Matériel : Partition + Accès audio
SKU: AD.ADG245
ISBN 9781958017357. UPC: 663389124523. 9 x 12 inches.
The Blues Scale for Violin is one of a series by Andrew D. Gordon is a comprehensive collection of educational books that explores the intricacies, techniques, and applications of the blues scale in contemporary music. Designed for musicians of all levels, this series serves as an indispensable resource for guitarists, pianists, saxophonists, and other instrumentalists looking to delve into the expressive and soulful world of blues music. Andrew D. Gordon, an accomplished musician and renowned educator, combines his vast knowledge and experience to provide a step-by-step guide for mastering the blues scale. Each book in the series offers a well-structured curriculum, progressing from fundamental concepts to advanced improvisation techniques, ensuring a thorough understanding of the blues scale's potential. Through detailed explanations, musical examples, exercises, and play-along tracks, readers will embark on a transformative journey, gaining fluency and confidence in playing the blues. The books cover various styles showing how the blues scale can be used, including , jazz, funk , new age, Latin, pop, gospel, acid jazz and rock enabling musicians to expand their repertoire and adapt their skills to different musical contexts. The Blues Scale series not only equips musicians with the technical aspects of playing the blues but also emphasizes the importance of creativity and personal expression. Gordon encourages readers to develop their improvisational skills, providing tools and strategies to create unique solos and express their musical personality within the framework of the blues scale. Whether you are a beginner seeking to explore the foundations of the blues scale or an advanced player looking to refine your improvisational abilities, The Blues Scale series by Andrew D. Gordon offers a comprehensive and accessible approach to learning and mastering the blues. With its clear instruction, engaging exercises, and practical examples, this series is an invaluable resource for musicians passionate about incorporating the soulful and timeless sounds of the blues into their playing.
SKU: AP.36-52710542
ISBN 9781628769449. UPC: 679360759523. English.
This audition survival guide for teachers and students of all levels begins with one-octave major and minor scales to three sharps and flats. Two-octave scales are introduced subsequently, and the book concludes with three-octave scales to five sharps and flats. Two-octave blues scales to four sharps and flats are included as a bonus. Bowings and fingerings are not included in this workbook, which includes blank staves in the back for teachers to make suggestions. An introduction by Lynne Latham offers tips on how to practice scales and includes a lesson on scale construction and theory.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CF.YAS232
ISBN 9781491164846. UPC: 680160923755. Key: D major.
12th Street Blues is a fun piece that introduces the young orchestra to the basics of blues in an accessible and enjoyable way. Teaching opportunities include triplets, staccato articulations, dynamic changes, and simple shuffle rhythms at the end of each phrase. The harmony is based on the blues scale, allowing students to work on playing C-natural and F-natural accidentals, the flat 3rd and the flat 7th degrees in D major. The optional piano accompaniment offers harmonic and rhythmic support. The B-section includes a fun shout at the end of each phrase and the piece ends with a shout as well. 12th Street Blues will be a fun piece for students and orchestra alike.
About Carl Fischer Young String Orchestra Series
Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.YAS232F
ISBN 9781491165249. UPC: 680160924158. Key: D major.
12th Street Blues is a fun piece that introduces the young orchestra to the basics of blues in an accessible and enjoyable way. Teaching opportunities include triplets, staccato articulations, dynamic changes, and simple shuffle rhythms at the end of each phrase. The harmony is based on the blues scale, allowing students to work on playing C-natural and F-natural accidentals: the flat 3rd and 7th step in D major. The optional piano accompaniment offers harmonic and rhythmic support. The B section includes a fun shout at the end of each phrase and the piece ends with a shout as well. 12th Street Blues will be a fun piece for students and orchestra alike.
SKU: HL.49046939
ISBN 9781847615268. UPC: 196288086888. 9.0x12.0x0.507 inches.
The author of Exploring Jazz Violin, Chris Haigh returns with Discovering Rock Violin, a practical, down to earth, and in-depth tutor book covering all aspects of pop, folk and rock violin technique. Over 150 different rock violinists are referred to in detailcovering a range of styles including blues, folk rock, country rock, progressive rock, jazz rock and heavy metal. Exploring a wide variety of technical aspects including chords, scales, soloing and effects, the book is accompanied by downloadableaudio tracks containing demonstrations, play-along tracks and exercises performed by Chris Haigh on violin with a live backing band.Ideal for the budding rock star, or classical player looking for something a little different!
SKU: CF.FAS59
ISBN 9780825873201. UPC: 798408073206. 8.5 x 11 inches. Key: C major.
Your students will have a great time with Shuffleupagus, a fun blues shuffle meant to be played in a loose swing style. A solo section gives students an opportunity to break free and improvise. Performers can swing hard on this piece! Duration: 2:56.Shuffleupagus is a blues shuffle. A shuffle has a triplet swing feel, and the eighth notes are swung. A solo section gives students an opportunity to improvise using a G blues scale (G, B≤, C, C≥, D, F) or G minor pentatonic scale (G, B≤, C, D, F). Staccato notes should be very short. Performers should swing hard on this piece!
SKU: CF.CAS74
ISBN 9780825894756. UPC: 798408094751. 9 x 12 inches. Key: Ab minor.
Four on the floor funk tune for strings?! How cool is that! This piece grooves from start to finish containing true funk rhythms, challenging your students, but well worth the effort!.The title says it all. This riff-packed funk piece offers an exciting opportunity for students to explore the rhythms and sounds made famous by Sly and The Family Stone, James Brown, and Earth, Wind and Fire. A sample solo is provided, but fea- tured soloists should improvise their own solos using either an A-minor pentatonic scale (A, C, D, E, G, A) or an A-blues scale (A, C, D, D≥, E, G, A). While soloing, keep it simple and focus on creating short rhythmic riffs using two or three pitches, or choose a riff from the piece and embellish it. Drummers are encouraged to add to the written groove.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: PR.144407050
UPC: 680160655519. 9 x 12 inches.
Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”approach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“Descent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.
