That Gershwin Rhythm

Par GERSHWIN GEORGE. Arrangé pour piano facile par John Brimhall au sein de cette fabuleuse collection, 26 chansons ont été maitres et parfaitement définie au niveau piano facile. / Niveau : Facile / Répertoire / Piano

Tribute To Piano Solo (Coates). This book includes 31 songs from the famous 'Porgy and Bess' opera american composers, George and Ira Gershwin. Already songwriters in high school, it's in the 20s that Ira and George make a name for themselves on Broadway, but separatly. It's only few years later that the brothers decide to write together. They wrote several musical scores including Porgy and Bess, An American in Paris, The Country Girl and The North Star.

15 Embraceable Classics The Phillip Keveren Series. Par GERSHWIN GEORGE. 15 songs from the legendary songwriting team of George and Ira Gershwin, masterfully arranged for piano solo by Phillip Keveren./ Recueil / Piano

Retrouvez 50 des meilleurs morceaux de Geroge Gershwin arrangés pour Piano Chant et Guitare (Accords). / Variétés Internationale / Partition / Cartonné / Plat de carton /

Une excellente sélection de partitions pour piano facile du maître George Gershwin. Ses meilleures compositions y sont inclus, de Summertime à Rhapsody In Blue en passant par Embraceable you. Indispensable à votre repertoire ! / Variétés Internationales / Partition /

Arrangeur: H. Morgen. Par GERSHWIN GEORGE. by Howard Morgen. 16 classic Gershwin standards in sophisticated solo guitar arrangements exactly as recorded by Howard Morgen in standard notation and tab./ Répertoire / Guitare

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles. His repertoire featured blues, rags, show instrumentals and gospel songs. He played with his thumb and index finger to pick out complex melodies, rhythmic licks and lightning fast single-string runs. In this book, seven of Rev. Davis's blues are presented. These arrangements have been performed and recorded by a host of great artists including Bob Dylan, Taj Mahal, Hot Tuna, David Bromberg, John Renbourn, Bert Jansch and many others. These lessons are for the intermediate to advanced fingerstyle guitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings. LESSON ONE: Our first lesson highlights two of Rev. Davis's most popular blues arrangements. Hesitation Blues is played in the key of C. Baby, Let Me Follow You Down is played in the key of G. LESSON TWO: The key of C was a favorite for Rev. Davis. In this lesson we explore the party tune Sally Where'd You Get Your Liquor From (made popular by Hot Tuna). Rev. Davis used to joke that he could play Candyman so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself! We look at two versions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman. LESSON THREE: 'Raggin' the blues' was a great part of Rev. Davis's repertoire. His Walkin' Dog Blues is a tour de force in a blues in C. All fourteen verses are transcribed here, and we study how this arrangement develops. Buck Rag is a fascinating rag played in the key of C. Single-string runs, counterpoint lines, rhythmic variations and syncopated bass patterns are featured. / Guitare (Fingerpick) / 40 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

The guitar styles and techniques of Blind Blake Big Bill Broonzy and Rev. Gary Davis combine blues and ragtime techniques into a style that can be best described as raggin' the blues. This exciting and challenging approach tofingerstyle playing combines complex right hand picking with intricate left hand fingerings single string runs and rhythmic licks. In this lesson Stefan Grossman illustrates and explains seven famous ragtime blues instrumentals.A detailed 44-page tab/music PDF booklet is included.

For Brass Quartet-The American composer George Gershwin (1898-1937) wrote the energetic song I Got Rhythm with lyrics by his brother Ira Gershwin in 1930 for the musical Girl Crazy. The story of Girl Crazy takes place in the theatre world of the 1930s. The Gaiety Theater in Deadrock Nevada is practically bankrupt but the rich banker’s son Bobby Child turns things around. His passion for the theatre leads to the customary love vicissitudes and comical intricacies - and a new successful show. I Got Rhythm now a jazz standard has been performed over the years by numerous famous and not-so-famous artists. The chord scheme has become so well-known that it hasbeen named rhythm changes and is often used by jazz musicians.

Easy Piano - The Phillip Keveren Series-18 timeless George Gershwin classics carefully arranged for easy Piano. Includes the favourites: But Not for Me • By Strauss • Embraceable You • Fascinating Rhythm • A Foggy Day (In London Town) • How Long Has This Been Going On? • I Got Rhythm • I've Got a Crush on You • Love Is Here to Stay • The Man I Love • My One and Only • Nice Work If You Can Get It • Of Thee I Sing • Oh Lady Be Good! • 'S Wonderful • Someone to Watch Over Me • Strike Up the Band and They Can't Take That Away from Me.

23 jazzy arrangements of Gershwin gems including: 'Embraceable You' 'Fascinating Rhythm' 'A Foggy Day (In London Town)' 'How Long Has This Been Going On'' 'I Got Rhythm' 'I Loves You Porgy' 'Let's Call the Whole Thing Off' 'Love Is Here to Stay' 'Love Walked In' 'The Man I Love' 'Nice Work If You Can Get It' 'Oh Lady Be Good!' ''S Wonderful' 'Someone to Watch Over Me' 'Summertime' 'They Can't Take That Away from Me' and more. Includes chord symbols.