accompaniment. The choice of works has been made not only with a view to the broadest possible practical use, but also to providing a selection ranging in difficulty from easy to moderately difficult. This compilation of both famous and little-known works offers a broad insight into therepertoire of church music from the Viennese classical school./ Répertoire / SSA-TTB

The choral collection Mozart · Haydn contains sacred music of two famous pairs of composers from the Viennese classical school: father and son Leopold and Wolfgang Amadeus Mozart, and the brothers Joseph and Johann Michael Haydn. Works selected for this collection include Latin and German settings, canons, motets and movements from the Ordinary of the Mass for a cappella choir or with keyboard accompaniment. The choice of works has been made not only with a view to the broadest possible practical use, but also to providing a selection ranging in difficulty from easy to moderately difficult. This compilation of both famous and little-known works offers a broad insight into therepertoire of church music from the Viennese classical school./ Répertoire / SATB

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

On 30th September 1791 a few months before his death the opera ?Die Zauberflote? (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work ?a la Mozart? only the timpani part should be used the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788 he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace inventiveness and pervasive sense of humour which can be found throughout his music.

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

RENAISSANCEGreensleeves AnonymLe Rossignol AnonymCome Again John DowlandLesson For Two Lutes AnonymDi, Perra Mora AnonymBAROCKRomanze Christian Gottlieb ScheidlerLament Niel GowWachet auf, ruft uns die Stimme Johann Sebastian BachLargo Antonio VivaldiAllegro Wilhelm Friedemann BachKLASSIKLe nid et la rose Ferdinando CarulliDas klinget so herrlich Wolfgang Amadeus MozartDer Vogelfänger bin ich ja Wolfgang Amadeus MozartSonate A-Dur Domenico CimarosaLes Folies d?Espagne Matteo BevilacquaROMANTIKGran Vals Francisco TárregaBolero José FerrerVon fremden Ländern und Menschen Robert SchumannModerato cantabile Frédéric ChopinTritsch-Tratsch-Polka Johann StraussEl pañuela de pepa Manuel SaumellMULTIKULTURELLEl Coyuyo Héctor AyalaÁgua e vinho Egberto GismontiLa Sanjuanerita François CastetPaçoca (Choro) Celso MachadoCubana Trad., arr. WilliamsTomo y obligo Carlos GardelThe Lass Of Pattie?s Mill Trad.Jocul cu bâta Béla BartókEscorregando Ernesto NazarethLibertango Astor PiazzollaPOPLed Joplin Claude EngelEn avril Thierry TisserandIncomparable You Maria LinnemannRomance David GaudreauApril Love Earl KlughCrazy Little Thing Called Love Freddie MercuryHappy Pharrell WilliamsHavana Camila CabelloThe Birds And The Bees Attila Zoller / Guitare acoustique / Edition Dux

Gypsy Fiddle [Edward Huws Jones]; Floating By [Edward Huws Jones]; Havana Breeze [Edward Huws Jones]; The English Dancing Master [Anon. English]; Ride on a Quad Bike [Edward Huws Jones]; Spring Song [Trad. Hungarian]; Beethoven Boogie [Ludwig van Beethoven]; Jingle Bells [James Pierpoint]; Canon [Johann Pachelbel]; Morning Has Broken [Trad. Scottish]; Caribbean Moonlight [Edward Huws Jones]; Old-Time Waltz [Trad. English]; Ukulele Sam [Edward Huws Jones]; Action Hero! [Edward Huws Jones]; Action Hero! Improvisation [Edward Huws Jones]; Buzz, Buzz, Buzz [Hoffman von Fallersleben]; Harpist's Fingers [Trad. Welsh]; A North Country Lass [Trad. English]; Sweet Dreams [Edward Huws Jones]; Meha's Song [Trad. South Indian]; John Ryan's Polka [Trad. Irish]; Jewish Dance [Trad. Klezmer]; Lullaby [Carl Maria von Weber]; Galliard [Tylman Susato]; BourACOe from Limousin [Trad. French]; Hen-Coop Rag [Edward Huws Jones]; The Duke of Lorraine's March [Trad. English]; Little Brown Jug [Joseph Winner]; Hand in Hand [Wolfgang Amadeus Mozart]; Greek Wedding [Trad. Greek]; Casey Jones [Trad. American]; The Boat to Inverie [Edward Huws Jones] / Partitions classique / Cordes / Violon / ABRSM PUBLISHING