Matériel : Conducteur et Parties séparées
SKU: BT.AMP-226-020
9x12 inches. English-German-French-Dut ch.
Philip Sparke wrote this march for the famous brass band contest held ever year on Whit Friday in Oldham and Saddleworth. Given the competition’s long history (over 120 years), he consciously composed this piece in a very traditional march form. The title, The Conqueror, refers to Alexander the Great’s nickname as well as being something every band aspires to be! Philip Sparke schrieb diesen Marsch für die Teilnahme am berühmten Pfingstfreitag-Marschwett bewerb in England. So weist The Conqueror auch weitgehend die Form eines Wettbewerbsmarsches auf. Ganz im Sinne des passenden Titels Der Eroberer“ sollte es für jedes Blasorchester ein Leichtes sein, Juroren und/oder Publikum mit dieser Musik zu überzeugen! Durante la stagione musicale delle brass band inglesi, c’è un appuntamento al quale gli appassionati non possono mancare: il celebre Whit Friday March Contest, un concorso all’aperto che ha luogo il venerdì dopo l’Ascensione. Si tratta di un evento cui partecipano anche formazioni straniere, tra cui la Brass Band Alexander di Stavanger in Norvegia, per la quale Philip Sparke ha composto questa marcia. The Conqueror fa parte delle marce da concerto tradizionali. Il titolo si riallaccia ad Alessandro Magno.
SKU: BT.AMP-226-120
SKU: BT.AMP-226-140
SKU: CL.012-5022-00
One of the most prolific of march composers, Carl Teike (TY-kuh) is known for his military flavored martial works, and The Conqueror is one of his very best! An excellent change of pace march for any performance, this work gives you many opportunities to polish march style and focus on technical challenges. You’ll want to step right out from the downbeat! Excellent!
SKU: CL.012-5022-01
SKU: HL.14041880
ISBN 9781847723659. 9.0x12.0x0.246 inches.
Step back in time and play these superb solo piano arrangements of forty memorable themes from 20 classic costume dramas. With evocative moods and romantic themes from popular films such as Dangerous Liaisons, Pride and Prejudice,Elizabeth and The Age of Innocence.
SKU: WD.080689349232
UPC: 080689349232.
Mo re Than Conquerors is A bold new song proclaiming nothing can stand against His awesome power! for it is through His blood, through His cross, and through His power we’ve been Made More than conquerors!
SKU: LO.30-3570MD
UPC: 000308149791.
More Than Conquerors is an epic, through-composed anthem of affirmation arranged by the incomparable Jay Rouse. With lyrics from Romans 8 and music based on a recording by Veritas from their new album Hope Survives, this song will provide a unique choral experience for your choir and congregation.
SKU: LO.99-3864MD
UPC: 000308149708.
SKU: CA.9190300
ISBN 9790007119607. Language: German. Text: Fries, Otto. Text: Otto Fries.
SKU: CA.9190305
ISBN 9790007119614. Language: German. Text: Fries, Otto. Text: Otto Fries.
Score available separately - see item CA.9190300.
SKU: TM.05584SET
Overture, Andante Grazioso, Brillante, Allegro Risoluto, Allegretto Tranquillo, Allegro Molto, Grazioso, Finale-Larghetto E Allegro Non Troppo.
SKU: CL.074-6036-04
CONTENTS: * The Joy Riders March and Two-Step * The Rifle Rangers March and Two-Step * The Avenger March * American Beauty Waltz * Dance of the Imps Characteristic Schottische * The Siren Waltz * Excelsior Galop * The Victor March and Two-Step * Triumph March * My Lady Waltz * Over the Stars Waltz * Roll of Honor March * Love's Way Waltz * Water Lilies Waltz * Evening Shadows Serenade * The Conqueror Overture *.
SKU: CL.013-0465-00
SKU: BR.EB-9433
ISBN 9790004189108. 9 x 12 inches. German.
Text by the composerTranslation: engl. (E. J. Dent), ital. (V. Levi), port. (G. de Medeiros)Place and time: Bergamo, around the 18th century.Characters: Ser Matteo del Sarto, master tailor (baritone) - Abbate Cospicuo (baritone) - Dottore Bombasto (bass) - Leandro, Cavaliere (tenor) - Arlecchino (speaking part) - Colombina, Arlecchino's wife (mezzo-soprano) - Annunziata, Matteo's wife - Zwei Sbirren - Ein Karrner - a Donkey - People at the windows (silent parts)The idea behind this work was to combine a major speaking role with a part for a female singer and orchestra in the spirit of the opera buffa. The overall tone is pacifistic and anti-bourgeois. Busoni's inspiration was that of an opera-play in the style of Italian improvised comedy; he wanted types and characters on stage whose varying typology would provide the source of conflict ... The title hero absconds with the young wife of the Dante-reading tailor Matteo. He returns as a false barbarian commander, as a husband who engages in a duel with the suitor Count Leandro, and as a conqueror who announces the moral of the story in the epilogue: how to be able to bow in rags and still retain one's dignity and rights. The piece takes a turn for the absurd when the Abbate, at the sight of Leandro, who is presumed dead, begins to sing a chorale-like song of praise to the donkey of Providence who comes trotting in at that moment. This introduces the most musically refined number in the piece, the quartet, in which Leandro's love aria and his duet with Columbina satirize the attitudes prevalent in Italian opera from Scarlatti to Verdi. Musically, Busoni uses throughout the entire work an idiom of dance-like, blissfully transparent comedy and hides harmonic audacities behind touches of lightness. The orchestral sound radiates an incomparable brightness and buoyant elegance. (Hans Heinz Stuckenschmidt, 1967)In the appendix, EB 9433 contains the later composed aria Wer siegt? Wer fallt?..
