Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content : Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel) I. Allegro con leggerezzaII. Non Allegro e molto espressivoIII. MazurkaIV. Allegretto con moto Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen) I. Allegro, ma non troppo II. Allegro cantabileIII. Con motoIV. Andante con sentimentoV. Allegro moderatoVI Allegro scherzando Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak) I. Tempo di ValseII. Tempo di Menuetto ed energicoIII. Allegretto con graziaIV. Allegro alla burla Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade) Allegro moderatoAndante molto Alla Menuetto, ma pocco più lento Finale Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert) Allegro molto moderatoAdagioAllegro moderato e molto marcato Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen) I. Allegro con motoII. Allegretto espressivoIII. VivaceIV. Andantino serioso Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg. arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2) I. Heart's Wounds [Herzwunden]II. Last Spring [Letzter Frühling] From Holberg's Time [Fra Holbergs tid. Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen) I. PraeludiumII. SarabandeIII. GavotteIV. AirV. Rigaudon Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41 I. Lullaby [Wiegenlied]II. Little Haakon [Klein Haakon]III. I Love Thee [Ich liebe dich]IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss]V. The Princess [Die Prinzessin]VI. To Springtime [An den Lenz] Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work) I. Morning Mood [Morgenstimmung]II. Åse's Death [Åses Tod]III. Anitra's Dance [Anitras Tanz]IV. In the Hall of the Mountain King [In der Halle des Bergkönigs] Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52 I. A Mother's Grief [Mutterschmerz]II. The First Meeting [Erstes Begegnen]III. The Poet's Heart [Des Dichters Herz]IV. Solvejg's Song [Solvejgs Lied]V. Love [Liebe]VI. The Old Mother [Die alte Mutter] Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda. arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, noI. Norwegian [Norwegisch]II. The First Meeting [Erstes Begegnen] Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work) I. Ingrid's Lament [Ingrids Klage]II. Arabian Dance [Arabischer Tanz]III. Peer Gynt's Return Home [Peer Gynts Heimkehr]IV. Solvejg's Song [Solvejgs Lied] Moods [Stimmungen], Op. 73 I. ResignationII. Scherzo-ImpromptuIII. Night Ride [Natligtridt]IV. Folksong [Folketone]V. Study [Studie] (Hommage à Chopin)VI. Students' Serenade [Studenternes serenade]VII. The Mountaineer's Song [Lual t] Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp. Three Piano Pieces [Drei Klavierstückel], WoOp. I. White Clouds [Hvide skyer]II. Gnomes' Tune [Tusselsl t]III. The Dance Goes On [Dansen går]
SKU: BR.EOS-21473-19
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a st udy score in the Eulenburg series.
ISBN 9790004780152. 10 x 12.5 inches.
After Henrik Ibsen obtained sensational feedback for his verse drama Peer Gynt, he decided to arrange the text for stage performances as well. He requested incidental music from Edvard Grieg, who immediately assured Ibsen of his cooperation. In its new version, Peer Gynt was given its first performance in February 1876 and also scored a tremendous success. After a further revision of his music, Grieg compiled four of the most striking pieces into an orchestral suite in 1888, and repeated this procedure three years later for a second suite. The publication of the first complete score further boosted the already exceptional acclaim of the incidental music to Grieg's Peer Gynt, which takes its place today among the composer's most beloved works.Breitkopf is now releasing a new conductor's score to both suites, based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
SKU: BR.EOS-21473-16
ISBN 9790004780145. 10 x 12.5 inches.
SKU: BR.EOS-21473-23
ISBN 9790004780169. 10 x 12.5 inches.
SKU: BR.EOS-21473-27
ISBN 9790004780176. 10 x 12.5 inches.
SKU: BR.EOS-21474-27
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg seriesISBN 9790004780244. 10 x 12.5 inches.
After Henrik Ibsen obtained sensational feedback for his verse drama Peer Gynt, he decided to arrange the text for stage performances as well. He requested incidental music from Edvard Grieg, who immediately assured Ibsen of his cooperation. In its new version, Peer Gynt was given its first performance in February 1876 and also scored a tremendous success. After a further revision of his music, Grieg compiled four of the most striking pieces into an orchestral suite in 1888, and repeated this procedure three years later for a second suite. The publication of the first complete score further boosted the already exceptional acclaim of the incidental music to Grieg's Peer Gynt , which takes its place today among the composer's most beloved works. Breitkopf is now releasing a new conductor's score to both suites, based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
