With This Bread

Uses: CommunionScripture: Psalm 133; Mark 14:22-25Here is essential repertoire for the choir as it ministers through music during communion. Beautiful melody joins with inspired words to truly capturethe heart of this special moment in worship. Celebrate the banquet of grace with this lovely new composition. Highly recommended! Duration: ca. 2:43.

Master the art of clawhammer Banjo playing with this easy-to-follow instructional DVD.Great Banjo Lessons: Clawhammer Style contains eight lessons chosen to provide learners with new techniques tunes and musical insights.Suitable for beginning and advanced players alike this DVD includes tuition by professional Banjo players for the songs Shortenin' Bread John Brown's Dream Cherokee Shuffle and more.Contributors to this DVD include Bob Carlin Mike Seeger Cathy Fink David Holt Kirk Sutphin Ralph Stanley Mark Johnson and Frank Lee.

Remember those who've gone before with this collection of 40 memorial songs made popular by pop rock and country artists. Includes: Angel (Sarah McLachlan) • Everything I Own (Bread) • I Miss My Friend (Darryl Worley) • I Would've Loved You Anyway (Trisha Yearwood) • One More Day (With You) (Diamond Rio) • Tears in Heaven (Eric Clapton) • Who Knew (Pink) • and more.

These 10 arrangements of traditional American spirituals capture the essence of the original music through rich harmonies that highlight their rhythmic nature. To convey their emotional quality, the pianist can approach many of these pieces with freedom of interpretation. Whether playing them in church services, on the concert stage, or for personal enrichment, the performer will find this book to be a wonderful source of enjoyment and inspiration. / Piano

‘Panem et Circenses’ Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans the Games were Popular Pastime Number One for everybody.There were different kinds of games such as chariot races (especially popular with female spectators) or wild-beast fights where lions tigers bulls or bears were set on one another or even on human beings. Most popular however were the Gladiator fights. In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate depending on the mercy of the audience. Waving one’s handkerchief meant mercy a turned-down thumb meant no pardon. The Emperor had the right to take the final decision but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves convicted criminals or prisoners of war. Consequently winning was very important as it would mean fame honour and sometimes even wealth. A lap of honour therefore was the winner’s due reward.

‘Panem et Circenses’ Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans the Games were Popular Pastime Number One for everybody.There were different kinds of games such as chariot races (especially popular with female spectators) or wild-beast fights where lions tigers bulls or bears were set on one another or even on human beings. Most popular however were the Gladiator fights. In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate depending on the mercy of the audience. Waving one’s handkerchief meant mercy a turned-down thumb meant no pardon. The Emperor had the right to take the final decision but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves convicted criminals or prisoners of war. Consequently winning was very important as it would mean fame honour and sometimes even wealth. A lap of honour therefore was the winner’s due reward.

‘Panem et Circenses’ Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans the Games were Popular Pastime Number One for everybody.There were different kinds of games such as chariot races (especially popular with female spectators) or wild-beast fights where lions tigers bulls or bears were set on one another or even on human beings. Most popular however were the Gladiator fights. In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate depending on the mercy of the audience. Waving one’s handkerchief meant mercy a turned-down thumb meant no pardon. The Emperor had the right to take the final decision but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves convicted criminals or prisoners of war. Consequently winning was very important as it would mean fame honour and sometimes even wealth. A lap of honour therefore was the winner’s due reward.

John Parker and David Lantz expressively articulate the true emotion and meaning of communion in this fine anthem. In this thoughtful SATB setting the worshipper is described as “the empty cup for Christ to fill.”Rich harmonies and a tender accompaniment give depth and warmth to the insightful text of this impressive choral. Cup of Mercy Bread of Grace will provide your choir and congregation with a striking and memorable communionexperience.

Margaret Rizza is a natural melodist and this setting Mass of the Bread of Life meets the twin demands of parish liturgical music: spiritual depth and accessibility.This new and enlarged edition includes theCommon Worship texts set for congregation and organ or keyboard throughout with optional choral descants and instrumental parts.

Real Easy Book 2 - C Version. Following on from the great success of The Real Easy Book Volume 1, The Real Easy Book Volume 2 is perfect for students with a few years of playing experience, right up to working professionals. From jazz classics like Four, Scrapple From The Apple, and Dear Old Stockholm to contemporary tunes like George Benson's Mimosa and Donald Fagen's Walk Between Raindrops this selection of songs will keep you and your audience smiling. The Real Easy Book Volume 2 will save band directors countless hours of writing out scales for soloing, chord voicings, Guitar diagrams and Bass lines - they are all included with each tune. The educational material in this book has been developed in conjunction with Stanford Jazz Workshop. It works.

Piano/Vocal-The timeless texts in this collection are arranged in the tradition of the artsong with familiar and newly-composed melodies joining together to praise Him with song. Both the vocal soloist and piano accompanist will appreciate the creative attention to detail in these settings. For worship service or recital. 10 titles including: God Be with You Till We Meet Again · Let Us Break Bread Together · A Mighty Fortress Is Our God · Were You There? · and more.

This prolific writing team brings us a new communion anthem that is sure to find its way into many a church library. Cleverly weaving original material with the classic “Let Us Break Bread Together ” this anthem flowseasily and fits well into standard vocal ranges. Here at This Table will add a gentle elegance to your communion service.

Par BAY WILLIAM. This is a collection of 155 solos for trumpet, cornet, or flugelhorn. Ninety-one were recorded on various trumpets, 37 were recorded on cornet and 27 on flugelhorn. One hundred and fourteen are original compositions and the remaining 41 are arrangements on favorite hymns and sacred songs. A warm-up study is also included. This compilation comprises 6 books; Trumpet Chants; Trumpet Tone Poems, Trumpet Ballads and Waltzes, Trumpet Partitas, Soliloquies for Flugelhorn, Trumpet or Cornet, and Hymns for Unaccompanied Trumpet. Many of the pieces have been revised and new ones have been added. Each book was recorded with a different instrument although Trumpet Ballads and Waltzes and Trumpet Partitas were both recorded with a cornet. However, a different mouthpiece was used for each of those two recordings, thus giving each a slightly different sound. Both the instrument and the mouthpiece used are noted on the title page of each section. Most of the selections are aimed at developing tone and lyricism on the trumpet. However, Trumpet Partitas definitely addresses technical issues. There is a wealth of music in this collection, and it will add much to trumpet practice and performance repertoire. Includes access to an online recording of the author performing each of the 155 solos. / Date parution : 2023-06-01/ Recueil / Trompette