Matériel : Octavo
SKU: GI.G-006543
This missal-sized book contains the Pasion account for Palm Sunday of all three liturgical years, A (Matthew), B (Mark), and C (Luke), as well as the Passion according to John for Good Friday. The inside text is in large print allowing your parishioners to easily follow along and participate in the proclamation of the narrative. Adorned with a durable and beautiful red cover displaying a lovely gold cross, these books are a resource you'll be happy to display in your pews during Holy Week for many years to come.
SKU: BR.CHB-5350
ISBN 9790004412800. 7.5 x 10.5 inches. German.
The St. John Passion SWV 481, with its full title History of the Passion and Death of Our Lord and Saviour Jesus Christ According to the Evangelist St. John, is counted among the most frequently performed works of Heinrich Schutz. Other than the later passions by Johann Sebastian Bach, the original scoring does not include instrumental accompaniment. To enable a presentation of the passion by a wider circle of performers, however, the composer and church musician Arnold Mendelssohn (1855-1933) has developed this arrangement with organ or piano accompaniment, being a harmonic framework and new tone color at the same time. The edition also suggests chorales from the Evangelisches Gesangbuch for a possible active participation of the congregation.
SKU: BR.CHB-5350-00
SKU: HL.48024806
ISBN 9781784543792. UPC: 888680978648. 8.25x11.75 inches.
Scored for baritone solo, small 'narrator' chorus, large chorus and orchestra, MacMillan's first Passion setting was composed in 2007. Lasting 87 minutes the work is divided into two parts, with 10 movements overall. As Paul Spicer has commented, “The originality of the St John Passion lies in MacMillan's ability to mix old with new, rather in the manner of Bach in his day. There are passages of sumptuous polyphony and there is a fresh look at the text where passages of Latin are interspersed with the Gospel story in English. In movement seven ('Jesus and his Mother'), MacMillan introduces not only part of the Stabat Mater but also his own words ('Lully, lulla, my dear darling'). The final movement, which is purely orchestral, is a kind of via doloroso march with a Scots lament over quite brass chords. The string writing here, with its elegiac cello lines, is deeply reminiscent of the early 20th-century English school. This should be the War Requiem of the 21st century.&rdquo.
SKU: GI.G-6545
UPC: 785147654544. English. Text Source: John 18:1–19:42, Lectionary for Mass Text by Susan R. Briehl. Scripture: John 18:1–40, John 19:1–42.
Text of the Passion interspersed with the hymn A Blameless Lamb by Suan Briehl.
SKU: GI.G-008198
UPC: 641151081984. English.
Here is the Passion account from the Gospel of John in a dignified, easy-to-proclaim format. The text corresponds exactly to the revised lectionary for Good Friday and the passion account that is found in seasonal worship aids and missals. No longer must lectors and presiders use pew editions of missals for such a solemn and important Gospel proclamation! Includes 3 complete sets of the Passion account for Good Friday: one set for the part of the Narrator one set for the part of the Speaker one set for the part of Jesus Each reader's part is set in large, 14-point, bold-faced type arranged in sense lines in their set, making it easy to find and proclaim effectively. The crowd part for the assembly appears in each set, as well as in any worship aid (missal or hymnal) from WLP, GIA, or OCP that may be found in your parish pews. The packets measure a standard 8.5 x 11 and are 3-hole-punched for easy insertion into our Red Ceremonial Binder (#006631). This edition is text only.
SKU: MN.80-335
UPC: 688670803352. English. John 18:1-19:42.
This setting of the St. John Passion for Good Friday pairs the traditional chants for soloists with the Victoria choruses for choir. All parts are included in the full edition, and the choruses with lead-ins are in a separate choral edition. Charles Thatcher has skillfully adapted all to fit the Lectionary translation, including the choruses. Singing the Passion on Good Friday adds great solemnity to this Triduum liturgy. An alternate version is available as a digital download that replaces the chorus parts with a single-line part that may be sung by another soloist.
SKU: MN.80-815
UPC: 688670808159. English. Scripture: John 18-19.
A chant version of John 18-19. The text is divided into parts for a singer, evangelist, Jesus, and choir. The choral parts are in SATB voicing and provide contrast from the chanting. A very effective way to present the Passion story.
SKU: HL.49010419
ISBN 9783795762087. UPC: 841886009745. 5.25x7.5x0.184 inches. German.
STB Soli and Mixed Chorus.
SKU: MN.80-335A
UPC: 688670008139.
SKU: GI.G-10542
ISBN 9781622775927.
Pain in the shoulder region is one of the most common problems afflicting instrumentalists, vocalists, and conductors alike. Musician, Heal Thyself! uses the principles of Body Mapping to free musicians of their shoulder pain, injury, and limitations, leading to more expressive and healthy music making. While keenly aware of the importance of whole-body balance and context, author Jennifer Johnson presents the four most common patterns that cause shoulder pain and fatigue, along with guidance on how to “remap” the body for healthier whole arm movements in playing, singing, and conducting. Also included in the book are anatomical images for remapping and many photographs of world-class musicians who exhibit exemplary arm movement and a free shoulder region in their performances. Especially helpful are the book’s movement exploration activities, online video links, and the appendix, which outlines the functions of the shoulder region muscles in layman’s vocabulary. A healthier approach to music making begins today with the ideas and insights presented in Musician, Heal Thyself! Jennifer Johnson is a licensed and internationally sought-after lecturer on Body Mapping, teaching musicians how to move according to the design of their bodies to address and prevent playing injuries. She maintains an active private violin studio, performs regularly, and is the author of three books on Body Mapping. Musician, Heal Thyself! is an invaluable resource for performers and teachers at every level. The material is so clearly elucidated and its concepts immediately useful and empowering. I love this book! —Carol Rodland, violist Viola and Chamber Music Faculty, The Juilliard School After doing several of the very clear and thorough explorations in Jennifer Johnson’s new book, my arms had the freedom and ease of a child’s, and I felt a corresponding ease in my trumpet posture and sound. Emotional re-mapping is also part of any physical improvement, and Ms. Johnson describes that aspect of the process clearly and compassionately. I recommend this book for all musicians seeking to express their music with efficiency, freedom, and beauty. —Jeffrey Reynolds, trumpet Associate Professor, Faculty of Music, University of Toronto For years, I stubbornly ignored my body’s messages because I was afraid to find out I was 'doing everything wrong.' But Jennifer’s wealth of experience working with musicians and her compassionate approach in Musician, Heal Thyself! have made playing more fun and less painful. Why did I wait so long? —Nathan Cole, First Assistant Concertmaster, Los Angeles Philharmonic Founder of natesviolin.com.
