The Twelfth Street Rag

Plus de soixante y compris les Solos de Piano de Ragtime classique : Rag American Beauty, The Winners facile, The Entertainer, chaton sur The Keys, Maple Leaf Rag, Twelfth Street Rag. / Piano / 304 pages / Partition

Description A First Book Of Ragtime For The Beginning Pianist This compilation of easy-to-play ragtime favourites features 24 rollicking melodies by The Big Three of ragtime - Scott Joplin, James Scott, and Joseph Lamb - plus pieces by Eubie Blake, Tom Turpin, and Songlist A Breeze From Alabama Blue Goose Rag Bohemia Rag Champagne Rag Charleston Rag Chevy Chase Rag Easy Winners Felicity Rag Fig Leaf Rag Fizz Water Grace And Beauty Great Scott Rag Harlem Rag High Society Magnetic Rag Maple Leaf Rag Mississippi Rag Peach Rag Sleepy Hollow The Entertainer The Weeping Willow Tiger Rag Twelfth Street Rag Violin Rag

and Popular Songs of Shakespeare's Time. Shakespeare's England comes alive once again in this delightful and much needed collection of songs. Here are the words and music for 70 songs from Hamlet, King Lear, Twelfth Night, The Winter's Tale, Much Ado About Nothing, As You Like It, Othello, Romeo and Juliet, and several other plays, plus other popular songs of the time. Each song is chorded for guitar in the musical style of the Elizabethan era. Songs from Shakespeare's plays consist of songs whose texts were written by William Shakespeare: popular songs and ballads quoted or referred to by characters in the plays: songs of contemporary poets and musicians: and popular songs, folk songs, ballads, rounds and street cries known to have been current at the time and included to add to the overall setting in which Shakespeare wrote and performed. This is a practical, useful, and informal book, making no pretense to prove anything except, as editor Tom Kines says, that the songmakers of Shakespeare's time were a skillful lot and the combination of the golden flow of poesy with the silver flood of melody and harmony will perhaps never again be equalled.

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

New Edition. Par MILLER JOHN. Trumpet Basics is a landmark method by one of the leading figures in trumpet education. It starts at absolute beginner level and progresses to about Grade 2. There are 20 stages, each section includes a wonderful variety of concert pieces from the great composers, traditional tunes and fun, original exercises, 'finger gyms' and 'warm ups' to help establish a sound technique, 'factfiles' and 'quizzes' to teach notation and general musicianship, helpful, clear 'fingering charts' and 'rhythm boxes' and great illustrations. This Book/CD edition is the perfect resource as the CD contains all the accompaniments to all the pieces as well as providing additional parts for the duets and trios. It is most suitable for those wanting to teach themselves. / Niveau : Débutant / Date parution : 2003-04-09/ Méthode / Trompette

New Edition. Par MILLER JOHN. Trumpet Basics is a landmark method for individual and group learning by one of the leading figures in trumpet education, John Miller. It starts at absolute beginner level and progresses to about Grade 2 level. There are 22 stages and each section includes a wonderful variety of concert pieces from the great composers, traditional tunes and fun, original exercises, finger gyms and warm ups to help establish a sound technique, factfiles and quizzes to teach notation and general musicianship, helpful, clear fingering charts and rhythm boxes and great illustration. This particular book has been written for B-flat Trumpet or Cornet. / Niveau : Facile / Date parution : 2002-04-11/ Méthode / Trompette

Par TURNER BARRIE CARSON. Simplement Jazz présente un tableau merveilleux de votre favori jazz, superbement arrangé pour piano solo par Barrie Carson Turner. Les pièces sont habilement classés et doigts et se complètes avec des commentaires instructifs. En bref, cette collection est l'introduction parfaite à certains des meilleur jazz jamais écrit. Cette collection d'arrangements comprend Blue Moon, Ain't elle Sweet, tout va bien et Summertime/ Recueil / Piano

Arrangeur: Samuel Applebaum. Par APPLEBAUM SAMUEL. String Tunes was compiled from melodies Samuel Applebaum used to teach his string students. Michael Katz has produced the accompaniment CD (in traditional, jazz and rock styles) to motivate students to practice and perform for friends and family. The melodies are arranged in progressive order from the first three notes students learn to hte end of level one in most method books. These well-known (and some not-as-well-known) melodies may be played as a solo or in unison with other string instruments (violin, viola, cello, bass). If you have a balance control on your compact disc player, you may eliminate the recorded melody by turning the balance all the wayto the right. The number of the melody in the book is the same as the CD track number. Each recorded accompaniment has a count off to get you started. When you perform, announce the name of the song of your audience. / Rép Classique / Recueil / Violon

Une grande collection de 100 chansons hit préférées record arrangée par Daniel Scott pour tous les claviers. Comprend un homme et une femme, fièvre, fumée obtient In Your Eyes ainsi que beaucoup d'autres. / Piano/Vocal/Guitare (PVG) / 232 pages / Partition

The complete collection of Jeff Buckley's music in Chord Songbook format. For the first time in one book, every song ever recorded by the supremely talented singer-songwriter - from the first release of Live at Sin-e and Grace to Mystery White Boy , released in 2000, three years after his untimely death. specially arranged from the actual recordings and in the original keys. Each of the 68 songs includes chord symbols, guitar chord boxes and the complete lyrics. Parental Advisory - contains explicit lyrics. / Chant Et Guitare