Matériel : Octavo
Voir toutes les partitions de Mark Hayes
SKU: HL.345976
ISBN 9781540093172. UPC: 840126921229. 6.75x10.5x0.015 inches. John 14:15-18, Psalm 51:10.
Ideal for Lent or any time of year, this gentle anthem expresses a desire to live more like Christ in all we say and do. Short, optional prayers introduce each verse before the choir sings the graceful, flowing melody. Options for solo singing, descant, and use of chime tree (or finger cymbals) complement the reflective spirit of the piece fitting for older elementary, youth, and adult choirs. Available separately: Unison/opt. 2-Part Treble. Duration: ca. 2:50.
SKU: HL.35029368
ISBN 9781480361560. UPC: 884088956554. 6.75x10.5 inches.
In this celebratory choral, each part sings its own melody which later combine in partner-style form. It's an excellent choice for smaller choirs and younger singers learning to harmonize as well as to sing independently and in unison. The lyric uses English and easy Latin phrases to make learning quick while giving the opportunity for musical development.
SKU: HL.35029369
ISBN 9781480361577. UPC: 884088956561. 6.75x10.5 inches.
SKU: HL.35021566
UPC: 747510047339. 6.75x10.5x0.019 inches. Jennifer Dowell/Michael Barrett.
Contempora ry ballad; easily learned; This gentle ballad is a fresh invocation to God's constant presence in our lives and worship. The Holy Spirit is always with us-sometimes we just need to be still. Gently contemplative, this choral almost sings itself. Lyricist Jennifer Dowell follows her successful “Jesus and the Children†with a memorable Pentecost text and Michael Barrett contributes a great melody. “SpiritSong†is easily learned and is appropriate for youth and adult choirs. Be still...and know that He is God.
SKU: WD.080689519178
UPC: 080689519178.
Hymns revisited. Hymns reimagined. Hymns reinvented. Hymns relived. Hymns rewritten.At this point we've seen everything done with hymns that we can possibly think of. And you may be saying the last thing you want or need is another book of hymns. And some might be inclined to agree. Except...What if, instead of working so hard to change them or improve them, we focus on revealing the true nature, power, and majesty of our favorite hymns? Rather, to be true to them, and frame them in their best light by rediscovering a fresh appreciation of their well-deserved place in our houses of worship. Let our choirs raise their voices in unbridled passion, fed by the awe-inspiring, rich, theological and doctrinal truths buried deep within these tremendous songs of the Faith. Let our spirits rise with the soaring melodies, and once again give voice to our praise of the immortal, invisible, only-wise God! And, more than anything else, let us rediscover the joy that comes when we encourage our congregations to raise our joys and triumphs high, as together the Church proclaims, Then Sings My Soul, to the greatness of our God.While each great arrangement in this book stands alone, Then Sings My Soul is designed to be presented as a through-composed worship service of hymns, scripture, and inspirational readings for Choir, Congregation, and Worship Leaders, created and orchestrated by Cliff Duren. DVD Accompaniment Track, Orchestration, and Stem Mixes available.
SKU: GI.G-CD-870
UPC: 785147087021.
Featu ring: • Ben Hill United Methodist • Big Bethel AME • First Congregational • Friendship Baptist • Radcliffe Presbyterian • Uzee Brown Society of Choraliers James Abbington and Uzee Brown, Conductors Some of the finest choirs in Atlanta teamed up at Cannon Chapel on the campus of Emory University to record excerpts from New Wine in Old Wineskins, Vols 1 & 2. Conductors James Abbington and Uzee Brown highlight many soon-to-be classics in our worship and devotional time. Familiar songs include: I Am Kept by the Grace of God • Thank You for Hearing Our Prayer • O Lord, Fix Me • Renew in Me a Right Spirit • Christ Is for Losers • As We Enter • Oh, Give Thanks.
SKU: CF.CM9738
ISBN 9781491161180. UPC: 680160919765. Key: Eb major. English. Barter by Sara Teasdale.
Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up Holding wonder in a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit's still delight, Holy thoughts that star the night. Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstacy Give all you have been, or could be. --Barter from Love Songs (1918) by Sara Teasdale Sara Teasdale (1884-1933) was an American poet whose short, personal lyrics are noted for their classical simplicity and quiet intensity. Teasdale was born in St. Louis, Missouri and traveled to Chicago as a young woman, where she grew acquainted with Harriet Monroe and the literary circle around Poetry. Teasdale wrote seven books of poetry in her lifetime and received public admiration for her well-crafted lyrical poetry which centered on a woman's changing perspectives of beauty, love, life, and death. Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. A native Kansan, Jacob is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble of musicians from across the Great Plains. Dr. Narverud is a frequent guest lecturer at universities and conferences as well as an active guest conductor/clinician for choral festivals and all-state choirs across the United States. Many of his compositions are publisher best sellers and are performed worldwide by choirs of all levels. Website: jnarverud.com YouTube & Spotify: jacobnarverud.Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up Holding wonder like a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit's still delight, Holy thoughts that star the night. Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstacy Give all you have been, or could be. --Barter from Love Songs (1918) by Sara Teasdale Sara Teasdale (1884-1933) was an American poet whose short, personal lyrics are noted for their classical simplicity and quiet intensity. Teasdale was born in St. Louis, Missouri and traveled to Chicago as a young woman, where she grew acquainted with Harriet Monroe and the literary circle around Poetry. Teasdale wrote seven books of poetry in her lifetime and received public admiration for her well-crafted lyrical poetry which centered on a woman's changing perspectives of beauty, love, life, and death. Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. A native Kansan, Jacob is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble of musicians from across the Great Plains. Dr. Narverud is a frequent guest lecturer at universities and conferences as well as an active guest conductor/clinician for choral festivals and all-state choirs across the United States. Many of his compositions are publisher best sellers and are performed worldwide by choirs of all levels. Website: jnarverud.com YouTube & Spotify: jacobnarverud.Life has loveliness to sell,All beautiful and splendid things,Blue waves whitened on a cliff,Soaring fire that sways and sings,And children's faces looking upHolding wonder like a cup. Life has loveliness to sell,Music like a curve of gold,Scent of pine trees in the rain,Eyes that love you, arms that hold,And for your spirit's still delight,Holy thoughts that star the night. Spend all you have for loveliness,Buy it and never count the cost;For one white singing hour of peaceCount many a year of strife well lost,And for a breath of ecstacyGive all you have been, or could be.                  —“Barter †from Love Songs (1918) by Sara Teasdale Sara Teasdale (1884-1933) was an American poet whose short, personal lyrics are noted for their classical simplicity and quiet intensity. Teasdale was born in St. Louis, Missouri and traveled to Chicago as a young woman, where she grew acquainted with Harriet Monroe and the literary circle around Poetry. Teasdale wrote seven books of poetry in her lifetime and received public admiration for her well-crafted lyrical poetry which centered on a woman’s changing perspectives of beauty, love, life, and death.Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. A native Kansan, Jacob is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble of musicians from across the Great Plains. Dr. Narverud is a frequent guest lecturer at universities and conferences as well as an active guest conductor/clinician for choral festivals and all-state choirs across the United States. Many of his compositions are publisher best sellers and are performed worldwide by choirs of all levels.Website: jnarverud.com        YouTube & Spotify: jacobnarverud.
SKU: HL.48021285
ISBN 9781458471598. UPC: 884088658458. 6.75x10.5 inches.
Text: Eric CrozierPublisher: Boosey & HawkesDifficulty level: 3Saint Nicolas (note the name has no 'H' in it!) was written for the centenary of Lancing College in Sussex, the independent secondary boarding school on the south coast of England which Peter Pears had attended in his teens. It has a vast chapel intended by its founder, Revd Nathaniel Woodard, as the cathedral for all the schools of his extensive foundation known collectively as 'Woodard' schools. St. Nicolas is famous for many legendary miracles and for being the original 'Santa Claus'. Crozier's libretto is designed to tell the story of his life, to recount some of his most celebrated acts and to give the audience/congregation the opportunity of joining in two beautiful hymns at key moments: 'All people that on earth do dwell' and 'God moves in a mysterious way his wonders to perform'. The narration is all done by the choir, though the tenor sings first-person narratives as well in his role as the mature Nicolas. The young Nicolas is sung by a boy in movement II. There is a dramatic moment at the end of this movement when the boy's voice does a tumble and the tenor proclaims in the voice of Nicolas as a young man: 'God be glorified'.The third movement is an accompanied recitative in which the soloist sings of Nicolas devoting himself to God through the agonies and torment of the many distractions and temptations of life. His faith wins through and he sings a final touching phrase: 'and Love was satisfied'. The sea whips up a storm in the next movement: 'He journeys to Palestine'. It threatens to overturn the ship and drown everyone on board. There is wailing from the sopranos and altos of the semi-chorus and agonised calls from the tenors and basses to 'man the pumps'. Finally, Nicolas begs God to let the storm cease and offers thanks for their safe delivery. Britten creates a palpable sense of relief in the final pages.In the fifth movement, 'Nicolas comes to Myra and is chosen Bishop', the choir sings chorale-like phrases welcoming him as their new Bishop. They go through his ceremonial dressing with all the accoutrements of his office, the mitre, crozier (nice pun on the librettist's name), robe and ring. An energetic chorus 'Serve the faith and spurn his enemies' leads to the first great hymn - a wonderfully climactic moment. Britten's arrangement is suitably uplifting.The final movement tells of Nicolas' death and the work ends with the other great hymn: 'God moves in a mysterious way'. This work demonstrates to me Britten's generosity of spirit and his natural feeling for enriching the repertoire at all levels of attainment. What a gift!Duration: 50 minutesPaul Spicer, Lichfield, 2011.
SKU: BT.DHP-1074334-010
9x12 inches. English-German-French-Dut ch.
Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperforma nce in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.Koor partijen apart verkrijgbaar.Cantica de Sancto Benedicto ist ein dreisätziges Werk für gemischten Chor, Sopran-Solist, sinfonisches Blasorchester und Orgel ad lib. - zu lateinischen Texten über das Leben des Heiligen Benedikt. Es entstand im Auftrag der italienschen StadtNursia, dem Geburtsort von Benedikt. Jacob de Haan benannte die Sätze von Cantica de Sancto Benedicto nach der Heiligen Dreifaltigkeit: der Vater (Gloria Patri), der Sohn (Gloria Filio) und der Heilige Geist (Gloria SpirituiSancto). Der Text zur Hymne Gemma Caelestis (der wie die übrigen Texte ursprünglich aus dem Gregorianischen Choral stammt) wird vom Chor gesungen. Zu diesem Zweck komponierte Jacob de Haan neue choralartige, homophone Musik. Der AbschnittLaeta Quies wird vom Sopran vorgetragen; die Strophen (die sich über alle drei Sätze verteilen) wechseln sich mit denen von Gemma Caelestis ab. Das Werk endet mit einem eindrucksvollen großartigen Finale, in dem Texte aus dem Propriumaus der Messe zu Ehren des Feiertags des Heiligen Benedikt (11. Juli) verwendet werden.Chorstimmen sind unter folgendem Link separat erhältlich:DHP 1074334-050Anmerkungen für den Dirigenten:Für dieseKantate gibt es mehrere Aufführungsmöglichk eiten. Die erste ist eine Version, in der die Chor- und Sopranstimmen nur von der Orgel begleitet werden. Solch eine Aufführung bietet mehrere Vorteile: Da das Blasorchester nie zusammen mit Chor und Sopranerklingt, gibt es keine Probleme mit der klanglichen Ausgewogenheit und sogar eine Aufführung mit einem großen Blasorchester und einem kleinen Kantatenchor ist denkbar. Eine besondere Aufstellung für eine dreidimensionale Aufführung in einer Kircheist ebenso möglich. Der Chor singt zum Beispiel von der Kanzel aus, begleitet von der Chororgel; der Sopran steht auf der Galerie, begleitet von der Hauptorgel, während das Blasorchester in einem anderen Teil der Kirche aufgestellt ist. Der Chor kannauch von Galerie aus singen. Bei solchen Aufstellungen ist es ratsam, mit zwei Dirigenten zu arbeiten. Die Begleitung der Singstimmen ist in Stichnoten für das Blasorchester notiert. Wenn das Werk ohne Orgel aufgeführt wird, beispielsweise in einemKonzertsaal, spielt das Blasorchester die Begleitung. Die Begleitstimmen sind transparent orchestriert, zugunsten der klanglichen Ausgewogenheit von Blasorchester, Chor und Sopran. Im dritten Satz (Takte 144-151) gibt es eine optionale Passage fürden Chor. Diese ist nur für eine Aufführung mit einem sehr großen Chor gedacht. Eine weitere Variante beinhaltet, den musikalischen Höhepunkt im dritten Satz zu überspringen und direkt von Takt 156 zu Takt 213 weiterzugehen. Gründe hierfür könnensein: der etwas höhere Schwierigkeitsgrad, eine begrenzte Aufführungsdauer und/oder der Wunsch, den Kantatentext auf Gemma Caelestis und Laeta Quies zu beschränken. Während einer Messe oder eines Gottesdienstes können auch verschiedeneStrophen verwendet werden. Wahlweise kann das Sopransolo auch vom Chorsopran gesungen werden. Alternativ hierzu können Sie die Sopranstimmen (komplett oder teilweise) von einem Tenor singen lassen. Für Chöre, die Cantica de Sancto Benedictoaufführen wollen, bietet der Komponist einen Extra-Service auf seiner Website https://www.jacobdehaan.c om, wo Audiodateien der einzelnen Chorstimmen für das Einstudieren zu Hause zugänglich sind. Informationen zu anderen Werken für Chor undBlasorchester (Missa Brevis und Missa Katharina) sind ebenfalls dort zu finden.Chorstimmen separat erhältlich.< i>Cantica de Sancto Benedicto (Cantate de saint Benoît) est une œuvre en trois mouvements pour Soprano, Chœur mixte, Orchestre d’Harmonie et Orgue (ad lib.). Basée sur des textes en latin relatant la vie de saint Benoît, cettecantate est une œuvre de commande pour la ville de Nursie en Italie, ville natale du moine.Benoît de Nursie ou saint Benoît (vers 480-547) est considéré comme l’initiateur de la vie monastique dans l’Église catholique romaine. Son immenseinfluence est essentiellement liée la rédaction d’une règle de vie : la Règle monastique de saint Benoît (Regula Benedicti).Jacob de Haan a choisi de donner le nom des troispersonnes de la Sainte-Trinité aux trois mouvements de l’œuvre: le Père (Gloria Patri/ Gloire au Père), le Fils (Gloria Filio/ Gloire au Fils) et le Saint-Esprit (Gloria Spiritui Sancto/ Gloire au Saint-Esprit).Le texte de l’hymne Gemma Caelestis (utilisé dans le chant grégorien l’instar des autres textes) est chanté par le Chœur sur une musique de nature homophonique laquelle le compositeur a donné un style choral. La séquence Laeta Quies est chantée par la Soprano. La prose de la séquence est répartie sur lestrois mouvements en alternance avec le texte de l’hymne latine. Le finale de l’œuvre est impressionnant. Il développe des textes du Propre de la Messe en l’honneur de la Saint-Benoît, célébrée le 11 juillet. Partitions pour chœur disponibles séparément.Parti per coro disponibili a parte.
SKU: GI.G-CD-952
UPC: 785147095224.
Welco me to the revival! Come on in and leave your troubles at the door. “Worthy God†is a moving declaration of faith and devotion by a true emerging voice on the contemporary gospel scene. Part of the full-length CD Building Up the Kingdom, “Worthy God†is sure to ignite the fire of the Holy Spirit in the hearts of all the assembled, and our raised voices will set the rafters ablaze. About M. Roger Holland II: What do you get when you mix a musician who is a pianist, organist, singer, composer, arranger and symphony maestro together? M. Roger Holland, II!! A man who knows Jesus and thanks him with every note he sings, plays, or writes. When you listen to Roger, you will know that God has touched His servant and in that touch, there will be a blessing for you! Roger has always had a passion for music. It started with him tinkering on his toy piano as a child and grew to him being accepted to the High School of Performing Arts in New York City. Roger's falsetto has opened many doors for him. He was a member of the All City High School Choir. Hearing his vocal abilities, he was recruited by the internationally known Boys Choir of Harlem. His musical talents garnered him a position playing keys on two Broadway plays in New York, The Color Purple and Memphis. When you witness the musicianship of M. Roger Holland II you will recognize the influences of some of the people he has worked with like Walter J. Turnbull, James Williams, Joseph Joubert, and Bettye Forbes. When you hear his writing, you may notice the stylings of Stevie Wonder. There is no denying the influences of Marvin Gaye, Peabo Bryson, and Luther Vandross when it comes to his vocals. The gospel inflections are representative of Richard Smallwood, Thomas Whitfield, and Kirk Franklin. The compositional techniques of classical composers such as Wolfgang Amadeus Mozart and the arranging styles of Negro Spirituals by Roland Carter, Jester Hairston, and Moses Hogan are prominent as well. Leading the Gospel Choir of Union Theological Seminary fueled Roger's fire and drew him into seminary. His passion for music led him on a spiritual journey from Westminster Choir College to Manhattan School of Music where he received his graduate degree and ultimately the very same Union Theological Seminary where he received a Master of Divinity degree. Roger is the Minister of Worship & Christian Arts at Calvary Baptist Church in Jamaica, NY, where weekly he ushers in the Holy Spirit through praise and worship. He also serves as Liturgical Consultant for the Office of Black Ministry in the Archdiocese of New York. God is truly using Roger as an instrument to share His message!  For Bookings Contact: Cortney Wright Thomas 646-269-4055 cwthomas406@gmail.com.
SKU: LO.99-2437L
UPC: 000308120769.
Shout the good news of the resurrection with this spirited, joyful Easter anthem. Glory, Glory, Glory! reverberates with gospel style. Regular syncopation, blues harmonies, and repetitive layered refrains combine as the choir sings Jesus Christ is risen! Glory to the King! Stan Pethel’s great brass and rhythm score contributes to the gospel spirit.
SKU: GI.G-CD-982
UPC: 709887005527.
Glori æ Dei Cantores Men's Schola sings these Gregorian chants of love and devotion to Mary, the Mother of God, the Theotokos, the Star of the Sea. While our names for her are as varied as the traditions that surround her being, one thing remains constant: she invariably points us to her own Son, teaching us to greet Him with that same yes by which she opened herself to Him, body, soul and spirit. May we all receive the blessing of her example, told through these ancient songs of faith. This SACD features the Stabat Mater, the Marian antiphons for Compline, and selected propers from the Feasts of the Immaculate Conception, the Nativity of Mary, the Annunciation, the Visitation, and the Assumption.
