Take the Lead Jazz

SKU: AP.46164

UPC: 038081529028. English.

Yep, it's in 4/4 not 5/4. A clever chart on a super classic that everyone will recognize, young or old. The bossa nova tempo is around 130 BPM and there are written suggested solos for piano and alto sax. Lead trumpet range is to written B-flat above the staff, and an interlude reoccurs to offer contrast. It all works great! Take Five has been skillfully arranged by John Zontek. (4:50).

SKU: AP.41162S

UPC: 038081474243. English.

A straight-eighth groove that's a little funky plus a catchy melody at 130 BPM, and you have a winner. Features written solos for tenor, trumpet 2, or guitar, lead trumpet range to written A, a great bari sax part, and optional parts for Latin percussion and vibes. Excellent writing. (5:15) This title is available in MakeMusic Cloud.

SKU: AP.50085

ISBN 9781470663001. UPC: 038081580210. English.

This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like oom-pah feel, then back into a slow-building swing with a big shout section. A captivating chart you and the band will relish! (5:25).

SKU: AP.50085S

ISBN 9781470663018. UPC: 038081580227. English.

This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like oom-pah feel, then back into a slow-building swing with a big shout section. A captivating chart you and the band will relish! (5:25).

SKU: AP.55-9774A

ISBN 9781843282846. English.

The Take the Lead series provides all players with well-known songs and tunes as quartets. Parts have been arranged to ensure that playing any one of them is interesting and musically satisfying and the professionally recorded backing CD provides a complete demonstration performance as well as an authentic accompaniment. Titles: Do Nothin' Till You Hear from Me * It Don't Mean a Thing (If It Ain't Got That Swing) * Jeepers Creepers * Misty * Moonlight in Vermont * On Green Dolphin Street * The Shadow of Your Smile * Star Dust.

SKU: CL.032-4141-00

Plays easy and sounds cool. That's the perfect combination found in this carefully-crafted blues tune for younger bands. The trumpets and bones take the lead, with the saxes providing interesting counter lines. Then several bars of full ensemble lead to an open solo section for any instruments over simple Blues changes, giving young players the opportunity to improvise. If they aren't quite ready for that yet, suggested solos are provided. After the solos, the bones, tenors and bari get to shine playing some fun unison licks which lead back to the whole band playing a big finish. This chart will sound great even for bands with limited experience, instrumentation, and rehearsal time. Don't Miss The Bus!

SKU: GF.JPTB

Milwaukee Avenue

Ogden Avenue

Narragans ett Avenue

Belden Avenue

Chicago Avenue

Quincy Street

Rockwell Street

Dearborn Street

Franklin Street

Pearson Street

Jazz Phrasing for Trombone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement.

This book includes a play-along CD featuring trombonist Russ Phillips playing each song with a world-class rhythm section. The CD also includes tracks featuring Greg Fishman demonstrating each song on alto saxophone, giving trombone players the option of playing along with Russ Phillips on trombone or with Greg Fishman on alto saxophone.

In addition, there are play-along tracks featuring just the rhythm section. These tracks are great for practicing the songs, chords, scales, voice-leading lines and soloing over the chords progressions.

Jazz Phrasing for Trombone will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for trombone players of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development.

Special Features of Jazz Phrasing for Trombone:

o Suggested Use Section - Provides detailed instructions on a variety of ways to work with the book.
Style & Analysis Section - Provides clear, concise explanations of sequence, variation and voice-leading
Thematic Index - Lets you compare the opening themes of all ten songs in convenient two page at-a-glance format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval.
Endorsements for Jazz Phrasing for Trombone:
Greg has done it again. Great melodies, interesting rhythms and beautiful chord progressions. This is the perfect foundation for learning jazz. - Jamey Aebersold
This book is a monument to Greg Fishman's superb teaching skills, as well as his clear understanding of the jazz student's early needs. He has purposefully selected accessible tempos, significant melodic rhythms (with their appropriate phrasing) and sensitive note choices, utilizing commonplace chord progressions within the jazz repertory, all impeccably demonstrated on the accompanying compact disc. This book is a must for the early conditioning of jazz students! - Jerry Coker
Greg Fishman has created a book of fun, well-written, catchy tunes in a variety of styles for developing jazz players---highly recommended. - Dr. Gregory W. Yasinitsky, Regents Professor of Music & Coordinator of Jazz Studies, Washington State University
Songs included in Jazz Phrasing for Trombone - Volume 1:
o Milwaukee Avenue
Ogden Avenue
Narragansett Avenue
Belden Avenue
Chicago Avenue
Quincy Street
Rockwell Street
Dearborn Street
Franklin Street
Pearson Street

A few words from the preface of the book:

Applying good phrasing to music is like using good punctuation in written or spoken language. It involves the grouping of ideas to make the meaning of the words clear to the listener. The words are grouped into sentences, and the sentences are then grouped into paragraphs. The same is true when interpreting a piece of music.

Good phrasing requires a musician to interpret the notes he plays, and determine which notes need to be grouped together to form a complete musical idea.

Each song in Jazz Phrasing for Trombone is designed to train your ear to hear the logical grouping of phrases through the use of sequence and thematic development.

While the art of good phrasing involves the interpretation of note groupings and their relationships, it also involves deciding where you're going to take a breath.

Read the following sentences aloud to compare examples of good and bad phrasing.

Good phrasing, spoken in one continuous breath:

Ladies and gentlemen, it gives me great pleasure to introduce the senior class president.

Bad phrasing, spoken with extra breaths, disrupting the flow and grouping of the words:

Ladies and gentlemen, it gives (breath) me great pleasure to introduce the senior class (breath) president.
The difference between these two sentences is very similar to the difference between a professional musician's phrasing and a student's phrasing. Both may be playing the correct notes with the correct rhythm, but the professional musician knows how to group the notes in a smooth, flowing fashion, while the student takes breaths at random, not even aware that he's disrupting the phrasing.

Jazz Phrasing for Trombone has been carefully designed to help you learn to phrase like a professional player.

These are pieces that will be fun for all musicians who love melodic writing with good thematic development..

SKU: CL.SCM-1018-00

Extended blues form shifts from a Swing Shuffle to a Funk bridge then back again. Optional lead trumpet notes save chops but won't take the energy away from this chart.