Three Gymnopedies & Three Gnossiennes (SATIE ERIK)

for Cello and Piano-Erik Satie Three Gymnopedies arranged for Cello and Piano by John Arkell.

arranged for flute and guitar-Erik Satie's famous gymnopedies arranged for Flute (or Violin) and Guitar by Mary Criswick.

Par SATIE ERIK. Arranged by Trevor Wye. Nine of Satie's most popular melodies, including the Gymnopedies and three of the Cinq Grimaces , superbly arranged for the intermediate flautist with piano accompaniment. / Niveau : Intermédiaire / Rép Classique / Répertoire / Flûte Traversière

These three short melodious pieces by the French composer Eric Satie are ideally suited for the sound of the flute and will bring delight to both performers and audiences. Compositeur : Erik Satie Arrangeur : Robin de Smet Instrumentation : Flute Édition musicale : Fentone Music

Par HERDER. Eighty-three best-loved works over 30 composers including Beethoven, Chopin, Brahms, Mendelssohn, Liszt and Paderewski. Edited by Ronald Herder./ Recueil / Piano

Arranged by Trevor Wye. Nine of Satie's most popular melodies including the Gymnopedies and three of the Cinq Grimaces superbly arranged for the intermediate flautist with piano accompaniment.

Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of

Volume contains standard works of the repertoire, and also works of composers rarely encountered within other collections. There are works from the baroque through the modern periods, and each piece is in its original form. / Piano Accompagnement