Themes from How to Train Your Dragon

SKU: GF.JPTB

Milwaukee Avenue

Ogden Avenue

Narragans ett Avenue

Belden Avenue

Chicago Avenue

Quincy Street

Rockwell Street

Dearborn Street

Franklin Street

Pearson Street

Jazz Phrasing for Trombone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement.

This book includes a play-along CD featuring trombonist Russ Phillips playing each song with a world-class rhythm section. The CD also includes tracks featuring Greg Fishman demonstrating each song on alto saxophone, giving trombone players the option of playing along with Russ Phillips on trombone or with Greg Fishman on alto saxophone.

In addition, there are play-along tracks featuring just the rhythm section. These tracks are great for practicing the songs, chords, scales, voice-leading lines and soloing over the chords progressions.

Jazz Phrasing for Trombone will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for trombone players of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development.

Special Features of Jazz Phrasing for Trombone:

o Suggested Use Section - Provides detailed instructions on a variety of ways to work with the book.
Style & Analysis Section - Provides clear, concise explanations of sequence, variation and voice-leading
Thematic Index - Lets you compare the opening themes of all ten songs in convenient two page at-a-glance format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval.
Endorsements for Jazz Phrasing for Trombone:
Greg has done it again. Great melodies, interesting rhythms and beautiful chord progressions. This is the perfect foundation for learning jazz. - Jamey Aebersold
This book is a monument to Greg Fishman's superb teaching skills, as well as his clear understanding of the jazz student's early needs. He has purposefully selected accessible tempos, significant melodic rhythms (with their appropriate phrasing) and sensitive note choices, utilizing commonplace chord progressions within the jazz repertory, all impeccably demonstrated on the accompanying compact disc. This book is a must for the early conditioning of jazz students! - Jerry Coker
Greg Fishman has created a book of fun, well-written, catchy tunes in a variety of styles for developing jazz players---highly recommended. - Dr. Gregory W. Yasinitsky, Regents Professor of Music & Coordinator of Jazz Studies, Washington State University
Songs included in Jazz Phrasing for Trombone - Volume 1:
o Milwaukee Avenue
Ogden Avenue
Narragansett Avenue
Belden Avenue
Chicago Avenue
Quincy Street
Rockwell Street
Dearborn Street
Franklin Street
Pearson Street

A few words from the preface of the book:

Applying good phrasing to music is like using good punctuation in written or spoken language. It involves the grouping of ideas to make the meaning of the words clear to the listener. The words are grouped into sentences, and the sentences are then grouped into paragraphs. The same is true when interpreting a piece of music.

Good phrasing requires a musician to interpret the notes he plays, and determine which notes need to be grouped together to form a complete musical idea.

Each song in Jazz Phrasing for Trombone is designed to train your ear to hear the logical grouping of phrases through the use of sequence and thematic development.

While the art of good phrasing involves the interpretation of note groupings and their relationships, it also involves deciding where you're going to take a breath.

Read the following sentences aloud to compare examples of good and bad phrasing.

Good phrasing, spoken in one continuous breath:

Ladies and gentlemen, it gives me great pleasure to introduce the senior class president.

Bad phrasing, spoken with extra breaths, disrupting the flow and grouping of the words:

Ladies and gentlemen, it gives (breath) me great pleasure to introduce the senior class (breath) president.
The difference between these two sentences is very similar to the difference between a professional musician's phrasing and a student's phrasing. Both may be playing the correct notes with the correct rhythm, but the professional musician knows how to group the notes in a smooth, flowing fashion, while the student takes breaths at random, not even aware that he's disrupting the phrasing.

Jazz Phrasing for Trombone has been carefully designed to help you learn to phrase like a professional player.

These are pieces that will be fun for all musicians who love melodic writing with good thematic development..

SKU: GI.G-10200

UPC: 785147020035.

A glorious choral Christmas collection of music from around the world!  Through Chris de Silva’s incredible choral writing and inspired instrumental scoring, the themes of Christmas are exquisitely retold – those of light, darkness, shepherds, angels, heaven, earth, fear, wonder, peace, joy, silence and sound. Chris’s formal, classical composition training shines through on each piece. From the joyfully powerful “Singing, We Come Singing” to the regal “The Child Is Born in Bethlehem” and the dance-like “Shepherds on to Bethlehem,” each of these eight pieces work beautifully as stand-alone choices for your choir’s Christmas celebrations. Together, the pieces would work well as part of a well-rounded lessons and carols service.  For choral music lovers, the Mysterium recording will become one of your seasonal favorites! Learn more about this collection from composer Chris de Silva, Kate Williams, and Cameron LaBarr in the video below: CONTENTS: Singing, We Come Singing • Holy Night, Blessed Night • Away in a Manger • The Child Is Born in Bethlehem • Shepherds on to Bethlehem • Carol of the Birds • Jul, Jul • Of the Father’s Love • Away in a Manger (reprise).

SKU: GI.G-10200S

UPC: 785147020028.

A glorious choral Christmas collection of music from around the world!  Through Chris de Silva’s incredible choral writing and inspired instrumental scoring, the themes of Christmas are exquisitely retold – those of light, darkness, shepherds, angels, heaven, earth, fear, wonder, peace, joy, silence and sound. Chris’s formal, classical composition training shines through on each piece. From the joyfully powerful “Singing, We Come Singing” to the regal “The Child Is Born in Bethlehem” and the dance-like “Shepherds on to Bethlehem,” each of these eight pieces work beautifully as stand-alone choices for your choir’s Christmas celebrations. Together, the pieces would work well as part of a well-rounded lessons and carols service.  For choral music lovers, the Mysterium recording will become one of your seasonal favorites! Learn more about this collection from composer Chris de Silva, Kate Williams, and Cameron LaBarr in the video below: CONTENTS: Singing, We Come Singing • Holy Night, Blessed Night • Away in a Manger • The Child Is Born in Bethlehem • Shepherds on to Bethlehem • Carol of the Birds • Jul, Jul • Of the Father’s Love • Away in a Manger (reprise).

SKU: GI.G-1085

UPC: 785147008521.

A glorious choral Christmas collection of music from around the world! Through Chris de Silva’s incredible choral writing and inspired instrumental scoring, the themes of Christmas are exquisitely retold – those of light, darkness, shepherds, angels, heaven, earth, fear, wonder, peace, joy, silence and sound. Chris’s formal, classical composition training shines through on each piece. From the joyfully powerful “Singing, We Come Singing” to the regal “The Child Is Born in Bethlehem” and the dance-like “Shepherds on to Bethlehem,” each of these eight pieces work beautifully as stand-alone choices for your choir’s Christmas celebrations. Together, the pieces would work well as part of a well-rounded lessons and carols service. For choral music lovers, the Mysterium recording will become one of your seasonal favorites! CONTENTS: Singing, We Come Singing • Holy Night, Blessed Night • Away in a Manger • The Child Is Born in Bethlehem • Shepherds on to Bethlehem • Carol of the Birds • Jul, Jul • Of the Father’s Love • Away in a Manger (reprise).

SKU: CF.YAS162

ISBN 9781491143803. UPC: 680160901302. Key: A minor.

Virgo is a lush and dramatic piece for string orchestra that reflects upon lost loved ones. In the case of the composer, it is a remembrance of his late brother whose astrological sign was virgo. It is an emotional harmonic journey with well-place dissonance tied together by a memorable motive. Musically, this piece is pure emotion and will stretch your young musicians to strive for musical elegance.
Virgo is a lush and dramatic piece for string orchestra that is intended to reflect upon lost loved ones. In the case of the composer, it is a remembrance of his late brother, Scott Andrew Sweet. The title of the piece refers to the astrological sign ofthe composer’s brother, who was born on September 19, 1970. Virgo is dedicated to his memory.The piece utilizes many close-knit intervals and dissonances and care should be taken throughout the work to ensure that these intervals blend evenly into a singular sonority. The piece begins with an introduction that utilizes portions of the A-theme which is presented in full at m. 10 by the second violins. The theme is repeated at m. 18 and moves to a brief B-section at m. 26. The B-section utilizes inverted “pyramid” chords, and each voice should enter with a slight accent so that the rhythmic structure of the pyramid is audible. The A- and B-sections are both repeated with slight variation and are followed by a C-section at m. 58. This section utilizes melodic counterpoint between all voices, and care must be taken to maintain a strong individual presence from voice to voice. These voices lead to a dramatic arrival on beat 3 of m. 68. From this point, the C-section decreases in intensity, coming to restat m. 82. The introductory material returns at m. 84 with pizzicato accompaniment and leads to a final statement of both A- and B themes in a more developed and intense fashion. A delicate and restrained coda appears at m. 113 and brings the piece to a close.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels