Matériel : Partition + CD
SKU: GI.G-10067
ISBN 9781622774265.
A Course in French Lyric Diction by author Deborah Williamson is a complete and comprehensive guide to French pronunciation, articulation, inflection, flow, and vocalization for singers and teachers of singing—ideal for any collegiate diction course. Available in both an instructor’s edition and a student edition, Williamson offers an overview of French lyric diction that addresses the language’s distinctive elements, information on syllabification, stressing, word rhythm, accent and other diacritical marks, and vocalic harmonization. In the sections on vowels, consonants, and liaison and elision, the author explores the nuances of French pronunciation, along with its unique challenges for the singer. Williamson presents vowels first by sound and then by letter, and organizes consonants by letter. All pronunciation is precisely transcribed into the International Phonetic Alphabet (IPA), an essential tool used extensively throughout the book. Williamson also provides a review of relevant IPA at the beginning of the book. For each section of the book, the author provides numerous practice worksheets so that students may apply newly acquired skills and knowledge to French text from the standard art song and operatic repertoire. The separate instructor’s edition provides all of the answers in red for quick reference, as well as reproducible materials for in-class use, including a sample syllabus, assignment sheet, test review sheets, two tests, an oral exam, and a final exam. A Course in French Lyric Diction is an expert resource that will facilitate the mastery of French diction and transform the study of diction from a pedantic, syllabic production of language into an expressive communication of the text, a worthy goal for students and teachers alike. Deborah Williamson is Professor of Voice at Baylor University and has taught French diction at the university level for more than twenty years.
SKU: GI.G-10066
ISBN 9781622774258.
A Course in French Lyric Diction by author Deborah Williamson is a complete and comprehensive guide to French pronunciation, articulation, inflection, flow, and vocalization for singers and teachers of singing—ideal for any collegiate diction course. Available in both an instructor’s edition and a student edition, Williamson offers an overview of French lyric diction that addresses the language’s distinctive elements, information on syllabification, stressing, word rhythm, accent and other diacritical marks, and vocalic harmonization. In the sections on vowels, consonants, and liaison and elision, the author explores the nuances of French pronunciation, along with its unique challenges for the singer. Williamson presents vowels first by sound and then by letter, and organizes consonants by letter. All pronunciation is precisely transcribed into the International Phonetic Alphabet (IPA), an essential tool used extensively throughout the book. Williamson also provides a review of relevant IPA at the beginning of the book. For each section of the book, the author provides numerous practice worksheets so that students may apply newly acquired skills and knowledge to French text from the standard art song and operatic repertoire. The separate instructor’s edition provides all of the answers in red for quick reference, as well as reproducible materials for in-class use, including a sample syllabus, assignment sheet, test review sheets, two tests, an oral exam, and a final exam. A Course in French Lyric Diction is an expert resource that will facilitate the mastery of French diction and transform the study of diction from a pedantic, syllabic production of language into an expressive communication of the text, a worthy goal for students and teachers alike. Deborah Williamson is Professor of Voice at Baylor University and has taught French diction at the university level for more than twenty years. DOWNLOAD: French Lyric Diction PDFs.
SKU: HL.14007653
ISBN 9781846093340. 5.75x8.25 inches. English.
Ronald Corps' Companion was warmly received when it first appeared in 1987. Here is a completely revised and updated edition will be indispensable to all those who participate in the world of choral singing including conductors, singers and administrators both amateur and professional. Inside there is essential information on composers, works, technical terms and how to run a choir. There is even a section with advice form singing coach Barbarra Alden who will show you how to sing better. There is also an informative foreword by a modern maestro of Choral music, John Rutter. All this is brought together in a easy to consult format, bringing a wealth of advice on repertoire, how to conduct successful rehearsals and build balanced concert programmes all at your fingertips! This companion offers a complete guide to a branch of music which remains popular and continues to thrive despite the many changes, and dominance of Pop, in the world of music.
SKU: HP.9118C
UPC: 763628991180. Mark Hayes.
Small Ensemble Choral Collection Here are s seven popular contemporary worship songs expertly arranged for Two-Part Mixed voices. Arranger, Mark Hayes, is known for his creative, yet playable piano accompaniments and this collection does not disappoint. They support the singer and elevate the easy-to-sing vocals to an inspiring level of artistry and worship.
SKU: HP.9118
UPC: 763628191184. Mark Hayes.
SKU: HL.50603593
ISBN 9788881920709. UPC: 840126945102. 8.0x10.5x1.3 inches. Italian-English.
Do nizetti's Lucrezia Borgia was premiered at Milan's Teatro alla Scala on 26 December 1833 and is considered one of the composer's most important and innovative operas of the 1830s. Although, because of censorship issues, particularly in the south of Italy, it was initially slow to become popular, by the late 1830s it had become one of the composer's most popular operas, both in Italy and abroad, and remained an essential part of the composer's oeuvre until at least the end of the nineteenth century. Remarkable for its daring subject matter (with an unconventional, forceful heroine), it is also renowned for its challenging mixture of the comic and the tragic, something very unusual at the time and clearly an important influence on Giuseppe Verdi's middle period masterpieces. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on Donizetti's autograph manuscript (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on several printed editions of voice and piano, and on numerous additional scores of the period. It presents for the first time all the numerous additions that the composer made to the score over the course of ten years: a fascinating record of his changing music dramatic attitudes during this period. There is also a synthetic historical reconstruction of the genesis of the opera and of the description of the Sources as well as a selection of most interest to singers of Critical Commentary Notes.Rappresenta ta per la prima volta al Teatro alla Scala il 26 dicembre 1833, Lucrezia Borgia e considerata una fra le piu importanti e innovative opere di Donizetti. Sebbene le resistenze della censura, soprattutto nel sud Italia, ne causarono inizialmente una lenta diffusione, dalla fine degli anni '30 dell'Ottocento essa divenne uno dei lavori piu popolari e significativi del compositore e tale rimase fino alla fine del XIX secolo. Notevole per il suo audace soggetto (con un'eroina non convenzionale e dalla forte personalita) essa e rinomata anche per l'impegnativa commistione di comico e tragico, un tratto piuttosto inusuale per l'epoca, che ebbe una chiara influenza sui capolavori verdiani di meta secolo. La presente riduzione per canto e pianoforte e condotta sull'edizione critica della partitura, da poco pubblicata in questo stesso catalogo: si basa sul manoscritto autografo di Donizetti (conservato presso l'Archivio Storico Ricordi di Milano), sul libretto della prima rappresentazione, su alcune riduzioni a stampa per canto e pianoforte e su varie altre fonti dell'epoca. L'edizione presenta per la prima volta tutte le aggiunte che il compositore apporto alla partitura nel corso di dieci anni, costituendo un'affascinante testimonianza dei mutevoli approcci di Donizetti alla materia drammatico musicale durante questa fase della sua carriera. Il volume comprende una sintesi della ricostruzione della genesi storica dell'opera e della descrizione delle fonti e una selezione di Note del Commento Critico fra quelle piu funzionali alle esigenze di cantanti e pianisti accompagnatori.
SKU: GI.G-9543
ISBN 9781622772568.
The Complete Choral Warm-Up Sequences represents the first truly pedagogically sequenced collection of choral warm-ups in print and the culmination of work begun three decades ago by Frauke Haaseman and James Jordan. The goal of these twenty sequenced choral warm-ups is to build vocal technique and enduring musical skill in ensembles, regardless of age or experience. By synthesizing the most essential elements of the best-selling book The Choral Warm-Up, authors James Jordan and Jesse Borower assemble a practical and easy-to-use resource for conductors and teachers. The warm-up sequences provide a daily “diet” of vocal technique development based onthe latest research in voice science coupled with exercises to develop intonation and audiation according to the principles of Edwin E. Gordon’s Music Learning Theory. This package includes a book for conductors, a book for accompanists, and links to important online audio and video downloads. Written in an easy-to-use format for choral conductors, this valuable resource is a rich collection of cutting-edge pedagogy and the latest in voice science. Features include: An introduction and concise overview of choral and vocal pedagogy Vocal exercises composed within a harmonic context, designed to strengthen each singer’s audiational skill while training legato, register consistency, range extension, and more Concise descriptions of what to listen for in each exercise and solutions to remedy common vocal issues Aural Immersion Exercises that will quickly attune an ensemble to the modality needed for any repertoire Chants that will heighten both the essential musicianship of each singer and the sensitivity of the ensemble as a whole Entire warm-up sequences designed to prepare a stylistically appropriate sound for multiple genres while developing real and enduring vocal and musical skill.
