Two Celtic Dances

Par GROSSMAN STEFAN. The ancient Celtic repertoire offers the fingerstyle guitarist a tantalizingly wide range of moods and emotions from sad laments to lyrical ballads to vibrant dance rhythms. This collection presents a vast array of fingerpicking guitar solos settings on timeless airs, hornpipes, reels, planxties, set dances, jigs, slip jigs, marches, songs and compositions by the renowned 17th century blind Irish bard, Turlough O'Carolan. The solos are in varied guitar tunings and are presented in notation and tablature. Performance notes and suggested listening guides are also included. ***27 songs from this book are on the CD. / Niveau : Tous Niveaux / Celtic/Irish - Solos / Tablatures / Guitare Tablatures

This collection for the 5-string Banjo features a selection of well-known traditional Irish tunes along with a comprehensive scholarly treatise on the history techniques and etiquette of playing the Banjo in the Celtictradition. The Complete Book Of Irish and Celtic 5-String Banjo includes segments on tuning pick preferences and tablature reading followed by 101 jigs slides polkas slip jigs reels hornpipes strathspeys and O'Carolan tunes plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians street scenes and archaeological sites further enhances this fabulous book.Suitable for players at an intermediate level all of the solos included in this book are written in 5-string Banjo tablature and only a few pieces use unusual tunings. The appendices provide a sizable glossary and a wealth ofinformation regarding soloists and groups playing Celtic music Irish festivals music publications online resources cultural organizations and more. This book includes access to 68 online audio recordings featuring themusic of all six Celtic Nations and includes jigs reels hornpipes slides polkas marches country dances larides andros slipjigs strathspeys airs and O'Carolan tunes. Recorded in stereo with virtuosos Gabriel Donohue(steel- and nylon-string Guitar and Piano) and Robbie Walsh (bodhran- frame Drum played with a stick) the five-string Banjo is 'out front' and plays through each melody in real-life tempo with authentic Celtic chordal andrhythmic backing.

This delightful collection of Celtic tunes for Flute features many beautiful songs dances and airs originating from Ireland and Scotland. Designed to make playing Celtic Flute easy this book contains Pianoaccompaniments and Guitar chords for all of the pieces. Play-along audio is also included featuring a full arrangement of each piece for use in the performance or studio setting. Celtic Flute Made Easyincludes the timeless works Bonnie Doon She Moved Thro' the Fair The Irish Washerwoman Danny Boy Down By the Salley Gardens and more.

from the opera The Midsummer Marriage-Tippett's decision to extract the four Ritual Dances from his opera 'The Midsummer Marriage' as a self-contained concert suite reflects the fact that the medium of dance was always present in his conception of the opera. From the start there was to be an interaction within the opera between the real world and the world of mythology partly Greek partly Celtic. This mythological element culminates in the finished opera in the 'Ritual Dances' of Acts 2 and 3. Tippett himself described his opera as a kind of elaborate 'L'après midi d'un faune; in which the 'Ritual Dances' display a powerful sexual energy though of a very different kind from Debussy's voluptuouslangour. Composition of The Midsummer Marriage occupied Tippett for six years from 1946 to 1952. The first performance of the Ritual Dances as a concert suite was given in Basel on 13 February 1953 by the Basel Kammerorchester conducted by Paul Sacher and preceded the premiere of the complete opera by two years. Today the Ritual Dances rival the Concerto for Double String Orchestra (ETP 1331) as Tippett's most widely-performed orchestral work.

This comprehensive book contains over 120 Celtic tunes arranged for mandolin presented in standard notation and tablature. Includes airs marches jigs slip jigs hornpipes reels strathspeys country dances and selections byfamed Irish harper Turlough O'Carolan.

The Brittany or Breton region of France has been heavily influenced by Celtic traditions retaining much of its earlier heritage from Scotland and Wales. This composition evolves from four folk dances from this region andfeatures a captivating mix of modal tunefulness and characteristic harmonic drones. Dur: 4:20 (Includes full performance CD)

A cèilidh, a party featuring dancing and fiddling, is a whirling, twirling, blow-out event. Feel the full flavor of the Celtic lands in this very playable medley featuring three traditional tunes: 'The Lights of Lochindal,' 'The Reel of Tullochgorum,' and 'The Barren Rocks of Aden.' (2:30) / Orchestre A Cordes

During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.

Par TANGUAY JAMES. What's more fun than playing the tin whistle? How about playing tin whistle with a friend? Here are 38 two-part tunes arranged and composed especially for tin whistle players. Presents Celtic jigs, hornpipes, airs, American and British folk songs, marches, and country dances along with favorite hymns and campfire songs. For those who really want to try something different on whistle, there are also Medieval rounds, Renaissance courtly dances and a complete eighteenth-century, six-movement suite for two flageolets. / Niveau : Facile / Musique traditionnelle anglaise, irlandaise, écoss / Recueil / Tin Whistle

During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.