Voir toutes les partitions de Peter Maxwell Davies
SKU: PR.UE035903
ISBN 9783702471187. UPC: 803452068297.
The Klavierstücke (UE036020) and Preludes both appear on a 2004 3-CD boxed set Wolfgang Rihm Klavierwerke 1966-2000, as recorded by Udo Falkner for Telos. Rihm's music defies categorization - reviewers struggle to define these works with catch-phrases such as early modernism, post-modernism, post-Darmstadt, post-serialist, a kind of utopian newness, post- Cagean spartanist. In the end, one blogger summed up with Rihm is Rihm! For advanced pianists.
SKU: HL.49046343
UPC: 888680992293.
SKU: BR.EB-9014
World premiere: Stuttgart, May 16, 1985
ISBN 9790004178980. 9 x 12 inches.
Der Ausrufer, neutral Verkundender und Einladender, der offentlich Sprechende, doch aus sich heraus nichts Sagende, steigt ins Subjekt-Innere, blaht sich auf, lasst dessen Privatheit und Abgeschlossenheit zerplatzen, verwandelt die Mittel seines Metiers: Ruf, Rhythmus, Tempo vom Neutral-Allgemeinen ins Subjekthaft-Besondere, steigt empor: nun ausrufendes Ich voller innerer Intensitat. Die materielle Darstellungsebene sind 4 Saiten + Bogen / 4 Finger + Daumen (4+1 = 5). Die feststehenden Masse sind gleichzeitig die Aussengrenzen fur Moglichkeiten im Inneren: Streckendurchmessungen (bis zur Achtelton-Teilstrecke und einem Achtel Bogenlange), Spaltung in Teilschwingungen, vorgeschriebene Bogengeschwindigkeit und anderes. Tempo, Dauer, Rhythmus bewegen sich, gegeneinander verschoben kombiniert, auf einem Achsensystem, dessen Proportionen divisive Zeitfalten im Inneren der Hulldauern (1, 1 / 2, 1 / 3 usw.) sowie additive Zeitentfaltungen nach aussen (1, 2, 3 usw.) bilden und sowohl die Tempoverhaltnisse wie auch die Hulldauern selbst erfassen (MM = 7,5 12 20 30 60 usw.). Der Punkt des Emporsteigens gegen Ende ist ein funfzeiliges gereimtes Stufen-Tongedicht. (Nicolaus A. Huber, 1984) CD: Michael Bach (violoncello) CD Telos Music TLS 018 Bibliography: Huber , Nicolaus A.: THIRTY ARE BETTER THAN ONE (A. Warhol), in: Neue Musik und andere Kunste, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 50), Mainz u.a.: Schott 2010, pp. 220-235.World premiere: Stuttgart, May 16, 1985.
SKU: FG.55011-755-6
ISBN 9790550117556.
Finn ish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth.Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles.Leiviskä' s Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts.Duration: c. 25'. Have a look inside by clicking sample.
SKU: BR.EB-6473
World premiere: Dusseldorf, January 19, 1965
ISBN 9790004167335. 9 x 12 inches.
Das siebenteilige Klavierwerk Heptameron ist streng dodekaphonisch konzipiert, - sieben charakteristische Studien, Szenen, Epigramme. In jedem Stuck wird ein kompositorischer Gedanke mit einem spieltechnischen Problem (Sekundketten, Triller, Tremolo, Repetition) konfrontiert. Spiegelstrukturen dominieren in einzelnen Abschnitten (Nr. 3, 5 und 6), oder bestimmen den gesamten Satzverlauf (Nr. 1). Im Finale deutet sich eine Losung an: aus einem signalhaften Klangmotiv zu Beginn entwickeln sich Bruchstucke eines marionettenhaften Menuetts. Heptameron ist der Versuch, die Tonsprache Schonbergs und Weberns in eigenstandiger Weise zur Synthese zu fuhren. CDs: Oliver Drechsel CD Telos 024 Wolfgang Leibnitz (Piano) CD Gallo 1027World premiere: Dusseldorf, January 19, 1965.
SKU: BR.KM-2197
World premiere: Nice, February 6, 1986
ISBN 9790004501047. 9 x 12 inches.
Vertigo is a remarkable confrontation with oneself, and with ones own capacities. Sartre defines it not so much as the fear of falling into an abyss as the fear of throwing oneself into it. Similarly, A. Glucksmann defines it as the fear of that other Self, the self one would be a moment later. Moving from ones potential to other potential selves, plunging into the unknown, this was the experimental phase of my state of mind during the composition, and is reflected in the writing of diverse textures, the ordering of the dynamics and the frequent microtonal changes of intervals. This is perhaps made particularly clear in the structure of the works first half, called Successive Figures, from which I could not free myself, psychologically, until the composition was finished. In the thrill of vertigo, and in opposition to Glucksmanns reactionary book of the same name, this is an about-turn towards the following radical principle: action rather than vertigo!... (Nicolaus A. Huber)CDs: Ensemble Kaleidocollage CD ADDA 590 049 AD 184 Ensemble Aventure CD ars musici FMF AM 1224-2 ensemble avance, Andras Hamary (piano) CD Telos Music TLS 018 Ensemble EstEstEst! CD perc.pro 10052004Bibliography:Fric k, Paul Friedrich: Nicolaus A. Huber: La Force du Vertige (1985). Analyse, Universitat der Kunste Berlin, Diplomarbeit 2006.World premiere: Nice, February 6, 1986.
