SKU: M7.DOHR-95265
ISBN 9790202002650.
SKU: AP.1-ADV6203
UPC: 805095062038. English.
Portraying the passionate, complex relationship that often develops between two people dancing the tango, this intriguing set conveys a variety of moods---impulsive, mysterious, boastful, impatient, animated, longing, frivolous, etc. As the title implies, the first 12 of these musical sketches are about one minute in duration; the closing Cancion is a bit longer.
SKU: BT.DHP-1074205-130
9x12 inches. English-German-French-Dut ch.
Leroy Anderson is part of American cultural heritage and he is often compared to such masters as Gershwin and Copland. Trumpeter’s Lullaby was written for The Boston Pops Orchestra of which he was the conductor. This new arrangement for brass band gives your three cornet soloists a chance to ‘take to the fore’ in a variety of up-tempo jazz styles. Once performed this item will become a favourite that you will use time and time again. Der amerikanische Komponist Leroy Anderson wird zu Recht oft in einem Atemzug mit großen Namen wie George Gershwin, Aaron Copland oder Charles Ives genannt. Nostalgische Lieder aus Andersons Feder, wie zum Beispiel Sleigh Ride und Blue Tango, sind unsterblich geworden. Anderson schrieb im Jahr 1949 auch das anmutige Stück Trumpeter’s Lullaby, das Naohiro Iwai ganz hervorragend für Brass Band umsetzte. Selon le journaliste Mark Azzara, nombreux sont ceux qui considèrent Leroy Anderson (1908-1975) comme « l’un des quatre meilleurs compositeurs de musique instrumentale du XXe siècle avec George Gershwin, Aaron Copland et Charles Ives ». Les nombreuses mélodies nostalgiques qu’il a composées (Sleigh Ride, Blue Tango, etc.) sont solidement ancrées dans les traditions de la culture musicale américaine. En 1949, Leroy Anderson compose le très aérien Trumpeter’s Lullaby (“Berceuse pour un trompettisteâ€) la demande de Roger Voisin qui fut alors trompette solo du Boston Pops Orchestra.
SKU: BT.DHP-1074205-030
SKU: AP.1-ADV8208
UPC: 805095082081. English.
Portraying the passionate, complex relationship that often develops between two people dancing the tango, this intriguing set conveys a variety of moods. As the title implies, the first 12 of these musical sketches are about one minute in duration; the closing Cancion is a bit longer.
SKU: HL.49032451
ISBN 9790001080316. English.
Keyboard Essentials is aimed at all who want to learn to play keyboards successfully in methodically thought-out teaching units with the aid of popular songs and useful tips, though tutoring or private study. It is aimed at beginners of all ages but also, for example, wind players, singers or guitarists who want to become musical 'insiders' and who though playing the keyboard see an introduction to improvidation, composition, harmony, etc. On the keyboard in particular, with its clearly arranged, regular structure of keys, scales, chords, and harmonic relations are presented more clearly and systematically than on any other instrument. Musicians with previous knowledge may join in at volume 2 or 3.
SKU: GH.WC1600105
ISBN 9790070035132. Text: Hans Alfredson / Tage Danielsson.
For manskor och komp.
SKU: VD.ED95265
ISBN 9790202002650. 12 x 9 inches.
SKU: HL.49032314
ISBN 9783795757021. German.
This method is aimed at everybody who wants to learn to play the keyboard, in lessons or self-study, in methodological teaching units with the help of popular songs and useful information: at beginners of every age, but also at wind players, singers or guitarists who wish to become musical 'insiders' and look for a method to approach improvisation, composition, harmony, etc. through keyboard playing. It is especially on the keyboard with its clear, regular layout that scales, chords and harmonic progressions can be shown in a clearer and more systematic way than on any other instrument. Musicians with previous knowledge can start with volume 2 or 3. Volume 3: Seven new chords which can easily and certainly be learnt due to the previous slow increase in difficulty and the increased use of the left hand for independent accompaniments help to prepare for polyphonic playing with both hands. Playing with two hands and with a number of new rhythmic structures which have all been taken from well-known melodies make music-making and learning in this volume a great experience. The knowledge of intervals, exercises for the quick recognition of the intervals, and transposing form the basis of the introduction to harmony provided for in volume 4.
SKU: HL.304056
ISBN 9781540066596. UPC: 888680969462. 8.25x11.0x0.076 inches.
BLUE JOHANNES was written for Marcel Worms and completed in August of 2012. The piece consists of a combination of diverse musical elements: blues, Persian folk melodies, tango, etc.It is a blues hommage to Johannes Brahms, whose music Reza Vali loves. A version for harpsichord is also available from the publisher.
SKU: GH.SK-726
ISBN 9790070000574. 185 x 262 mm inches. Text: Povel Ramel.
Arrangemang for blandad kor och komp.
SKU: HL.49006590
ISBN 9790001071475.
Ausg abe mit Akkordsymbolen, Tastensymbolen fur akkordprogrammierte Orgeln (Easychord, Chordomatic etc.), Fingersatzen, Registrieranweisungen, Registrierschema, Akkordgrifftabelle.
SKU: BO.B.3726
Written in 2001, this work was conceived by the need to enlarge the repertoire of works for solo cello, an important goal since the repertoire of such works is limited. Most cellists are limited to performances of such well-known solo works as the Suites of Bach, written almost 300 years ago, as well as other classics of the genre by Max Reger, Zoltan Kodaly, Benjamin Britten, Gaspar Cassado, Enric Casals, etc.The intention of the Suite Exotique is to revolutionize the concept of the Baroque suite by transforming the suite into a collection of modern dances, which are both contemporary and widely recognized today. Thus, the dances of the Baroque suite, such as Allemande, Courante, Sarabande are substituted for the Tango, Milonga, Blues in such a way that the traditional formal structure of six movements of Baroque dances is modernized by rhythms and contemporary styles which coexist in the Modern world, but are separate from and do not pertain to those works which are normally considered to belong to the realm of cultured music.Apart from the fusion represented by the mixture of a Baroque genre with modern, urban musical language found in this work, the subtitle exotica is appropriate due to the originality of writing such a work for cello solo. This work allows the interpreter to explore and take full advantage of their technical, artistic and expressive abilities.This work establishes a total symbiosis between the instrument and the evolutionary transformation of its musical language which in turn creates a style adapted to the expressive requirements of the work itself. The specific techniques and qualities of the cello are placed in service of the required style and concept of each movement of the Suite. At the same time those stylistic characteristics are transformed and adapted to the particular characteristics of the cello and taking full advantage of the instruments polyphonic, sonic, aesthetic qualities as well as its timbre.The Suite Exotique was premiered in August, 2003 during the International Music Festival of Ibiza by the Russian cellist Svetlana Tovstukha.
SKU: PR.110418490
ISBN 9781491137260. UPC: 680160690022.
Carte r Pann writes, the piece might have been titled Three Improvisations, but there is an expressive inertia baked in to these works which makes them truer as rhapsodies. This description tells us much about the work, whose movements are an enterprising tango, a bombastic central movement with virtuosic thrust, and a and a hymn heard from afar without any sense of marked time.Three Rhapsodies was commissioned by the American Composers Forum with complete support from the Thelma E. Hunter Fund. The premiere performance took place in Kilbourn Hall at the Eastman School of Music in Rochester, New York by pianist Marina Lomazov.As with all of my piano works, this was very much an at-the-piano compositional experience. As a pianist I cannot imagine writing a solo work away from the instrument (though at times that would be quite convenient).The whole work explores a palette of impassioned emotions – sometimes veiled, sometimes emboldened, or even outrageous at times. There are technical freedoms in each movement, allowing the pianist to stretch their interpretive inclinations to great lengths. In this way the piece might have been titled Three Improvisations, but there is an expressive inertia baked in to these works which make them truer as rhapsodies.The first movement is a tango with real wanderlust. The second reminds me of Rachmaninoff’s Polka de W.R. in its bombast, but also Chopin’s sixteenth prelude with its sheer virtuosic thrust. The third is a hymn heard from afar with no rhythmic drive, only sheened sonority.
