SKU: SU.80602810
Parts on rental from Theodore PresserSymphonic Band Composed: 2009 Published by: Evan Hause.
A L'ecoute De Ses Disques, On Retrouve Les Traces D'une Interpretation Qui Etait Renouvelee A Chaque Execution, Agrementees De Nouveaux Ornements, De Variations, De Changements De Tempo Et D'improvisations.Enfin, Il Y A Deux Termes Utilises Pour Le Jeu Du Violon Dont Voici L'explication :Tambour : C'est Un Pizzicato Qui Evoque Le Son D'un Tambour.Chicharra : Bruit Produit Par Le Frottement De L'archer Sur La 2eme Corde, Derriere Le Chevalet. /
SKU: HL.49008027
ISBN 9790001112680. UPC: 073999273021. 9.0x12.0x0.11 inches.
Each Book contains 15 pieces that are varied not only in degree of difficulty, but also in regard to melody, harmony and rhythm. Costa del Sol * Good to be Here * Charlie Chaplin * In Season * All my Life * Jazz Waltz and Variations * Chicago Tango * Eight in a Bar * Listen to the Melody * Brasilia * Take It Away * I Hear the Rain Fall * Lost on an Island * Jazz on a Camel * You can Talk About Me * Performance Directions.
SKU: FG.55011-906-2
ISBN 9790550119062.
Harr i Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.Duration: c. 11'Movements: 1. Summer theme2. What is this?3. Pizzicato4. Con sordino5. Stile concitato ostinato6. Tango7. FinaleHarri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).
SKU: HL.4003586
UPC: 884088945800. 9x12 inches.
The Four Winds is an homage by the composer to some of the well-known|band composers, such as Clifton Williams and John Barnes Chance, as well as earlier wind masters like Holst and Mahler. Evan Hause|was a student of William Bolcom, and his more advanced band work, Tango Variations, has been performed and recorded by some of the|top university ensembles. This fantasy-overture is appropriate for the|intermediate high school band, contrasting brisk fanfare music with|variations on a Romantic theme. (Grade 4) Duration: 6:00.
SKU: HL.4003587
UPC: 884088945817. 9x12 inches.
The Four Winds is an homage by the composer to some of the well-known|band composers, such as Clifton Williams and John Barnes Chance, as well as earlier wind masters like Holst and Mahler. Evan Hause|was a student of William Bolcom, and his more advanced band work, Tango Variations, has been performed and recorded by some of the|top university ensembles. This fantasy-overture is perfect for the|intermediate high school band, contrasting brisk fanfare music with|variations on a Romantic theme. (Grade 4) Duration: 6:00.
SKU: PR.110407550
UPC: 680160002122.
SKU: GI.G-CD-872
UPC: 785147087229.
New in the GIA WindWorks series... Contents: Scarecrow Overture (2004) - Double Play (2010) - Divertimento for Brass and Percussion (1958) Overture - Scherzo - Song - Slovak Dance - Crossing Parallels - Tango Variations (2009) - Arctic Dreams (1991) Inuit Landscape - Throat Singing with Laughter - Whispering Voice - Polar Night - Spring Light - The Hunt - Drum Dancer What critics say about the North Texas Wind Symphony... Audio Magazine: The performances are expert, and the sound—which ranges from single wind instrument solos to a full band replete with thundering timpani and bass drum that can be felt through a subwoofer—is as good as it gets. There’s a remarkable combination of presence and stage depth. Fanfare Magazine: The group is in a class all its own...Hats off to them...If you don’t respond to the music or to the performances (I’m sorry for you, if that’s the case), surely the audiophile-worthy engineering will get you. Corporon and his North Texas Wind Symphony are almost in a league of their own. —American Record Guide May/June 2012.
SKU: FH.WSE1
ISBN 978-1-55440-561-9.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. One volume of Orchestral Excerpts includes many of the most well-known and influential excerpts written for saxophone. With contemporary orchestral works, and traditional band repertoire by exciting composers such as Gershwin and Vaughan Williams, this book provides required selections for examinations or auditions, but also serves as a general study resource for developing a solid grounding in standard ensemble preparation.Level 5:Sovra il sen la man mi posa (While This Heart Its Joy Revealing) - Vincenzo Bellini, arr. Harry PrendivilleVocalise in A Major - Marco Bordogni Theme with Nine Easy Variations (Excerpt) - Harry PrendivilleEtude in B flat Major - Charles Dancla Bulgarian Bounce - Allen VizzuttiJazz Solo No. 6 - Bob Mintzer Jazz Study No. 29 - James RaeRinging the Changes - James RaeHomage to Vaughan Williams - Christiaan VenterLevel 6:Etude in A Major - Nilo W. HoveyOdd Meter Etude No. 15 - Everett Gates Etude in G Major, op. 41, no. 5 - Franz Thaddaus BlattEtude in D Major, op. 20, no. 7 - Heinrich Ernst KayserJazz Solo No. 3 - Bob Mintzer Slavonic Dance - James RaeEtude No. 3 - Ronald L. Caravan Level 7:etude speciale, op. 36, book 1, no. 19 - Jacques-Fereol Mazas, transc. Antony LamotteEtude in D Major - Rodolphe Kreutzer, transc. Antony LamotteTheme and Variations (Excerpt) - Frigyes Hidas Vocalise in D flat Major - Marco Bordogni Etude in G Minor, op. 31, no. 19 - Franz Wilhelm FerlingVocalise in E flat Major - Marco Bordogni Cubana, op. 153, no. 10 - Sigfrid Karg-ElertLevel 8:Etude in B flat Minor, op. 31, no. 43 - Franz Wilhelm FerlingEtude in E Major - Rodolphe KreutzerOdd Meter Etude No. 12 - Everett GatesGiga, op. 153, no. 5 - Sigfrid Karg-ElertTango-etude No. 4 - Astor PiazzollaEtude in D Minor - Antoine (Benoit) Tranquille BerbiguierMeditation 2 - Daniel Pilon.
SKU: SU.46200090
Clarinet, Violin & Piano Duration: 22' Composed: 1988 Published by: Verdehr Trio Tripartita is a title invented for this score, a piece in three movements for three players. The first movement Elaborations is a sonata-like structure whose ideas evolve out of the harmonic succession heard as the background material of the opening passage. The second and third movements are based on essentially the same scalar and harmonic materials as the first; however, they are somewhat different in their moods and expression, in part because they both incorporate elements derived from popular music idioms of the early part of the twentieth century. The form of the second movement, Dances,is related to the nineteenth century scherzo with two trios; here, the scherzo sections are fast and jazzy,while the more relaxed digressions are, respectively, a ragtime-waltz and a tango. The third movement Blues with Variations follows without pause, and furthermore is linked structurally to the previous movements, since the chord sequence for the blues (and subsequent variations) is the same one employed from the very opening of the work. —William Averitt.
