The World Is Not Enough

SKU: BT.1571-08-010-MS

9x12 inches. English-German-French-Dut ch.

The World Is Not Enough is een Bondfilm uit 1999, met Pierce Brosnan in de hoofdrol. De gelijknamige titelsong, geschreven door de Engelse filmcomponist David Arnold, werd uitgevoerd door de Schots-Amerikaanse rockgroep Garbage.Het nummer bevat alle traditionele Bond-ingrediënten - zo ook deze door Otto M. Schwarz op vakkundige wijze gearrangeerde versie voor harmonieorkest.

The World Is Not Enough ist das Titellied des gleichnamigen James-Bond-Films aus dem Jahr 1999, geschrieben vom englischen Filmmusikkomponisten David Arnold. Otto M. Schwarz war mit dieser Filmmusikbearbeitung ganz in seinem Element - das Ergebnis spricht für sich! Das Arrangement enthält ein Solo, das wahlweise gesungen oder von Alt- oder Tenorsaxophon gespieltwerden kann.

Scénario inventif, suspense diabolique, action explosive : James Bond est imbattable ! En 1999, Pierce Brosnan assurait pour la troisième fois le rôle du plus célèbre agent secret de l’histoire du 7ème art, dans le dix-neuvième volet de la série Bond : Le monde ne suffit pas. ses côtés, l’actrice française Sophie Marceau. Le compositeur britannique David Arnold succédait John Barry et composa une bande originale très « Bondienne ». (Partie solo adaptée pour voix ou saxophone alto/ténor).Enregistreme nts sur CD Band Power (version avec solo instrumental DHR 01-050-3) / CD Lord of the Sea ( version avec voix solo DHR 02-044-3).

SKU: BT.1571-08-140-MS

9x12 inches. English-German-French-Dut ch.

The World Is Not Enough is een Bondfilm uit 1999, met Pierce Brosnan in de hoofdrol. De gelijknamige titelsong, geschreven door de Engelse filmcomponist David Arnold, werd uitgevoerd door de Schots-Amerikaanse rockgroep Garbage.Het nummer bevat alle traditionele Bond-ingrediënten - zo ook deze door Otto M. Schwarz op vakkundige wijze gearrangeerde versie voor harmonieorkest.

The World Is Not Enough ist das Titellied des gleichnamigen James-Bond-Films aus dem Jahr 1999, geschrieben vom englischen Filmmusikkomponisten David Arnold. Otto M. Schwarz war mit dieser Filmmusikbearbeitung ganz in seinem Element - das Ergebnis spricht für sich! Das Arrangement enthält ein Solo, das wahlweise gesungen oder von Alt- oder Tenorsaxophon gespieltwerden kann.

Scénario inventif, suspense diabolique, action explosive : James Bond est imbattable ! En 1999, Pierce Brosnan assurait pour la troisième fois le rôle du plus célèbre agent secret de l’histoire du 7ème art, dans le dix-neuvième volet de la série Bond : Le monde ne suffit pas. ses côtés, l’actrice française Sophie Marceau. Le compositeur britannique David Arnold succédait John Barry et composa une bande originale très « Bondienne ». (Partie solo adaptée pour voix ou saxophone alto/ténor).Enregistreme nts sur CD Band Power (version avec solo instrumental DHR 01-050-3) / CD Lord of the Sea ( version avec voix solo DHR 02-044-3).

SKU: HL.345613

UPC: 840126920079. 5.0x5.0x0.15 inches.

This is James Bond Medley you've been “Die”-ing for! This superlative nine-song choral medley features the best of the ongoing spy series' theme song catalog, from Adele to Shirley Bassey, from Paul McCartney & Wings to Duran Duran. As Ian Fleming's British Secret Service agent 007 approaches his landmark 25th film No Time to Die, don't miss this chance to celebrate the best of Bond... James Bond. Includes: James Bond Theme, The World is Not Enough, Skyfall, Goldfinger, Goldeneye, You Know My Name, A View to a Kill, Nobody Does It Better and Live and Let Die.

SKU: FP.FBS03

ISBN 9790570500192.

Sara h Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.

All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills. Suitable for players of around grade 4-5 standard, her evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!

Air Balloon!: One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front! The sound of the gas being blown into the balloon to try to keep it high enough to pass the house sounded so loud and intimidating, and then there was the bustle of the neighbours as we all went out into the street to watch. It was both terrifying and exhilarating to watch the balloon float past and then land so near by.

Buzzards Circling: There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. Growing up in the Chilterns gave me plenty of opportunity to watch buzzards and red kites. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.

There’s A Cow In The Garden Eating The Flowers: Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child, looking out of the window and seeing the cow walking round and eating the flowers. The final phrase articulates my longing: ‘I wish it would come again’.

Watching The World Go By: A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.

Autumn Skies: A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone. Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.

Snake In The Pond: One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again. Here I portray the sense of the hazy summer afternoon as I peacefully watched the tiny movements of fish in the pond, contrasted with the fear and excitement of seeing the snake appear.

Morning Commute: I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. There is one main road out of the village where I grew up, and that got more and more congested the closer we got to the town. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.

The Witch’s Cottage: My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.

These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up. - Sarah Baker 2023.

SKU: HL.14018881

ISBN 9780711991552. English.

The Lemonade Kid is a rootin'-tootin' Wild West musical, telling of a town being tamed against all odds by a plucky bar-girl and the only man brave enough not to carry a gun. Eight great new songs including a hoe-down dance. An excellent, fun way of getting across a very serious message. Suitable for Key Stage 2 (7-11 years). Duration 45 minutes. The accompanying CD includes demonstration and backing tracks of all the songs. The script is available in the separate (Pupil's Book). Edited by Alison Hedger If you need to license a school/youth theatre performance of this product, please use the online application form.