Tell Out, My Soul

SKU: HL.391275

UPC: 196288028819. 6.75x10.5x0.045 inches.

Billy Joel had no shortage of hits, as his songwriting prowess showed equal attention to music and lyrics. This 1983 #1 Hit hearkens back to Motown and soul, with an accessible arrangement and horn section to boot!

SKU: HL.391276

UPC: 196288028826. 6.75x10.5x0.045 inches.

Billy Joel had no shortage of hits, as his songwriting prowess showed equal attention to music and lyrics. This 1983 #1 Hit hearkens back to Motown and soul, with an accessible arrangement and horn section to boot!

SKU: HL.391274

UPC: 196288028802. 6.75x10.5x0.045 inches.

Billy Joel had no shortage of hits, as his songwriting prowess showed equal attention to music and lyrics. This 1983 #1 Hit hearkens back to Motown and soul, with an accessible arrangement and horn section to boot!

SKU: WD.679143039392

ISBN 080689455179. UPC: 080689455179.

All aboard! Join Mr. Cruise (an overly-enthusiastic tour director) and his faithful daughter Liza on a boat trip up the Nile as they retell classic Bible stories. But there's a problem: The stories are all wrong! It takes the kids of Ocean View Church who are on board to set the record straight and help Mr. Cruise understand the real truth about God's enduring love and faithfulness to His people. Filled with fun and clever songs, this easy to present and perform musical is a creative breath of fresh air that's as enlightening as it is worshipful and entertaining. Create a wonderful and unique musical experience for your children's choir and congregation with Spend a While on the Nile

Features Matt Redman song, You Never Let Go. For the first time ever: Studio Orchestration available (for free!) on the IVD! TRK written by the creator, Christy Semsen.

SKU: PR.114420410

UPC: 680160687015.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

SKU: PR.11442041L

UPC: 680160687039.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

SKU: PR.11442041S

UPC: 680160687022.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

SKU: WD.679143043634

UPC: 679143043634.

Place s! Lights! Curtain Up! It's time for The Star Factor and you have a front-row seat! The setting is Camp Heart & Soul, a summer arts camp that features a talent showcase with an exciting twist: the showcase winner earns the opportunity to compete on a national TV show. As everyone excitedly prepares for the performance, their initial group cooperation begins to crumble as their celebrity coach tells them that looking out for yourself is the only way to become a star! A series of zany complications climax at the broadcast of the show when all the would-be stars finally learn that being part of the Body of Christ is what is important, and every person has a special and unique role to play. The Star Factor is another home-run musical from the gifted pen of Christy Semsen, combining humorous characters, clever storytelling, and memorable songs that deliver a solid contemporary spiritual theme the whole audience will appreciate. Daniel Semsen has produced state-of-the-art accompaniment tracks - worthy of any television show - and a comprehensive Teacher's Resource it and performance Instructional DVD will provide all the production help you could ask for. So set your DVR for The Star Factor - it's an experience you'll want to become a part of again and again!

SKU: WD.679143043542

UPC: 679143043542.

Place s! Lights! Curtain Up! It's time for The Star Factor and you have a front-row seat! The setting is Camp Heart & Soul, a summer arts camp that features a talent showcase with an exciting twist: the showcase winner earns the opportunity to compete on a national TV show. As everyone excitedly prepares for the performance, their initial group cooperation begins to crumble as their celebrity coach tells them that looking out for yourself is the only way to become a star! A series of zany complications climax at the broadcast of the show when all the would-be stars finally learn that being part of the Body of Christ is what is important, and every person has a special and unique role to play. The Star Factor is another home-run musical from the gifted pen of Christy Semsen, combining humorous characters, clever storytelling, and memorable songs that deliver a solid contemporary spiritual theme the whole audience will appreciate. Daniel Semsen has produced state-of-the-art accompaniment tracks - worthy of any television show - and a comprehensive Teacher's Resource it and performance Instructional DVD will provide all the production help you could ask for. So set your DVR for The Star Factor - it's an experience you'll want to become a part of again and again!

SKU: BT.MUSAM1008029

ISBN 9781783055364. English.

The Complete Guitar Player Acoustic Songbook features a huge collection of 50 acoustic hits from all genres for Guitar. Each song includes full lyrics and Guitar chords as well as strumming and picking patterns, making this perfect for the aspiring acoustic Guitarist. Every song included in this Guitar songbook is a bona fide acoustic classic, perfect for singalongs at parties or just a strum on a summer's day in the park. Songs like Hey, Soul Sister   by Train, Wonderwall  by Oasis and Ho Hey   by The Lumineers represent the best in unplugged and fun chill-out music. 'The book is designed to be accessible and enjoyable, showcasing the best songs by the best songwriters like Bob Dylan, Mumford & Sons, The Beatles and Adele. Songs from the past and the present are included, so there will be something for everyone in this acoustic songbook. Each song has been carefully arranged for Guitar and Voice, including the melody, lyrics and Guitar chord shapes. Not only this, but there are also suggested strumming or picking patterns to help you nail the exact sound of the song straight away. This acoustic Guitar songbook is ideal for beginners and intermediate Guitarists looking to expand their repertoire with acoustic songs new and old, whereas absolute beginnersnew to the Guitar might find that the four books of the famous Complete Guitar Player series by Russ Shipton will help them out with the basics.  With these 50 acoustic Guitar songs, you'll be singing, strumming andfingerpicking your way through the folk, pop and rock canon in no time at all. The Complete Guitar Player Acoustic Songbook would make a stellar addition to any guitarist's bookshelf, and every one of these great songs will make sure that everyone is singing along.

SKU: HL.265664

ISBN 9781540022349. UPC: 888680732233. 9.0x12.0x0.552 inches.

This second volume follows up on the success of the original volume of solos transcribed exactly from recordings by the Bird with 60 more of Parker's best. Songs include: Bird Feathers • Bird of Paradise • Body and Soul • Cherokee (Indian Love Song) • Cool Blues • Crazeology • Drifting on a Reed • Embraceable You • Groovin' High • I'll Remember April • Love for Sale • My Old Flame • A Night in Tunisia • On a Slow Boat to China • Quasimodo • 'Round Midnight • Salt Peanuts • Sweet Georgia Brown • Tiny's Tempo • What Is This Thing Called Love? • and more. Includes preface by book transcriber Charles “Doc” Stewart.

SKU: WD.679143043566

UPC: 679143043566.

Place s! Lights! Curtain Up! It's time for The Star Factor and you have a front-row seat! The setting is Camp Heart & Soul, a summer arts camp that features a talent showcase with an exciting twist: the showcase winner earns the opportunity to compete on a national TV show. As everyone excitedly prepares for the performance, their initial group cooperation begins to crumble as their celebrity coach tells them that looking out for yourself is the only way to become a star! A series of zany complications climax at the broadcast of the show when all the would-be stars finally learn that being part of the Body of Christ is what is important, and every person has a special and unique role to play. The Star Factor is another home-run musical from the gifted pen of Christy Semsen, combining humorous characters, clever storytelling, and memorable songs that deliver a solid contemporary spiritual theme the whole audience will appreciate. Daniel Semsen has produced state-of-the-art accompaniment tracks - worthy of any television show - and a comprehensive Teacher's Resource it and performance Instructional DVD will provide all the production help you could ask for. So set your DVR for The Star Factor - it's an experience you'll want to become a part of again and again!

SKU: WD.679143043559

UPC: 679143043559.

Place s! Lights! Curtain Up! It's time for The Star Factor and you have a front-row seat! The setting is Camp Heart & Soul, a summer arts camp that features a talent showcase with an exciting twist: the showcase winner earns the opportunity to compete on a national TV show. As everyone excitedly prepares for the performance, their initial group cooperation begins to crumble as their celebrity coach tells them that looking out for yourself is the only way to become a star! A series of zany complications climax at the broadcast of the show when all the would-be stars finally learn that being part of the Body of Christ is what is important, and every person has a special and unique role to play. The Star Factor is another home-run musical from the gifted pen of Christy Semsen, combining humorous characters, clever storytelling, and memorable songs that deliver a solid contemporary spiritual theme the whole audience will appreciate. Daniel Semsen has produced state-of-the-art accompaniment tracks - worthy of any television show - and a comprehensive Teacher's Resource it and performance Instructional DVD will provide all the production help you could ask for. So set your DVR for The Star Factor - it's an experience you'll want to become a part of again and again!

SKU: HP.C6331O

UPC: 763628263317. Music Arr. Joel Raney. Timothy Dudley-Smith.

From the musical, 'Sing Christmas!' This popular hymn text is a paraphrase of The Song of Mary, recorded in Luke 1. The message calls for Christians to proclaim the greatness of the Lord, the greatness of his name, the greatness of his might, and the greatness of his word, in each of the four stanzas. Equally effective with piano accompaniment or full orchestra, this setting originally appeared in Mary McDonald and Joel Raney's best-selling Christmas musical, Sing Christmas! code number 8901.

SKU: MN.10-039

UPC: 688670100390.

A collection of fresh settings of eight often used hymn tunes. The writing is creative, yet accessible and can be learned quickly. A very useful set of hymn settings that can span the church year.

SKU: HP.C6331

UPC: 763628163310. Music Arr. Joel Raney. Timothy Dudley-Smith.

From the musical, 'Sing Christmas!' This popular hymn text is a paraphrase of The Song of Mary, recorded in Luke 1. The message calls for Christians to proclaim the greatness of the Lord, the greatness of his name, the greatness of his might, and the greatness of his word, in each of the four stanzas. Equally effective with piano accompaniment or full orchestra, this setting originally appeared in Mary McDonald and Joel Raney's best-selling Christmas musical, Sing Christmas! code number 8901.

SKU: HP.C6331C

UPC: 763628963316. Music Arr. Joel Raney. Timothy Dudley-Smith.

From the musical, 'Sing Christmas!' This popular hymn text is a paraphrase of The Song of Mary, recorded in Luke 1. The message calls for Christians to proclaim the greatness of the Lord, the greatness of his name, the greatness of his might, and the greatness of his word, in each of the four stanzas. Equally effective with piano accompaniment or full orchestra, this setting originally appeared in Mary McDonald and Joel Raney's best-selling Christmas musical, Sing Christmas! code number 8901.

SKU: HP.C6331V

UPC: 763628863319. Music Arr. Joel Raney. Timothy Dudley-Smith.

From the musical, 'Sing Christmas!' This popular hymn text is a paraphrase of The Song of Mary, recorded in Luke 1. The message calls for Christians to proclaim the greatness of the Lord, the greatness of his name, the greatness of his might, and the greatness of his word, in each of the four stanzas. Equally effective with piano accompaniment or full orchestra, this setting originally appeared in Mary McDonald and Joel Raney's best-selling Christmas musical, Sing Christmas! code number 8901.