Matériel : Livre + CD
SKU: GI.G-9729
ISBN 9781622775323.
Comp iled and Edited by James Mick, David Pope, and Soo Han. Chapter authors: Brenda Brenner, Robert Gillespie, Soo Han, Mark Laycock, James Mick, Christopher Selby, and James Woomert.  This much-anticipated fourth volume in the indispensable Teaching Music through Performance in Orchestra series arrives 13 years after the publication of the previous volume, with a new team of authors and editors, each at the top of the string education profession. But while the team is new, the book remains an essential resource for today’s string teachers and conductors at all levels. Part I features practical chapters by leading educators: “Selecting and Teaching Concert Music†by Christopher Selby, “Preparing for the Podium†by James Mick, “Begin with the Score: Making Notation Come Alive†by Mark Laycock, “From Poof to Portato: A Sequence of Bow Strokes for the Heterogeneous Class†by Brenda Brenner, “NRB (Notes, Rhythm, and Bow): Systematic Ways of Providing Technique in the Orchestra Classroom†by Soo Han, “Bowing Styles for the Ages: What Are They? How Do They Sound? When Do I Use Them? How Do I Get My School Orchestra to Play Them?†by Robert Gillespie, “If Only We Had More Rehearsal Time! Strategies for Optimizing Rehearsal Efficiency and Performance Preparedness that Have Nothing to Do With Conducting†by James Woomert. Part II contains analyses of 92 of the most significant works for string and full orchestra in print, Grades 1 through 6. Like the first three volumes of this series, each Teacher Resource Guide includes essential information on each musical selection, including composer and composition information, historical background, technical requirements, stylistic considerations, musical elements (form and structure), suggestions for additional listening, and a guide to selected references. Click HERE to access a spreadsheet with recommended recordings for works in Volume 4. A Note about Volume 5:  In preparation for Volume 5 of this hallmark series, we welcome your input as we seek to include more repertoire from historically underrepresented composers. For more details, please reivew the following PDF and use the Google Form below to submit your suggested works. PDF: Diversity, Equity, and Inclusion in the TMPO Series Loading….
SKU: HL.294336
ISBN 9781540059178. UPC: 888680941406. 9.0x12.0x0.127 inches. Rhythm Cup Activities by John Jacobson.
Change up your rhythm teaching with MUSICAL CUPS! With simple plastic cups and great rhythmic songs, you can teach rhythm reading, accurate performance, physical coordination, music literacy, and teamwork. The printed song collection features singer lead sheets with musical cup patterns in standard notation. Our easy-to-read iconic cup notation for the patterns in each song is also included on a separate page. The musical cup language (such as tap table, pat cup, pass cup) is explained with pictures and a detailed description. Each book comes with a unique code for online access to audio recordings and demonstration videos of each cup pattern. From simple to more challenging patterns, these 10 songs and activities will add a flexible way to engage music students in grades 3-6 in rhythm reading and performance.
SKU: HL.9971498
ISBN 9781617742866. UPC: 884088545369. 4.75x5 inches.
Hola Amigos! Experience authentic music styles of the Afro-Spanish-Caribbean by Puerto Rican-born author & bi-lingual educator, Alejandro Jimenez. Connect with educational philosophies and cultural backgrounds of the Spanish Caribbean to understand how they influenced the music of that area. Learn how song, dance, rhythmic instruments and drama all come together to help build confidence and promote personal expression. Originally developed and used in urban, multi-cultural settings here in the United States, the works featured in Picante are for all general music classes. Students form their own Latin Music ensembles and explore the highly rhythmic beat of the plena from Puerto Rico, the regueton which is popular among urban Latino youth, the fast two-step beat of the merengue from the Dominican Republic, the bomba from Puerto Rican folk music, and the son from Cuban dance music. These different styles influenced what we now call Salsa music. The kid-friendly ensembles have been written for Grades 5-9 and are presented from easy to more difficult. A variety of short, easily-learned ostinato rhythm patterns are played on Latin percussion and Orff instruments and added one at a time, followed by the Spanish and English lyrics. These voice parts are also made up of short ostinato patterns that, when layered in, create easily-sung harmonies in an instant! You can perform all or some of the voice parts, so do what best fits your situation. A helpful teaching sequence, dance steps and objectives linked to the National Standards are provided for each song, and all ensemble parts are reproducible! The piano/vocal printed score represents the form of each song as recorded on the companion CD, and is only a suggested guide to follow. Encourage your students to be creative and make up their own song form! Available separately: Teacher Edition (with reproducible pages), Performance/Accompaniment CD, Classroom Kit (Teacher and P/A CD). Suggested for grades 5-9.
SKU: HL.9971426
ISBN 9781423476528. UPC: 884088486662. 5x5 inches. John Jacobson/John Higgins.
The bugz are back and ready for the annual Christmas program infestation! The carpenter bees have built the sets, and the silk worms have made the costumes. OH, NO! The termites just chewed up the Christmas tree decorations and ate the lights! (gasp) What are the bugz to do? See how some special little guests light the way to a grand finale of “The Twelve Bugs of Christmas!” Designed for young performers in Grades K-3, this musical show features the clever writing of John Jacobson and John Higgins with 5 songs in a variety of musical styles, easy rhyming dialog with 45 speaking parts and additional non-speaking parts, all adaptable to casts of varying sizes, and teaching objectives linked to the National Standards for each song. Simple movement, staging and costume tips are also provided to help stage a successful performance, even when time is limited! Available: Teacher, Reproducible Pak (vocals, lyrics, dialog), Preview CD (with vocals), Preview Pak (1 Preview CD and sample pages), Performance/Accompaniment CD, Classroom Kit (Teacher, Repro Pak, P/A CD). Duration: ca. 20 minutes. Suggested for grades K-3.
SKU: GI.G-7850
ISBN 9781579998059. English.
Adventures with Music Book 1 A new adventure series where the heroes are young musicians! Dale and his friends waited for this moment, and now it was here: they were finally old enough to play an instrument. Little did Dale know that his decision to play the cornet would take him on an adventure of a lifetime... This first book in The Adventures with Music Series begins in the U.S. during World War II. Paul and Ann Kimpton bring to life this unforgettable story about best friends, their dog Scout, bike rides, forts, foot races, and heroism—capturing the spirit of a remarkable time and the sheer joy of making music Excerpt from the book... The Conn instrument factory was on fire, and only one person could save the town.... Hurry, Dale! You have no time to spare! Grandpa warned as Dale hopped on his bike. He put the bugle to his lips, but nothing came out. Remember what you have been taught, Grandpa advised. Dale licked his lips and tried again. This time the Fire Call came out loud and clear. The sound echoed across the valley. Grandpa shouted, Now ride to each corner and play it as loud as you can. This is going to be your most important performance ever! Paul Kimpton grew up in a musical family and was a band director in Illinois for 34 years. His father Dale was a band director and professor at the University of Illinois, and his mother Barbara was a vocalist. When Paul is not writing, he is reading or enjoying the outdoors. Ann Kimpton played French horn through college and went on to be a mother, teacher, and high school administrator. Her parents, Henry and Maryalyce Kaczkowski, both educators, instilled an appreciation for the fine arts and the outdoors in all of their children. How to use the Adventures with Music series: 1. Parents, Teachers, Librarians: Intended for intermediate readers in grades 4 through 8, these books capture the interests of both boys and girls. The series fosters a love of reading while exposing students to American history and the foundations of music. The musician characters provide positive role models for any child, but especially students who like music or play an instrument. 2. General Music Classroom: Support reading across the curriculum in your classroom! The Adventures with Music series promotes musicians as can-do kids. Musical concepts are embedded throughout each high-interest story, thus reinforcing what students are learning in your classroom. Provide your students with a background rich in music history in an exciting context. The books are written to appeal to a variety of reading levels, and as a result, support differentiated instruction in your classroom. 3. Instrumental Music Teachers: Build interest when recruiting beginners, and maintain that excitement, as students develop their musical skills. The Adventures with Music series provides students with positive role models of well-rounded, active musicians. Students see how music can be an essential part of their lives and are drawn to the exciting stories that reinforce the concepts they will encounter when they play an instrument. The series’ characters learn to read music, rehearse, and persevere all while developing leadership skills in their school’s music program. Music history is woven throughout, helping you keep the legacy of music alive for young musicians.  .
SKU: HL.9971312
ISBN 9781423473626. UPC: 884088363871. 8.5x11.0x0.082 inches. John Jacobson/John Higgins.
The Polar Bears are throwing a bear-y big holiday celebration at the North Pole and their guests from around the world are starting to arrive – black bears and brown bears, rapping grizzlies, pirouetting dancing bears, teddy bears, Kodiaks from nearby Alaska, and more! But what is taking the Pandas so long? The wait is becoming un-bear-able! Join in the festive panda-monium when the bear-y small Pandas finally arrive in true vaudeville style and the party begins! From the popular writing team of John Jacobson and John Higgins comes this clever and easy-to-prepare 20-minute holiday musical for primary grades that will delight audiences of all ages. Five original songs, rhyming dialog, choreography and staging tips are included in the Teacher Edition, and vocal parts and dialog are available in the handy Reproducible Pak. Check out the Classroom Kit for a real budget-saver! Available separately: Teacher Edition, Reproducible Pak, Preview CD (with vocals), Preview Pak (1 Preview CD and sample pages), Performance/Accompaniment CD, Classroom Kit (Teacher Edition, Reproducible Pak, P/A CD). Duration: ca. 20 minutes. Suggested for grades K-3.
SKU: HL.9971313
ISBN 9781423473633. UPC: 884088363888. 4.75x5 inches. John Jacobson/John Higgins.
The Polar Bears are throwing a bear-y big holiday celebration at the North Pole and their guests from around the world are starting to arrive – black bears and brown bears, rapping grizzlies, pirouetting dancing bears, teddy bears, Kodiaks from nearby Alaska, and more! But what is taking the Pandas so long? The wait is becoming un-bear-able! Join in the festive panda-monium when the bear-y small Pandas finally arrive in true vaudeville style and the party begins! From the popular writing team of John Jacobson and John Higgins comes this clever and easy-to-prepare 20-minute holiday musical for primary grades that will delight audiences of all ages. Five original songs, rhyming dialog, choreography and staging tips are included in the Teacher Edition, and vocal parts and dialog are available in the handy Reproducible Pak. Check out the Classroom Kit for a real budget-saver! Available separately: Teacher Edition, Reproducible Pak, Preview CD (with vocals), Preview Pak (1 Preview CD and sample pages), Performance/Accompaniment CD, Classroom Kit (Teacher Edition, Reproducible Pak, P/A CD). Duration: ca. 20 minutes. Suggested for grades K-3.
SKU: GI.G-4955SM
English.
These two tests are designed to serve as objective aids to teachers in assisting their students to improvise music by providing them with appropriate opportunities and instructions. When used with judgment and wisdom, these tests will: 1. Help determine objectively whether individual students have the necessary harmonic and rhythmic readiness to learn to improvise, 2. Indicate what types of general instruction in improvisation are most beneficial for individual students, and 3. Assist teachers in adapting instruction to each student’s individual needs. Each test is less than 20 minutes long and can be machine scored. The extensive manual includes information on how to score and interpret test results. These new tests mark a major new achievement in music testing, developed by the principal leader in music testing, Edwin E. Gordon. 1 harmonic & 1 Rhythmic test scoring mask. .
SKU: GI.G-4955M
These two tests are designed to serve as objective aids to teachers in assisting their students to improvise music by providing them with appropriate opportunities and instructions. When used with judgment and wisdom, these tests will: 1. Help determine objectively whether individual students have the necessary harmonic and rhythmic readiness to learn to improvise, 2. Indicate what types of general instruction in improvisation are most beneficial for individual students, and 3. Assist teachers in adapting instruction to each student’s individual needs. Each test is less than 20 minutes long and can be machine scored. The extensive manual includes information on how to score and interpret test results. These new tests mark a major new achievement in music testing, developed by the principal leader in music testing, Edwin E. Gordon. .
SKU: GI.G-4955AH
These two tests are designed to serve as objective aids to teachers in assisting their students to improvise music by providing them with appropriate opportunities and instructions. When used with judgment and wisdom, these tests will: 1. Help determine objectively whether individual students have the necessary harmonic and rhythmic readiness to learn to improvise, 2. Indicate what types of general instruction in improvisation are most beneficial for individual students, and 3. Assist teachers in adapting instruction to each student’s individual needs. Each test is less than 20 minutes long and can be machine scored. The extensive manual includes information on how to score and interpret test results. These new tests mark a major new achievement in music testing, developed by the principal leader in music testing, Edwin E. Gordon. 100 extra Harmonic Answer Sheets. .
SKU: GI.G-4955AR
These two tests are designed to serve as objective aids to teachers in assisting their students to improvise music by providing them with appropriate opportunities and instructions. When used with judgment and wisdom, these tests will: 1. Help determine objectively whether individual students have the necessary harmonic and rhythmic readiness to learn to improvise, 2. Indicate what types of general instruction in improvisation are most beneficial for individual students, and 3. Assist teachers in adapting instruction to each student’s individual needs. Each test is less than 20 minutes long and can be machine scored. The extensive manual includes information on how to score and interpret test results. These new tests mark a major new achievement in music testing, developed by the principal leader in music testing, Edwin E. Gordon.
SKU: GI.G-4955CD
SKU: GI.G-10177
ISBN 9781622775224.
List ening Excerpts to Develop Band Musicianship is a resource that can sit near your workstation for ease and speed. I feel listening has been a great benefit to my students. I have spent a lot of time attempting to be more efficient, and I want to share the fruits of my labor with others. Incorporate listening excerpts into your teaching, and you and your students will benefit greatly. —Jim Childers Providing great listening models for band students can be an incredibly efficient and effective way to convey musical concepts—provided directors have a library of well-organized recordings that catalog everything from expressive styles (“Heroicâ€) to technical issues (“Double-Tonguingâ €). With this essential book, Jim Childers does the hard work of classifying the top wind band recordings to provide efficient excerpts for just the right concept. Imagine teaching students to do a lifting release. If they heard members of “The President’s Own†in one of their amazing recordings, students can be enlightened and inspired. With added coaching from the director, students will have a shortened trip to improved performance. In this resource, Childers collects hundreds of quality listening excerpts into tables and categorizes them both by instrumentation and by characteristics such as expressive elements, articulations, tempo, and more. This book helps directors be efficient in using small, but effective, listening to develop students’ musicianship—and is particularly helpful in a distance learning environment. When considering how much time directors spend in rehearsals trying to describe and redefine the musical effects they desire, words and their connotative meanings often fall short and fail to produce what a director hopes to hear. But providing students the opportunity to listen to great bands playing those desired elements from within great pieces of music can, and will, improve musicianship and inspire students! Jim Childers is Director of Bands at Marion (IL) Jr. High School, where he directs all band activities in grades six through eight. He has directed bands since 1991, at Marion Jr. High School since 2002 as well as Highland High School and Mt. Vernon Township High School. He earned his bachelor’s and master’s degrees in music education at Southern Illinois University–Carbond ale, studying trombone with Dr. Robert Weiss. He has guest conducted many camps, including ISYM at the University of Illinois, and has been invited to present at several conferences, including The Midwest Clinic.
SKU: FJ.B1116S
Teachin g improvisational techniques is easily explained in this new Brazilian-style work. An open section of the piece gives the director choices about who should play what part (i.e. bass line, melody, harmony, solos - all written in each individual part), and when to play. This excellent teaching tool is also great for concerts or festival programming. (3:30).
About FJH Young Band
Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5