We Three Revelers

SKU: CL.080-0074-24

Trumpet solo with piano accompaniment.

SKU: CL.100-0074-24

Trumpet trio with piano accompaniment.

SKU: CL.093-0074-24

Trumpet duet with piano accompaniment.

SKU: MN.56-0056

UPC: 688670220593. Latin.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. Like movement 2, also called “Revelation,” this movement is a rapid, homophonic declamation of the Latin text set for SATB and accompaniment. The music is a dynamic crescendo from pianissimo to fortissimo, painting the text. Duration 1:18.

SKU: ST.EM13

ISBN 9790220218019.

CONT ENTS
Alas! tarry but one half hour (SST )
As deadly serpents lurking (SA (or S) T )
As Vesta was descending (SSATTB )
Ay me, alas, hey ho (SST )
Come lets begin to revel At out (SSA (or T) )
Come sirrah, Jack ho (SSA (or T) )
Death hath deprived me (SS (or A) T (or A) TBB )
Donna il vostro bel viso (SSA (or T) )
Fa la. Now weep and sing (SA (or S) T (or B) )
Four arms, two necks, one wreathing (SSA )
Ha ha! this world doth pass (SST (or A) )
I bei ligustri e rose (SSA )
Jockey thine horn-pipeAs dull (SSA (or T) )
Late in my rash accounting (SSA (or T) )
Lord when I think (SSA (or T) )
No, though I shrink still (SSA )
Say, wanton, will you love me? (SSA (or T) )
Since Robin Hood (SA (or S) T )
Some men desire spouses (SSA )
Strike it up, Tabor (SST )
Tan ta ra cries Mars (SSA (or T) )
The Ape, the Monkey and Baboon (SSA )
The gods have heard my vows (SSA )
The nightingale, the organ of delight (SSA (or T) )
Though my carriage be but careless (SSA )
Tomorrow is the marriage day (SSA (or T) )
Upon a hill the bonny boy (SSA ).

SKU: MN.56-0050

UPC: 688670220531. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement does not use an English text, however. The Latin text is from a motet for the feast of Michael the Archangel and describes his victory over a dragon. Despite its chant-like setting, there is great energy and urgency, with the organ punctuating and adding to the rhythmic drive in many spots. Duration 2:30.

SKU: CF.CM9743IN

ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the� �seven early Christian� �churches or the seven  stars in the right hand of Christ  mentioned in the Revel ation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

SKU: CF.CM9743

ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the� �seven early Christian� �churches or the seven  stars in the right hand of Christ  mentioned in the Revel ation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

SKU: CF.CM9742

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the� �seven early Christian� �churches or the seven  stars in the right hand of Christ  mentioned in the Revel ation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

SKU: SU.80101206

This short three movement suite composed in honor of the 70th birthday of the Polish composer Henryk Gorecki. The three slow and spare movements are suitable for service voluntaries either individually or together. The movements were inspired by texts from Revelation 12 and Psalm 96. Easy to play and effective. 8 pages Published by: Zimbel Press.

SKU: PR.114422320

ISBN 9781491135228. UPC: 680160687336.

In this textural tour de force, a trio of flutes creates unique sound colors and gestures to dramatically depict the archangels Michael (Warrior), Raphael (Healer), and Gabriel (Heralder). Advanced flutists will revel in this remarkable work, an intense and satisfying piece to perform as well as to hear.
I have always been fascinated with the concept of archangels – huge, supernatural beings with gigantic wings who visit earth to carry out their heavenly tasks. Archangels are the “chief” angels in Judeo-Christian and Islamic religions. The precise number of these high-ranking celestial beings varies from one religious source to another (typically from four to seven). The three movements of Archangels depict Michael, Raphael, and Gabriel—the three archangels most commonly referenced.Michael is a warrior who is ever vigilant to march into battle against forces of evil. In art, he is often portrayed with his wings spread open in mid-flight and wielding a large sword that is raised into an attack position. The first movement begins in darkness with the foreboding sound of his large, beating wings. Suddenly, Michael appears in all of his terrible glory and wreaks havoc on an army of demons.Raphael is a Hebraic name that translates to “God heals,” and he is in charge of all manners of healing. Artwork of Raphael typically shows him holding a staff, and he is often pictured with the round cheeks associated with a young cherub. In this quiet middle movement, Raphael gently makes his rounds to tend to the sick.Gabriel is the heralder of news. In Christianity, Gabriel’s purpose is quite significant: he appears to Zechariah to announce the forthcoming birth of John the Baptist, and to Mary to announce the forthcoming birth of Jesus. Gabriel is often depicted holding a scepter, a stem of lilies, or an unfurled scroll. In this final movement of the piece, Gabriel trumpets his news for all to hear.

SKU: HP.C5711C

UPC: 763628957117. By Charitie Bancroft & Vikki Cook. Revelation 4:2, Revelation 22:1 Matthew 6:1-6,16-21.

Popula r worship song by Charitie Bancroft & Vikki Cook This compelling new worship song conveys the pardon and forgiveness that is found before the throne of God. Joel Raney has beautifully arranged this for SAB choirs as part of our Ring and Sing series, which features a full, stand-alone handbell setting which can double as the accompaniment to the choral setting. The recording features acoustic guitar and bass playing off the guitar chords that are included in the octavo. The P/A CD includes one track with rhythm and handbells to accompany a vocal choir and a second track of just the rhythm to accompany a bell choir. The Rhythm Packet include a Conductor's Score and parts for Acoustic Guitar, Bass & Synth.

SKU: HL.48181490

UPC: 888680844240. 9.0x12.0x0.095 inches.

Composed for the Paris Conservatoire contest by Pierre Revel (1901-1984), Fantasy is a melodious piece for Bb Clarinet and Piano. Rated as difficult (8), this piece is perfect for demonstrating your skills and technique. Dedicated to Ulysse Delecluse, Fantasy is divided in three main sections: - Prelude ? Modderato (senza rigore) - Andante, featuring a Cadenza by the Clarinet solo - Final which include a ?Meno mosso? part and a ?1 tempo?, before closing on a really harmonious note. The mastering of breathing techniques and a great flexibility are required for this piece which demonstrates the whole range of the instrument. .

SKU: HL.248985

UPC: 888680710279. 5.0x5.0x0.15 inches. Hebrews 11:16, Numbers 33:51, Revelation 21:2.

For many worshipping churches, this strong version of a traditional hymn is a treasured song of the journey. Many existing arrangements of this time-honored song are set in major but this creative new adaptation utilizes the minor variant. From Bound for Glory, this setting brings freshness to the familiar and adds depth to the whole concept. A distinctive three-part men's section is featured in one verse with stunning results, later trading places with an angelic women's moment that shines with brilliance. Every measure is packed with beauty! Score and Parts (pno, perc 1-2, vn 1-2, va, vc, db) available as a digital download.