What a Beautiful Name with O Come, Let Us Adore Him - Anthem

Easy arrangements of 18 anthems from the Irish rock stars: Beautiful Day â?¢ Desire â?¢ Elevation â?¢ Mysterious Ways â?¢ New Year's Day â?¢ Pride (In the Name of Love) â?¢ Stuck in a Moment You Can't Get Out Of â?¢ Sunday Bloody Sunday â?¢ Sweetest Thing â?¢ Vertigo â?¢ Walk On â?¢ Where the Streets Have No Name â?¢ With or Without You â?¢ and more!

Leadsheets (Red Book) contains 100 well-known songs specially arranged with melody line, lyrics and chords to be ideal for buskers, gigs, practice or just for fun. This unmissable collection for guitarists, singers, piano and ukulele players features songs from artists such as Tom Odell, The Scissor Sisters, London Grammar, Van Morrison and Radiohead as well as timeless classics from the likes of Frank Sinatra and Johnny Cash./ Recueil / Paroles et Accords

Upper Elementary to Lower Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there' (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Jazz Play-Along Volume 179-A concise collection of 40 U2 songs presented with just their chords and lyrics.Songs include: Beautiful Day • Bullet the Blue Sky • Elevation • Even Better Than the Real Thing • I Still Haven't Found What I'm Looking For • I Will Follow • Mysterious Ways • New Year's Day • One • Pride (In the Name of Love) • Stuck in a Moment You Can't Get Out Of • Sunday Bloody Sunday • Walk On • When Love Comes to Town • Where the Streets Have No Name • With or Without You • and more.

24 treasured sacred favorites arranged for Accordion including: 'Amazing Grace' 'Beautiful Savior' 'Come Thou Fount of Every Blessing' 'Crown Him with Many Crowns' 'Holy Holy Holy' 'It Is Well with My Soul' 'Just a Closer Walk with Thee' 'A Mighty Fortress Is Our God' 'Nearer My God to Thee' 'The Old Rugged Cross' 'Rock of Ages' 'What a Friend We Have in Jesus' and more.

The New Real Book 1 - C Version. For hardcore Jazzers and part-time jazz musicians, The New Real Book is a magnificent and meticulous fake-book collection of Jazz standards, Choice Standards and Pop-Fusion hits! This is an all-purpose book for jazz gigs, weddings, concerts and jam sessions and with over 200 songs inside there?s sure to be the very thing for the situation! Every one of these tunes is a true gem and include terrific compositions by Miles Davis, Duke Ellington, Bill Evans, Jaco Pastorius, Jimmy Van Heusen and Thelonius Monk, to name but a few! This is the C and Vocal version that includes the music and lyrics and, like all Sher Music fake books, it features composer-approved transcriptions, easy-to-read calligraphy, and many extras (such as sample bass lines, chord voicings and drum appendix) not found in conventional fake books. Created by musicians, for musicians! Easy to work with and extremely worthwhile to have, this volume is the new standard in fake books!

Par BAY WILLIAM. This collection contains 100 favorite Gospel songs and hymns for trumpet and guitar. Inside you will find rousing camp meeting songs, sentimental expressions from a deep-rooted faith, and Gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist era”, staunchly embedded in the rural and Southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith. / Gospel / Recueil / Trompette et Guitare

The Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many other top artists. Now those songbooks are available in one super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics and even strumming patterns! Over 90 great songs! Perfect for all players and singers. Includes a bonus CD with 16 backing tracks. / Guitare

Large easy-to-read notation and tablature for 30 inspirational hymns: Abide with Me * Amazing Grace * Blessed Assurance * Come Christians Join to Sing * In the Garden * Jacob's Ladder * Rock of Ages * What a Friend We Have in Jesus * Wondrous Love * more.

Par . Si vous êtes novice à la batterie, vous êtes probablement impatient d'apprendre de nouveaux morceaux. Ce recueil comprend 50 tubes ludiques et accessibles et vous offrira le meilleur de la pop et du rock des dernières décennies de The Police à Alicia Keys et d'Adele à Van Halen. Titres inclus : Billie Jean · Blinding Lights · Can't Stop the Feeling! · Circles · Crazy in Love · Fifty Ways to Leave Your Lover · Happy · Juice · Levitating · Livin' La Vida Loca · Only Wanna Be with You · Separate Ways (Worlds Apart) · Smooth · Uptown Funk · et bien d'autres. / Date parution : 2023-03-11/ Recueil / Batterie

A collection of the greatest rock songs for guitar, all arranged in the original keys from the actual hit recordings, complete with lyrics, guitar chord boxes and a playing guide. This wonderful mix takes all the best rock songs from different eras and puts them at your disposal all in one book! The Great Rock Chord Songbook contains all the lyrics and chords to 100 of the finest rock songs, including: Ace Of Spades, All The Young Dudes, Sk8ter Boi, You Ain't Seen Nothing Yet and loads more! Ring bound pages help reading when performing and means the book stays flat on the music stand. Parental Advisory - Includes Explicit Lyrics / Chant Et Guitare

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!