Matériel : Vocal Score
1 Classic and Modern Worship Songs-A collection of ten well-loved songs that can be sung with choir only or with congregation together. Each song is presented two ways–an anthem version and a call to worship version–enabling the worship leader to beginthe service with the main thematic statement of the song and proceed from there. Titles include: Sing Out All the Earth Will Sing Your Praises Welcome in this Place It Is Good Hear Our Praises Glorious This Is YourHouse Praise Adonai Let the Praises Ring and Come and Worship. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 3 (Tenor Sax/BaritoneTC) Percussion Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (Bass Clarinet) String Bass and Keyboard String Reduction. Instrumentation varies. SATB Listening CD CD Accompaniment Trax CD 10-Pack and Preview Pack(CD) also available.
SKU: AU.9781451479454
This anthem beautifully welcomes the congregation to worship. The text speaks about the all the wonderful things the church has to offer those who come, the sounds within, the activities, and the presence of God, and the people. Appropriately, an assembly part is included and encouraged, and the accompanying instrumentation does much for the work.
SKU: HL.48025282
UPC: 196288161431.
Let us build a house is the closing hymn of Kim André Arnesens large-scale work, The Stranger. Instead of a typical majestic endingto a large work, Arnesen went for a quiet one with only an unaccompanied choir. As the composer comments, 'sometimes a message feelsstronger like that and makes us listen more carefully'. The text is from the hymn by Marty Haugen, which concludes 'Let us bring an end to fear and danger: All are welcome in this place.' A stillness and serenity pervades this short piece, suitable for intermediate choirs.
SKU: GI.G-8670
UPC: 785147867005. English. Text Source: 'En nombre del cielo,' Mexican trad.
Christians are pilgrims, and different aspects of our journey are celebrated throughout the liturgical year via the lens of Christ’s life, death and resurrection. “Posada” reminds us of the longing—experienced both by Christ and us—for place and shelter. This piece is ideal for use in various prayer services during the final days of the Advent season, calling us not merely to prepare a place for the stranger, but also to offer a welcome worthy of the Holy Family!
SKU: LO.10-5839L
ISBN 9780787789886.
Moll y Ijames??s adaptation of this beloved carol for SATB choirs features creative vocal layering, traditional four-part sonorities, and an energetic piano accompaniment that is a joy to play. This addition to your ensemble??s repertoire will find a welcome place in worship services and concerts alike.
SKU: HP.C6307
UPC: 763628163075.
A medley of 'All Are Welcome' with 'Come Build A Church' Pairing Marty Haugen's hymn, All Are Welcome with Ken Medema's song, Come Build A Church, this choral setting is useful for building community in the house of the Lord. The instrumental parts add color and interest to this powerful reminder to build a house where love can dwell and all can safely live, a place where saints and children tell how hearts learn to forgive..
SKU: HP.C6307P
UPC: 763628263072.
SKU: CA.3118257
ISBN 9790007142872. Key: G major. Text language: German/English.
Ver sion in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
SKU: CA.3118207
ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
