SKU: BT.OKP118-202
English.
Followi ng the huge success of their instrumental method Look, Listen & Learn, Michiel Oldenkamp and Jaap Kastelein have focussed their attention on school bands and devised a completely new method that can be used in both instrumental lessons and class bands or wind ensembles.
Learning Music Together is the new method for young wind players and percussionists, aged eight and above.
Learning Music Together has been developed in close collaboration with professionals from the class band world, music schools, and academies in the Netherlands and Germany.
Learning Music Together combines instrumental lessons with a course for class band. The flute lessons offer flute-specific items such as new notes and technical exercises while at the same time supporting the learning of the class band, with a focus on rhythm, melodic structure and playing music together. The method consists of two volumes. Volume One introduces the first instrumental notes in unison and then develops part-playing with duets. Volume Two builds on the skills taught in the first volume and introduces pieces in three parts.In addition, supplementary material is available on the extensive website, e.g. demo- and accompaniment tracks for all pieces, additional pieces of music (well-known songs) and video tutorials. Learning Music Together is logically structured and illustrated in a child-friendly way - a perfect combination for young musicians!
The method consists of two volumes. Volume One introduces the first instrumental notes in unison and then develops part-playing with duets. Volume Two builds on the skills taught in the first volume and introduces pieces in three parts.In addition, supplementary material is available on the extensive website, e.g. demo- and accompaniment tracks for all pieces, additional pieces of music (well-known songs) and video tutorials. Learning Music Together is logically structured and illustrated in a child-friendly way - a perfect combination for young musicians!
SKU: BT.SY-2944
German.
A selection of motivating pieces for flute and piano. The book relates to the progression of the popular flute method Flöte spielen (Playing the flute) vol. D, but can be used with any other flute method as well. Piano and flute are at about thesame level. With play-along CD. The faster pieces are recorded in a slower practice version additionally, and the CD contains a software which can play all the tracks at a slower tempoFlöte spielen macht Spaß - und ganz besonders im Zusammenspiel mit anderen. Man kann damit gar nicht früh genug beginnen!
Diese Sammlung abwechslungsreicher und motivierender Spielstücke ist auf Flöte spielen Band D abgestimmt, kann aber natürlich auch parallel zu anderen, ähnlich aufgebauten Schulen verwendet werden. Die Klavierbegleitungen sind weitgehend inähnlichem Schwierigkeitsgrad wie die Flötenstimme gehalten, um das Musizieren Gleichaltriger zu ermöglichen. Die Mitspiel-CD enthält die Klavierbegleitungen und langsamere Übungsversionen.
SKU: MA.EMR-33808
Possible instrumentations:Flute and CD Play Back / Play AlongFlute and Organ ( Play Back / Play Along CD optional)Flute and Piano ( Play Back / Play Along CD optional).
SKU: BT.MUSBM11418B
About A New Tune A Day
Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart
SKU: FZ.6222
ISBN 9790230662222. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Volume 1: Anonyme - BARTOLOTTI A. M. - BOYVIN J. - BUTERNE J-B. - CARRE A. Sieur de La Grange - CHARPENTIER M-A. - CHAUMONT L. - D'ANGLEBERT J-H. - DE LA BARRE M. - DELAIR D. - FLEURY N. - MARAIS M. - NIVERS G. G. - PERRINE - SAINT-LAMBERT M. de. Volume 2: CAMPION F. - CAMPION T. - CHERON A. - CLERAMBAULT N. - COUPERIN F. - DANDRIEU J-F. - DELAIR D. - LECLAIR J. -M. - RAMEAU J. -P. Volume 3: Anonyme - CAMPION F. - DORNEL A. - FORQUERAY A. - GERVAIS L. - GOUDAT - GUILLEMAIN L. -G. - MONNIER Le Cadet - MONTECLAIR M. P. de - PINGRE A-G. - RAMEAU J. -P. - SERRE DE RIEUX J. - TELEMANN G. P. - TRAVENOL L. A. Volume 4: ALEMBERT J. Le Rond d' - BLAINVILLE C. H. de - CORRETTE M. - DUBUGRARRE - GEMINIANI F S. - LAPORTE C. de. Volume 5: BETHISY J-L. de - BIFERI F. (fils) - CLEMENT C-F. - DUBREUIL J-J. - GARNIER H. - GIANOTTI P. - GOUGELET Madame - LABBET A. J. - LE BOEUF - RAMEAU J. -P. - ROUSSIER P-J. - SIMON S. - TAPRAY J. Volume 6: Anonyme - BEMETZRIEDER A. - CORRETTE M. - FROESTLER B. - GOURNAY B. C. - LANGLE H-F-M. - RODOLPHE J-J. - ROUSSIER P-J. Table of contents: Volume 1: Fleury Nicolas: Methode pour apprendre facilement - 1660. Bartolotti Angelo Michele: Table pour apprendre facilement - 1669. Carre Antoine: Livre de Guitarre Contenant Plusieurs pieces - 1671. Perrine: Livre de Musique pour le Lut - 1680. Anonyme: Petites Reigles Generalles qui peuvent servir de methode - 1680. Nivers Guillaume Gabriel: Motets a voix seule - 1689. D'Anglebert Jean Henry: Pieces de clavecin - 1689. Marais Marin: Basse-continues des pieces a une et a deux Violes - 1689. Anonyme: (traite abrege d'accompagnement) - c. 1690. Anonyme: Regles pour l'Accompagnement - 1690. Delair Denis: Traite d'accompagnement pour le theorbe - 1690. Charpentier Marc Antoine: Abrege des regles de l'accompagnement - c. 1692. Chaumont Lambert: Pieces D'orgue sur les 8 tons - 1695. Buterne Jean-Baptiste: Petites Reigles pour l'accompagnement - 1700. Boyvin Jacques: Second livre d'orgue - 1700. Anonyme: Traite d'accompagnement du Clavecin - c. 1700. De La Barre Michel: Premier livre de pieces pour la flute - 1702. Saint-Lambert Michel de: Nouveau Traite de l'accompagnement - 1707. Volume 2: Couperin Francois: Regles pour l'accompagnement - s. d. Campion Thomas: Traite d'accompagnement et de composition - 1716. Clerambault Nicolas: Regles d'accompagnement - 1716. Clerambault Nicolas: Principes d'accompagnement - 1716. Dandrieu Jean Francois: Principes de l'accompagnement - 1719. Rameau Jean-Philippe: Traite de l'harmonie - 1722. Delair Denis: Nouveau traite d'accompagnement - 1724. Leclair Jean-Marie: Premier livre de sonates - 1723. Rameau Jean-Philippe: Nouveau systeme de musique theorique - 1726. Cheron Andre: Sonates en trio - 1727. Campion Francois: Lettre du sieur Campion a un philosophe - 1729. Campion Thomas: Addition au traite d'accompagnement - 1730. Volume 3: Pingre Alexandre Gui: Traite de l'harmonie - s. d. Rameau Jean-Philippe: Observations sur la Methode d'Accompagnement - 1730. Rameau Jean-Philippe: Plan abrege d'une Methode nouvelle - 1730. Monteclair Michel Pignolet de: Reponse du second Musicien au premier - 1729. Rameau Jean-Philippe: Replique du premier Musicien a la reponse du second - 1730. Monteclair Michel Pignolet de: Reponse du second Musicien au premier Musicien - 1730. Rameau Jean-Philippe: Replique du premier Musicien a l'ecrit du second - 1730. Rameau Jean-Philippe: Dissertation sur les differentes metodes - 1732. Gervais Laurent: Methode pour l'accompagnement - 1733. Campion Francois: Second recueil d'airs - 1734. Serre de Rieux Jean: Les dons des Enfans de Latone - 1734. Telemann Georg Philipp: Nouveaux Quatuors en six Suites - 1738. Goudat: Principes de Laccompagnement - 1738. Travenol Louis Antoine: Premier livre de Sonates a violon seul - 1739. Guillemain Louis Gabriel: Six sonates en quatuors - 1743. Monnier le Cadet: L'art de Toucher le Clavecin dans son propre caractere - c. 1745. Dornel Antoine: le Tour du Clavier - 1745. Forqueray Antoine: Pieces de Viole avec la Basse Continue - 1747. Anonyme: (Methode d'accompagnement) - s. d. Volume 4: Alembert Jean Le Rond d': Elemens de musique - 1752. Blainville Charles Henri de: Essay sur un troisieme mode - 1751. Corrette Michel: Le maitre de Clavecin - 1753. Laporte Claude de: Traite theorique et pratique - 1753. Geminiani Francesco Saverio: L'art de bien accompagner - 1754. Dubugrarre: Methode plus courte et plus facile - 1754. Volume 5: Tapray Jean: Abrege de l'accompagnement - 1755. Labbet Antoine Joseph et Leris Antoine de: Sentiment d'un Harmoniphile - 1756. Clement Charles Francois: Essai sur l'accompagnement - 1758. Gianotti Pietro: Le guide du compositeur - 1759. Rameau Jean-Philippe: Code de musique pratique - 1760. Bethisy Jean-Laurent de: Exposition de la theorie et de la pratique - 1764. Roussier Pierre-Joseph: Traite des accords et de leur succession - 1764. Le Boeuf: Traite d'harmonie et regles d'accompagnement - 1766. Garnier Honore: Nouvelle methode pour l'accompagnement - 1767. Dubreuil Jean-Jacques: Manuel harmonique - 1767. Biferi Francesco Fils: Traite de musique abrege, divise en trois parties - 1770. Simon Simon: Theorie pratique d'accompagnement - s. d. Gougelet Madame: Methode ou abrege des regles - 1771. Volume 6: Roussier Pierre-Joseph: L'harmonie pratique - 1775. Corrette Michel: Prototipes contenant des lecons d'accompagnement - 1775. Anonyme: Abrege des regles de composition - 1777. Bemetzrieder Antoine: Nouvelles lecons de clavecin ou instructions generales - 1782. Rodolphe Jean-Joseph: Theorie d'accompagnement - c. 1785. Gournay B. C. : Lettre a M. l'abbe Roussier - 1785. Langle Honore-Francois-Marie: Traite de la basse sous le chant - 1797. Froestler B. : Traite d'harmonie et de modulation - 1800. Anonyme: Principes de l'accompagnement - s. d. Anonyme: Regles d'accompagnement - s. d. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimiles of copies from: - Conservatory Library of Geneva (Switzerland). - Conservatory Library of Dijon (France). - Royal Conservatory of Liege (Belgique). - Municipal Library of Bordeaux (France). - Municipal Library of Grenoble (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Royal Library of Brussels (Belgium). - Sainte-Genevieve Library of Paris (France). - British Library of London (England). - Nederlands Muziek Instituut of The Hague (Netherlands). - Yale University, Music Library of New Haven (USA). - Zentralbibliothek of Zurich (Switzerland). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the continuo.
SKU: BT.EMBZ6311
English-German-Hungari an.
The volumes of the series 'Music for Beginners' cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short, easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the voluumes have been published in this series for the first time.
SKU: HL.49047379
ISBN 9798350124927. UPC: 196288207764.
Profe ssor Gergely Ittzés invites you to an expedition exploring the instrument flute, with a focus on sounds and playing techniques beyond classical flute playing. This journey requires curiosity, playfulness, imagination, perseverance, and patience. As a reward for your efforts, you can be certain that the journey will be worthwhile, regardless of how far you wish to go. You will make new discoveries and experience previously unknown sensations and sounds. Throughout this process, you will acquire knowledge that will benefit you directly or indirectly, even if you are performing traditional tasks. The edition is a valuable resource for anyone interested in the flute, whether for instrumental practice, composition, or the intensive study of this versatile instrument and its sound worlds. Gergely Ittzés presents 42 imaginative miniature studies that lead the reader into new worlds of sound. His precise instructions and fascinating interpretation of the pieces make Ittzés' Flute Expedition an indispensable travel companion. Ittzés is deeply influenced by Hungarian music and continues the tradition of Mikrokosmos (Bartók), Fingerlarks (Veress) and Játékok (Kurtág). Ittzés is a reliable and trustworthy artist when it comes to playing and performing the most demanding flute repertoire of our time. He provides guidance and inspiration for every nuanced gesture, explicit fingering, and technical, acrobatic, and polyphonic requirement. His latest work offers a guide to modern flute playing. Additional material, including explanatory texts in English, German, and Hungarian, as well as notes on fingering notation and symbol legends, is available for download at Schott. To implement the techniques used in this Flute Expedition effectively, accompanying video material is also available through the edition. There is also an opportunity to directly contact the author and discuss ideas and experiences of using Flute Expeditions with other musicians in an online group.
SKU: MB.610396
ISBN 9783899221121. 8.25 x 11.75 inches.
First and foremost this is a get-up and play book for all instruments. Without any previous knowledge you can start the CD and play along with it. The 6 pieces of music with popular grooves are arranged in 4 versions, each of which suppresses one instrument at a time, so that the user can play along with it, completing the missing part. The text book includes leadsheets for the whole band and improvisation tips for C, Bb and Eb instruments.
SKU: HL.14062623
SKU: HL.14064079
SKU: HL.14062593
SKU: HL.14062618