Tan Dun : Death and Fire

Par DEATH CAB FOR CUTIE. La version 2008 de ce quatuor de l'état de Washington comporte 11 chansons introspectifs, transcrit note note dans ce recueil de chansons correspondant. / Date parution : 2009-03-18/ Tablatures / Guitare Tablatures

The Goblet of Fire is the pivotal fourth novel in the seven-part tale of Harry Potter's training as a wizard and his coming of age. This is a beautiful collection of selected themes from the movie 'Harry Potter and The Goblet of Fire', arranged as easy piano solos.Foxtrot Fleur; Death Of Cedric; Do The Hippogriff (Jarvis Cocker); Hedwig's Theme (John Williams); Hogwarts' Hymn; Harry In Winter; Hogwarts' March; Neville's Waltz; Potter Waltz; The Quidditch World Cup (The Irish); Magic Works (Jarvis Cocker); This Is The Night (Jarvis Cocker).

Harry Potter and The Goblet of Fire is the pivotal fourth novel in the seven-part tale of Harry Potter’s training as a wizard and his coming of age. This seven-minute suite for brass band includes the themes Harry In Winter The Quidditch World Cup Hogwarts’ Hymn Hogwarts’ March and The Death Of Cedric. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 7 minutes

Put the magic into your playing with this fantastic selection of pieces from Harry Potter and the Goblet of Fire as arranged for the late-elementary player by Carol Matz. This superb collection includes pictures offering you more than just the music from the film.From the Quidditch World Cup to the Death of Cedric this collection includes the music from some of the most emotive intense and exciting scenes in the film.

Put the magic into your playing with this fantastic selection of pieces from Harry Potter and the Goblet of Fire. For solo Trombone this superb collection includes pictures offering you more than just the music from the film.From the Quidditch World Cup to the Death of Cedric this collection includes the music from some of the most emotive intense and exciting scenes in the film.The accompanying CD includes demo tracks of full instrumental performances and play-along tracks so you can re-live your favourite moments of the film with a full instrumental accompaniment!

Martin Scheuregger's Death And The Lady for Voice Clarinet and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 4 minutes. This is a simple arrangement of the traditional folksong for Voice Clarinet and Cello which aims to let the haunting melody take centre stage. The cautionary tale tells of a woman who meets Death earlier than she wishes. Commissioned by Dark Inventions first performed by them on 8th May 2014 at The Engine House Manchester.

The Classical Film Collection brings together famous classic pieces from the movies, such as Tchaikovsky's Swan Lake (from Black Swan), Mozart's Clarinet Concerto (Out of Africa), Allegri's Miserere (Chariots of Fire) and, for the first time in print, House of Woodcock by Jonny Greenwood from Phantom Thread. All pieces have been arranged for the intermediate pianist./ Recueil / Piano

Titles are: Death of Cedric * Foxtrot Fleur * Harry in Winter * Hedwig's Theme * Hogwart's Hymn * Hogwart's March * Neville's Waltz * Potter Waltz * The Quidditch World Cup (The Irish).

Titles are: Death of Cedric * Foxtrot Fleur * Harry in Winter * Hedwig's Theme * Hogwart's Hymn * Hogwart's March * Neville's Waltz * Potter Waltz * The Quidditch World Cup (The Irish).

This book is part of Alfred's Harry Potter Instrumental Solos series arranged for Violin, Viola, and Cello. All string instrument arrangements are fully compatible and can be successfully performed as ensembles or solos. Each book includes piano accompaniments, a removable string part, and a fully orchestrated accompaniment MP3 CD, which features each song as a live performance demo track followed by a play-along track. Titles: Double Trouble * Family Portrait * Farewell to Dobby * Fawkes the Phoenix * Fireworks * Harry in Winter * Harry's Wondrous World * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Leaving Hogwarts * Lily's Theme * Obliviate * Statues * A Window to the Past * Wizard Wheezes A Window to the Past (from Harry Potter and the Prisoner of Azkaban) Double Trouble (from Harry Potter and the Prisoner of Azkaban) Family Portrait (from Harry Potter and the Sorcerer's Stone) Farewell to Dobby (from Harry Potter and the Deathly Hallows, Part 1) Fawkes the Phoenix (from Harry Potter and the Chamber of Secrets) Fireworks (from Harry Potter and the Order of the Phoenix) Harry in Winter (from Harry Potter and the Goblet of Fire) Harry's Wondrous World (from Harry Potter and the Sorcerer's Stone) Hedwig's Theme (from Harry Potter and the Sorcerer's Stone) Hogwarts' Hymn (from Harry Potter and the Goblet of Fire) Hogwarts' March (from Harry Potter and the Goblet of Fire) Leaving Hogwarts Lily's Theme (Main Theme from Harry Potter and the Deathly Hallows, Part 2) Obliviate (from Harry Potter and the Deathly Hallows, Part 1) Statues Wizard Wheezes (from Harry Potter and the Half-Blood Prince)

Par STARSAILOR. The 2005 album by Starsailor is a life-affirming return to form, packed with anthemic songs that recall the momentous hits Alcoholic and Good Souls , and is presented here in Guitar tab transcriptions. The songs on this the band's third full studio album are of epic proportions, mixing gospel influences with their trademark heart-breaking sound. The closer Jeremiah is inspired by the death of the British student, Jeremiah Duggan, who died fleeing a far-right conference in Germany that he'd unwittingly become caught up in. / Niveau : Elémentaire / Date parution : 2005-11-18/ Tablatures / Guitare Tablatures

I hide myself With a lily Go lovely Rose-Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song really. All of the musical suggestions come from a careful study of the poem a quiet passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction and this mood mustprevail in the performance: shy and sullen her passion surging to the surface only to sink back into the silence that is herself.Go Lovely RoseThe piece is structured around the cyclical lifeof a rose and is connection throughout by the opening 'rose motif' a seed that begins on the tonic and grows in all directions before it blossoms dies and grows again. Each season is represented: spring begins the piece summerappears at bar 13 autumn at bar 26 winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfectFibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approachedwith a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas its success is guaranteed. Water: At bar 30 this ostinato should be fluid and gentle only interrupted at bar 32 asthe butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars another patient sensuous transformation back to

Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content :
Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel)
I. Allegro con leggerezza
II. Non Allegro e molto espressivo
III. Mazurka
IV. Allegretto con moto
Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen)
I. Allegro, ma non troppo
II. Allegro cantabile
III. Con moto
IV. Andante con sentimento
V. Allegro moderato
VI Allegro scherzando
Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak)
I. Tempo di Valse
II. Tempo di Menuetto ed energico
III. Allegretto con grazia
IV. Allegro alla burla
Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade)
Allegro moderato
Andante molto
Alla Menuetto, ma pocco più lento
Finale
Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert)
Allegro molto moderato
Adagio
Allegro moderato e molto marcato
Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen)
I. Allegro con moto
II. Allegretto espressivo
III. Vivace
IV. Andantino serioso
Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg. arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2)
I. Heart's Wounds [Herzwunden]
II. Last Spring [Letzter Frühling]
From Holberg's Time [Fra Holbergs tid. Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen)
I. Praeludium
II. Sarabande
III. Gavotte
IV. Air
V. Rigaudon
Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41
I. Lullaby [Wiegenlied]
II. Little Haakon [Klein Haakon]
III. I Love Thee [Ich liebe dich]
IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss]
V. The Princess [Die Prinzessin]
VI. To Springtime [An den Lenz]
Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work)
I. Morning Mood [Morgenstimmung]
II. Åse's Death [Åses Tod]
III. Anitra's Dance [Anitras Tanz]
IV. In the Hall of the Mountain King [In der Halle des Bergkönigs]
Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52
I. A Mother's Grief [Mutterschmerz]
II. The First Meeting [Erstes Begegnen]
III. The Poet's Heart [Des Dichters Herz]
IV. Solvejg's Song [Solvejgs Lied]
V. Love [Liebe]
VI. The Old Mother [Die alte Mutter]
Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda. arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no
I. Norwegian [Norwegisch]
II. The First Meeting [Erstes Begegnen]
Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work)
I. Ingrid's Lament [Ingrids Klage]
II. Arabian Dance [Arabischer Tanz]
III. Peer Gynt's Return Home [Peer Gynts Heimkehr]
IV. Solvejg's Song [Solvejgs Lied]
Moods [Stimmungen], Op. 73
I. Resignation
II. Scherzo-Impromptu
III. Night Ride [Natligtridt]
IV. Folksong [Folketone]
V. Study [Studie] (Hommage à Chopin)
VI. Students' Serenade [Studenternes serenade]
VII. The Mountaineer's Song [Lual?t]
Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp.
Three Piano Pieces [Drei Klavierstückel], WoOp.
I. White Clouds [Hvide skyer]
II. Gnomes' Tune [Tusselsl?t]
III. The Dance Goes On [Dansen går]

Wagner's sense of what he wanted to do with the Ring drama changed by the time he returned to Siegfried. When he began the Ring he had clearly seen Siegfried as the hero of the drama but the desire to more fully explore Wotan'spredicament impelled him to expand the project.Siegfried and Mime quarrel Siegfried demands that the sword Nothung be mended but Mime cannot do so much to his own chagrin he wants to win the Ring back for himself. TheWanderer a disguised Wotung tells Mime that Nothung can be forged only by one who has never known fear. This is Siegfried and he repairs the sword himself smashing the anvil as he leaves to reclaim the Ring. He arrives atFafner?s lair and kills him. As he dies Fafner warns that whoever put Siegfried up to this deed is plotting his death as well. From the The Forest Bird Siegfried learns of the Nibelung hoard the Tarnhelm and all-powerful Ring and also of Brünnhilde who sleeps on a fire-encircled rock - a bride who can be won only by a hero who knows no fear. Mime and Alberich (who had recognised the Wanderer and heeded his warning to fear Mime) quarrel over thespoils withdrawing when Siegfried reappears carrying the Tarnhelm and the Ring. Mime tries to persuade Siegfried to take a cup of poisoned drink and Siegfried kills him. Siegfried sets out to climb the mountain. He meetsWotan who asks him about his exploits but the youth splinters the Wanderer's spear with a single stroke of Nothung. Wotan realises he is old and must go to Valhalla but bequeaths the world to the redemptive power ofBrünnhilde's love. Siegfried goes on to the top of the mountain where he discovers an armed sleeping figure the first woman he has ever seen. At last sensing fear he summons the courage to kiss her. Brünnhilde roused from herlong slumber realises that Siegfried has come. Throwing herself into Siegfried's arms she bids farewell to Valhalla and abandons herself to human love.This is the Schirmer edition of the Libretto in the original German