Violoncello Concerto in B flat major Wq 171

SKU: BR.OB-5509-23

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004338490. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

SKU: BR.PB-5509

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004211694. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

SKU: BR.OB-5509-27

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004338506. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

SKU: BR.OB-5509-12

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004338452. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

SKU: BR.OB-5509-16

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004338476. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

SKU: BR.OB-5509-19

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004338483. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

SKU: BR.OB-5509-15

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004338469. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

SKU: CA.5009414

ISBN 9790007223267. Key: A flat major. Language: all languages.

We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.

SKU: BR.MR-2195B

A variable solo concerto in A minor

ISBN 9790004488423. 9 x 12 inches.

The concertos in A minor, B flat major and A major constitute a small but amazingly flexible group in Carl Philipp Emanuel Bach's work catalogue. They were written as violoncello concertos between 1750 and 1753, and have all been transmitted in alternative versions as flute and harpsichord concertos as well. C. P. E. Bach wrote the Cello Concerto in A minor Wq 170 at the Berlin court of King Frederick the Great. The flute version Wq 166 was probably written shortly thereafter, even if the only surviving source dates from after the composer's death. We can see how interchangeable the solo instruments were through the amazing circumstance that editor Ulrich Leisinger was able to draw upon the version for harpsichord solo Wq 26 for this new edition. The cadenzas to the first and second movements proved to be easily adaptable to the flute, which should inspire soloists to create their own versions.

A variable solo concerto in A minor.

SKU: BR.OB-14679-23

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

ISBN 9790004340912. 10 x 12.5 inches.

Mozart no doubt proved a powerful source of inspiration in the genre of the piano concerto when Ludwig van Beethoven was composing his first work in this genre (B-flat major op. 19) in Bonn. In 1793 the young composer first wrote a final rondo with an inserted Andante, as Mozart had done in his Concerto K. 482. Beethoven then selected a different closing solution and kept the score of the B-flat major Rondo in his desk. There the work was rediscovered only after the composers death, and printed shortly afterward. The autograph thus represents Beethovens earliest surviving and complete orchestral score. The new Urtext edition of the score and orchestral parts is based on the new Beethoven Complete Edition (Henle).