Matériel : Conducteur et Parties séparées
SKU: MA.EMR-54771
1. In The Our Yard / 2. Four Elements / 3. Four Seasons / 4. Shadows Of Light / 5. Glamour Of The Old Castle.
SKU: MA.EMR-54770
SKU: MA.EMR-54752
SKU: HL.295068
ISBN 9781540055200. UPC: 888680945091. 8.5x11.0x0.592 inches.
Your new official bebop bible! Over 200 classics arranged for Bb instruments in Real Book style. Titles include: Anthropology * Au Privave * Be-Bop * Boneology * Boplicity (Be Bop Lives) * Byrd Like * Cherokee (Indian Love Song) * Confirmation * Donna Lee * Doxy * Epistrophy * 52nd Street Theme * Four * Goin' to Minton's * Good Bait * Groovin' High * Hi-Fly * Hot House * In Walked Bud * Jay Bird * Lady Bird * Lennie's Pennies * Moose the Mooche * Move * Oblivion * Oleo * Parisian Thoroughfare * Rosetta * Salt Peanuts * Solar * Teaneck * Tin Tin Deo * Tour De Force * Tricrotism * Wail * Woodyn' You * Yardbird Suite * and more! Comb bound.
SKU: HL.841443
ISBN 9780634004469. UPC: 073999250060. 9x12 inches. Book/Online Audio.
14 songs for solo instruments, complete with online audio play-along tracks. Includes: Bernie's Tune • Cry Me a River • Fever • Fly Me to the Moon • God Bless' the Child • Harlem Nocturne • Moonglow • A Night in Tunisia • One Note Samba • Opus One • Satin Doll • Slightly Out of Tune (Desafinado) • Take the “A” Train • Yardbird Suite.
SKU: RM.SL10143
ISBN 9790231091434.
SKU: RM.SL10144
ISBN 9790231091441.
SKU: HL.14028052
ISBN 9788759870853.
Rude rs writes: NIGHTSHADE is an instrumental dark-room, a grave-yard of low-pitched, tight-knitted, crawling chords sliced asunder by the cold extremely high positioned movements of the oboe and violin in particular: tones sustained to near-immobility and then scared into startling velocity, like geckoes on a Southern garden wall. Shades in the night are pale and gloomy phenomenons to behold; treacherous beauties in the mighty realm of invisibility and blackness. Belladonna (beautiful lady) is the morbid christening of that fearsome variety of flora: the deadly nightshade. The piece is, on one hand, a study in extreme sonorities; the infrequently used contrabass clarinet is being employed along with the contra-bassoon, forming the ultra-low foundation of the score and the bottom-register of the French horn and the trombone is set against the serene clarity of high violin and oboe. On the other hand, the piece is a tone-poem of sorts, on the various associations as they form within the mind of the individual listener when confronted with the very word NIGHTSHADE. Personally, I come to think of pale moonlight, tombstones, the compelling as well as frightening spell of a dark forest. A Study in black the piece has been called.
