Heribert Breuer (* 1945) peut être considéré comme un des plus éminents arrangeurs allemands de nos jours. Le nombre de ses arrangements des oeuvres de Bach, Mozart et du romantisme est immense, ces oeuvres ayant été arrangés par lui plusieurs fois dans les programmes de concert entier, soigneusement rédigées à l'égard de la dramatisation et souvent taillés sur mesure pour son Académie Bach de Berlin, fondée en 1991. Les versions de Breuer sont inspirées des assimilations, souvent complétées par l'ajout de plus de pièces, qui reflète vraiment l'esprit des oeuvres originales. Après le succès de son arrangement virtuose du Prélude et Fugue BWV 544 de Bach pour trois solistes et cordes, Heribert Breuer présente maintenant un autre remuant, tonalement belle triple concerto, cette fois-ci basée sur le célèbre Concerto pour orgue de Haendel en sol mineur. / Flûte Traversière, Hautbois, Basson, Cordes Et Basse Continue
SKU: BR.EOS-1828
ISBN 9790004787175. 8.5 x 11.5 inches.
SKU: AP.6-401480
ISBN 9780486401485. English.
This volume contains two of Beethoven's most unusual, highly innovative and original works: the Concerto in C Major, Op. 56, for piano, violin, cello and orchestra; and the Fantasia in C Minor, Op. 80, for piano, chorus and orchestra.
SKU: BT.EMBZ14893
The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the thematic connections spanning the movements rather reflect the structural principles of Romantic symphonies. In the first movement, which resembles the form of a sonata, the characters of the themes are spectacularly separated. The motif of the main theme, constructed with glissandos, is supplemented by a theme the composer refers to as a motif of fate, and the two together form a significant contrast with the minor theme with its lyrical tone and the playful, ending themeresembling a children's song. The contrasts between depth and height, as well as darkness and light, have a significant role in all three movements. The music of the first movement gradually rises to increasingly bright and higher regions, the gloomy atmosphere of the marginal parts in the second movement is offset by the tune's transcendental light in its central part, while the rondo theme of the third movement with its 6/8 metre dance-like character is supplemented with motifs of a contrasting nature from the earlier movements.