The Sacred Collection: Vocal and Piano: Vocal Album

Par SHIRLEY BARBARA B.. Une collection exceptionnelle de préludes, postludes et Offertoires qui sont faciles à modérée en difficulté. Ces arrangements pour piano solos de favorites hymns and songs peuvent être joués à enrichir le culte du groupe pendant les services religieux, classes de l'école du dimanche et autres réunions chrétiennes. Utilisez-les avec ou sans les citations de la Bible incluses, préludes, postludes, musique de l'Offertoire et aussi pour l'accompagnement de chant de groupe et les solos vocales. Certains des arrangements sont appropriées comme musique de fond pour la fois tranquilles, de prière ou de Sainte Communion - d'autres pourraient être joués pour plus festifs, comme des réceptions ou des célébrations. Chaque arrangements peuvent être jouées séparément, ou plusieurs pièces peuvent être jouées en continu. Modulations sont comprises entre ces pièces ayant des signatures de clés différentes. / Niveau : Débutant à Intermédiaire / Sacred - Solos / Recueil / Piano

A collection of the most popular and most important sacred songs. Sacred Classics contains twelve essential sacred favourites for classical singers including Panis Angelicus Ave Maria and Crucifixus. All arranged for High Voices and Piano with a CD featuring all the songs with and without piano accompaniment.

This useful inventive collection of sacred solos is a valuable resource for classical singers looking for church service material or the songs are also appropriate for a traditional recital.The collection includes art-song type settings of traditional songs plus more conventional classical material. Contents: Ah Holy Jesus â?¢ Amazing Grace â?¢ Ave Maria â?¢ Balm in Gilead â?¢ Brother James' Air â?¢ The Call â?¢ Deep River â?¢ How Can I Keep from Singing â?¢ Jesu Joy of Man's Desiring â?¢ Just a Closer Walk with Thee â?¢ Sheep May Safely Graze â?¢ Wayfaring Stranger â?¢ Wondrous Love â?¢ We Are Climbing Jacob's Ladder

Low Voice Compiled by Joan Frey Boytim-Joan Boytim compiler of The First Book of Solos series is the most respected name in widely-used publications for the developing singer. She brings her expertise and vast knowledge of literature into the sacred genre with thiscollection which presents traditional sacred solos for classical voice and piano. The songs span from the easy to the more challenging but all are within the realm of a reasonable ?classical? solo for a churchservice. Some of the songs included have long been out of print. The 43 selections range from classics by Bach and Mozart to early 20th century favorites and rarities.

20 Songs on Religious Texts-Sacred Songs For The Soloist is an innovative collection of 17 songs on Religious and sacred texts for solo Medium-High Voice compiled and edited by David Patrick. It is suitable for many different occasions and the pieces are equally appropriate for recitals or church services and have accompaniments for piano or organ. Many of the songs have been made available here for the first time. This volume also features an appendix containing an English translation for each song.

10 Inspirational Songs for Solo Voice-Greg Gilpin has compiled a book containing inspirational vocal solos that will touch the heart of both the singer and listener. Why We Sing: Ten Inspirational Songs for Solo Voice includes: Through the Eyes of a Child • All Things Bright and Beautiful • A Christmas Trilogy • I Hear Liberty Singing • In Many Wonderful Ways • Maybe We'll Meet Again • Rock Me to Sleep • The Face of Love • Think on Me • Why We Sing. These titles have been choral favorites and are now available for solo voice and an accompaniment CD. This solo collection can be used for both secular and sacred performances throughout the year and will certainly be a treasured addition to the vocal soloist's library.

Tudor and Stuart monarchs reigned during a period of political and ecclesiastical turmoil out of which occurred profound developments in musical style.Tudor Anthems (the term loosely applied to cover the years 1520 to 1640) anthologises some of the finest English musical works of that era. It includes sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Byrd Dering Gibbons Morley Mundy Parsons Philips Smith Taverner and Tomkins.A comprehensive collection and indispensable resource for any choir's library prepared in an easilyunderstood performing edition by Lionel Pike.'This is an excellent book. It offers variety the familiar and the less so all levels of difficulty and excellent value. Choirs who invest in a set could cover this aspect of their repertoire for years to come.'Andrew Gant (Choir & Organ - March/April 2011) 'A new Tudor anthem anthology will inevitably invite comparison with the popular Oxford Book of Tudor Anthems but Lionel Pike's collection largely avoids overlap with the OUP book and its contents certainly do not disappoint.' Matthew O'Donovan (Early Music Today - March/May 2011)'For many choirs and choral societies the Oxford Book of Tudor Anthems has been a standard source for this wonderful repertoire since it was first published in 1978. This new edition from Novello is now a serious competitor (why have we had to wait so long!). At almost the same price as the OUP volume and with 50 anthems (OUP had 34) this anthology is remarkable value for money. Before considering the contents it is worth mentioning its weight. My choir complains at holding the New Church Anthem Book and this is the same weight as the NCAB paperback (i.e. over a kilogram) and almost A4 in size. Lionel Pike

The most important religious songs of the past 250 years appear in this collection a treasury of sacred songs known and loved by singers and listeners at home in church and in concert. This compilation includes settings of Ave Maria Ave Verum Corpus and Panis Angelicus.

This definitive collection showcases twelve of the finest and most loved partsongs by Robert Lucas Pearsall (1795-1856); published in two volumes compiled and introduced by Ralph Allwood one of the UK’s pre-eminent choral directors.These works including the well known Lay a Garland In Dulci Jubilo Great God of Love and No! No! Nigella! are collected and published together for the first time. Suitable for choirs of all abilities the partsongs within this two volume collection are scored for four to eight parts and appropriate for sacred or secular usage. Beautifully engraved the original notation has been updated for contemporary use and clear rehearsalaccompaniments are provided.Both volumes will be an essential addition to any choir's music library to be used over and over again.The Novello Choral Programme is the creation of a panel of advisors pre-eminent in the British music scene: Ralph Allwood Susan Digby David Hill Brian Kay and Barry Rose each with extensive experience in choral conducting concert work and music education. The aim is to publish essential editions from the best of the wealth of existing choral music ancient and modern while widening the repertoire with exciting new composers and new trends in music making.Ralph Allwood is one of the UK's most distinguished choral directors. He is Precentor and Director of Music at Eton College and a Choral Advisor to Novello.