Matériel : Conducteur et Parties séparées
SKU: HL.4004200
UPC: 888680053321. 9x12 inches.
Imagine a band far off in the distance marching towards you – the music, soft at first, becomes louder and louder, the red capes of the band swaying in the wind, getting closer and closer. It was this image that inspired Flying Colors. Famed bandmaster Arthur Delamont always programmed a march in his concerts and the hallmark of his band was their red capes. This work starts very softly with a distant snare drum beat. The trumpets enter quietly with the melody, and with each new melodic entry the music grows and intensifies to a roaring finish. This is a fresh, new take on a march and is sure to please players and audiences alike! Duration: 3:10.
SKU: CL.012-3406-01
This long-lost march is one of Karl King's most tuneful and toe-tapping works. With melodic and interesting parts for all sections, it's a perfect march for mid-level bands. The trio is pure Karl King, wonderfully lyrical and complete with a nice euphonium part. Sounds like a million bucks! This is a terrific march for concert, festival, or contest use. Audiences will love it!
About Heritage of the March
Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CA.1650209
Language: all languages.
Cherubin i's Marche funebre is in the tradition of the funeral music of the French Revolution. The work was composed in 1820 on the occasion of the solemn funeral services for Charles Ferdinand of Bourbon, the Duke of Berry, who was the victim of an assassination when leaving the Paris Opera. In the piece the regular, penetrating beat of the tam tams and the drum roll which follows, the dark-sounding colors and the painful dissonances leave their mark on the funeral march, which suggests that for a performance this work could be combined with either of Cherubini's settings of the Requiem text. Score and parts available separately - see item CA.1650200.
SKU: KN.17578
UPC: 822795175783.
These grade 3-4 trombone trios provide a variety of melodic, technical and rhythmic opportunities which display the colors of the trombone in the low, middle and upper registers.CONTENT SRondeau (Mouret); Bridal Chorus (Wagner); Ave Maria (Gounod); Wedding March (Mendelssohn); Can Can (Offenbach); The MarinesaEUR(tm) Hymn; March Militaire (Schubert); Over The Waves (Rosas); Habanera (Chabrier); and American Patrol (Meacham).
SKU: HL.1123536
ISBN 9781705181966. UPC: 196288109716. 9.0x12.0x0.274 inches.
Gather all your fretted friends to join the fun with this collection of 53 songs arranged with lyrics, melody lines, and chord frames for standard ukulele, baritone ukulele, guitar, mandolin, and banjo! The arrangements work with any combo of the instruments so you and your friends will be strumming and singing Disney classics in no time. Strum Together books are great resources for players who are ready to experience the fun of making music together! This edition features: Beauty and the Beast • Can You Feel the Love Tonight • Chim Chim Cher-ee • The Climb • Go the Distance • I've Got No Strings • It's a Small World • Kiss the Girl • Mickey Mouse March • Rumbly in My Tumbly • Some Day My Prince Will Come • A Spoonful of Sugar • Supercalifragilisticexpia lidocious • When You Wish upon a Star • and more!
SKU: BT.CMP-0508-01-020
Contrasting colors and stylistic shifts trace the historic events surrounding “the shot heard ‘round the world†in this challenging and significant new concert band work by Stephen Bulla. A rhapsodic adventure, NORTH BRIDGE PORTRAIT takes us from the merry atmosphere of the pre-revolutionary town through foreboding militant sounds. The fife-and-drum melody, “Washington’ s Marchâ€, leads inexorably to the historic beginning of the American colonies’ struggle for freedom.Vivid images combine to make this descriptive audience-pleasing composition a memorable experience for all that attend your performance. Historic and unique!
SKU: CF.CPS245
ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches.
ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1- 4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo.
SKU: CF.CPS245F
ISBN 9781491158135. UPC: 680160916733. 9 x 12 inches.
SKU: CL.013-0698-00
SKU: CA.1801300
ISBN 9790007241391.
With the unusual combination Beethoven and organ music, this edition introduces fresh colors into the repertoire. Like almost all the great composers of Viennese classicism, Beethoven too wrote for the mechanical organ, an instrument which was very popular with the public in its day, controlled by a cylinder and equipped with organ pipes. His compositions for this instrument are included complete in this edition, carefully arranged for performance on a conventional organ. These extremely charming works are now available, suitable not only for concert use, but with their length of about two to six minutes, they are also suitable for church worship. The Grenadiermarsch is available for the first time in an arrangement for organ.
SKU: CL.016-0262-00
SKU: CL.014-0133-00
Note: This is a reprint from a vintage publication of 1939. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: CL.111-0037-20
Part 1 - Soprano Saxophone OR Eb Alto Saxophone Part 2 - Eb Alto Saxophone Part 3 - Bb Tenor Saxophone Part 4 - Eb Baritone Saxophone.
SKU: CL.052-2103-00
A stirring closer or colors presentation.
SKU: BT.CMP-0489-01-020
Contrasting colors and varied orchestration techniques make this majestic setting of OH LITTLE TOWN OF BETHLEHEM come alive for Christmas. Of the three different tunes that are commonly associated with the original carol text, this arrangement uses the melody that’s best known in England. ENGLISH CAROL FANTASY remains entirely accessible to bands at this level and plenty of cueing makes sure it’s useful for ensembles of all shapes and sizes. Feature your deserving young trumpet section leader on the easy solo, or let the entire first trumpet section play it soli. The low woodwinds and brass also get some “well doubled†exposure, so playing this one will be fun for all.Try it!
