Matériel : Partie seule
SKU: FG.55011-499-9
ISBN 9790550114999.
Sona ta da chiesa III was commissioned by Petteri Pitko, who played the first perfor-mance in Kemionsaaren Musiikkijuhlat in the summer of 2016. The sonata has three movements, each of which has a definite liturgical character and a choral tune as a can-tus firmus. Hence the music can be performed either in a concert or as a part of liturgy. From the composer's foreword: The first movement, Kyrie, has got an introvert mood. The choral melody is veiled, an indirect part of arpeggiated texture. The Gloria is open, even brilliant: the cantus firmus is worked out to a virtuosic, dance-like texture. The third movement closes the music by means of polyphony and bird singing. Concerning the harpsichord, for me it is essen-tial not to use equal temperament: the possibility to play with pure or almost pure in-tervals is crucial to the sound, having very high and strong overtones. Duration c. 12'.
SKU: SU.80101495
Suite in Three Movements (2021) for harpsichord was commissioned by Scott Hyslop. The three movements take their inspiration and forms from early models. They combine allusions to common practice harmony with later harmonic and rhythmic elements. The first movement, Concerto, is in a bright, Italianate manner (not without a bit of humor). The animating contrast is between ripieno (ritornello) sections and filigree-driven solo episodes. The second movement, Arioso, is a lyric aria in which the baroque-like principal material is integrated with more varied harmonic excursions. The third movement, Sonata, is a vibrant binary movement in the manner of Domenico Scarlatti.Harpsichord Duration: 13’ Composed: 2021 Published by: Zimbel Press.
SKU: SU.50006820
Copyright 1981. Published by: Seesaw Music.
SKU: UT.HS-281
ISBN 9790215326385. 9 x 12 inches.
Sonata I (Les Fêtes de Flore); Sonata II (Les Champs Elisées); Sonata III (Le Jardin des Hesperides); Sonata IV (Les Amusemens d’Apollon chez Le Roi Admète); Sonata V (Les Jeux Olympiques); Sonata VI (Les Voyages d’Ulysse)Pu blished in 1742 by the author with Boivin, Le Clerc and de Bretonne, Corrette’s Op. 25 was committed to the Knight of Orleans. It contains six sonatas with violin accompaniment. Nevertheless, on the frontispiece, Corrette reminds the possibility to perform these sonatas also for solo harpsichord; violin accompaniment is therefore considered as collateral and not crucial even though two instruments complete each other and continuously dialogue in a charming way. The composer declares the effect he requires to obtain at the beginning of sonata punctuating that the violin must play mezzo piano way and giving, once again, a great relevance to the keyboard. Despite the notices, imitations and plots between the instruments are so pleasant and constant that it is very improbable to imagine that violin role has considered as unsubstantial.In the fourth sonata, the only one written in minor tonality, Corrette supposes flute accompaniment as alternative to the violin. In this case, Italian style is evident, for example, in the third movement where the composer imitates Vivaldi with frequent unison passages.On technical plan, the harpsichordist is occupied in recurring hands crossing, playing suddenly overall keyboard.
SKU: FZ.4897
ISBN 9790230648974. 24.00 x 32.50 cm inches.
This facsimile of an original by Wolfgang Amadeus Mozart is part of our Dominantes collection. Edition: Vienne, Torricella, (undated=1784). Presentation by Norbert Kaltz: General remarks (Origin of the edition and the dedication Sonatas). Particular remarks (Sonate I, Sonate II, Sonate III). Torricella's original edition is very legible. The violin part of the third sonata is published as a separate part. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- British Library of London (England). - Library of the University of Basel (Switzerland). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HH.HH295-FSP
ISBN 9790708092421.
Iova nni Vitali's set of twelve sonatas Op. 5 for various combinations of strings and continuo, published in 1669, was the Bolognese composer's most ambitious collection of chamber music to date. He most likely wrote it as an application piece for membership of the prestigious Accademia Filarmonica, for each sonata has a dedicatory subtitle bearing the name of one of the city's noblemen. This third volume contains three works – the sonatas for two violins, viola, violone and organ/harpsichord continuo.
SKU: PR.490011740
UPC: 680160619597. 8.5 x 11 inches.
A sonata in classic construct, with A-B-A movements, Baksa's Second Piano Sonata comes years after his first. His compositional explorations have taken him through woodwind, brass, and string solos and ensembles, and a series of works for the harpsichord (an instrument which obviously holds his curiosity), and he now returns to the piano with a new major work. The third movement is especially challenging, at times skipping, at times flowing across the keyboard, but a satisfying flight for fingers. For advanced pianists.
SKU: HH.HH301-SOL
ISBN 9790708092506.
The second volume of keyboard music from the reclusive Carl Fasch contains two unpublished sonatas (one unusually in the key of B flat minor) and his considerable output of character pieces, short descriptive works which justify contemporary opinion that he was the true successor to C.P.E. Bach. These individual vignettes are ideal for playing on either clavichord or fortepiano and provide an expressive foil to the more extrovert and extended sonatas in the first volume. The third and final voume will contain all Fasch’s keyboard variations. .
SKU: FH.FLR07
ISBN 978-1-55440-295-3.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Sonata in G Major, op. 1, no. 5, HWV 363b (complete) George Frideric Handel, arr. Stephen Chatman Sonata in A Minor, op. 2, no. 6 (La Bouget) (complete) Michel Blavet Andante in C Major, K 315 (285e) Wolfgang Amadeus Mozart, arr. Stephen Chatman Menuet and Dance of the Blessed Spirits Christoph Willibald Gluck, arr. Stephen Chatman Suite Antique, Second Movement: Ostinato, Third Movement: Aria John Rutter Sonatina for Flute and Harpsichord (or Piano), First Movement and Third Movement R. Murray Schafer Deux Morceaux, op. 41, 2. Intermezzo Victor Alphonse Duvernoy Six Pieces for Flute and Piano Fikret Amirov 1. Song of the Ashug 3. Dance 6. Nocturne Partita in A Minor for Solo Flute, BWV 1013 Third Movement: Sarabande Johann Sebastian Bach Fantasia No. 6 in D Minor, TWV 40:7 Georg Philipp Telemann Thoronet Robert Evans Trois pieces, 2. Jade Pierre-Octave Ferroud.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
