Matériel : CD + DVD
This remarkable three-disc set - two DVDs and a play-along CD - takes a unique look at the art of playing with brushes. Brush masters Billy Hart Eddie Locke Joe Morello Chari Persip and Ben Riley join drumming greats Adam Nussbaum and Steve Smith as they demonstrate and discuss their distinctive brush styles. All seven artists were filmed playing the same tempos and feels including 4/4 and 3/4 swing at several different tempos as well as ballads and Latin feels and each was then interviewed about each performance. By watching these performances back to back viewers will gain insight into the approaches and techniques of each drummer and will be able to applythese concepts to their own brush playing. The third disc a 17-track play-along CD includes ten tracks that each artist played with plus seven additional tracks allowing you to practice with the same music. Conceived and co-produced by Nussbaum and Smith this timeless document is an educational and inspirational resource that will never go out of date and is certainly one that belongs in every drummer's library!
SKU: HL.391273
ISBN 9781705156841. UPC: 196288028796. 9.0x12.0x0.404 inches.
Drumming in a Band: Stuff you Can Use, by Rob Mitzner, can prepare drummers to play almost any kind of gig. The target audience is drummers with 2 or more years of playing experience who want to learn to play in a band. All of the material presented comes from the author's real-world experience in recording sessions and band situations. Based around ??Groove Workshops? that include 53 bass/drums groove play-alongs, styles explored include rock, drum'n'bass, RandB/soul, reggae, World, roots, blues, jazz, odd time, and more. Within these styles, specific substyles and classic influences are examined, with grooves and rhythm section approaches used by Billy Cobham, James Brown, Steve Jordan, David Garibaldi, J Dilla, Robert Glasper, Art Blakey, and many others. Other substyles studied include bluegrass, New Orleans Second Line, boogaloo, blues, various shuffles, grungy rock, jazz brushes, and much more. The package also includes 18 full-length original song play-along tracks with New York bands and top session players, including Woodhead, Simon Garrett, Dave Ross, Luke Buck, Andrea Capozzoli, MC Frontalot, Will Reynolds, Eric Price, Michael Gallant, Lars Potteiger, Chris Cheek, Dmitry Ishenko, Yana Davydova, Matthew Milligan, John Shannon, Jared Sims, Gaby Alter, Schaffer the Darklord and Miss Eaves. Audio files with and without drums are included for every groove, along with detailed charts, transcriptions, road maps and lead sheets. There is also a section on how to make your own charts. There is video and analysis for every track, with interviews, anecdotes, and pro tips for the drummer from all the various musicians. Product Details: ? 175 pages total ? 73 videos and over 150 mp3 audio files ? Charts, transcriptions and road maps (and how to create your own) ? Interviews with all the musicians on the drummer's role in the band.
SKU: FJ.HX9016
English.
Underst ated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums played with brushes and optional Bells are featured. A charming addition to the holiday library. (Top Trumpet Note: G5).
SKU: FJ.HX9016S
SKU: PR.11440986S
UPC: 680160014651.
Here I have adapted a standard musical form to a contemporary medium. The concertino is a small concerto: a one-movement work that draws upon the basic principles of the concerto form - two bodies of sound which at times compete, contrast, or act together. The piece explores the musical possibilities of Roto-toms. The sound of these drums is a cross between a tom-tom and a timpani, and their pitch is changed by rotating the drum. During the course of the work, the various effects used include pitch and fingernail glissandi; playing on the rims; and playing on the heads with fingers, brushes, timpani sticks, wood mallets or rattan. Harmonics on the octave and the fourth above the fundamental pitch are produced by the drums when weights (in this case, small pitched cymbales called crotales) are placed in the center of the drum heads. In return the drum itself acts a resonator for the crotales, which also have a fundamental pitch when played on the face and a partial a fifth above when played on the center dome. The opening section of the concertino introduces a motive, played by the soloist, while the ensemble sustains a bowed chord on the vibraphone. Following this cadenza-like introduction, the piece gradually moves into a bright 6/8 tempo that is characterized by constant sixteenth notes in all parts. After a brief period of interaction, the ensemble continues its sixteenth notes patterns and the soloist plays and improvised solo. Next, an interlude is presented by the ensemble which leads to a dramatic recapitulation by the soloist of the motivic material. A thematically-derived coda concludes the work. Encounters VI, commissioned by Remo Belli, is dedicated to Jennifer Kraft, the composer's daughter. The premiere performance took place in 1976 at the MENC National Convention in Atlantic City, New Jersey, and was performed by the Temple University Percussion Ensemble conducted by Glenn Steele. --William Kraft.
