Matériel : Partition
Now you can play as featured soloist on eight specially recorded Jazz arrangements! 'Take the Lead' is an integrated series for piano, flute, clarinet, alto sax, tenor sax, trumpet and violin. In edition all the songs are at the same concert pitch, so all the instruments can play together. Each song is carefully slelected and edited, chord symbols are at concert pitch for use by piano or guitar. The CD contains full backing tracks, professionally arranged and recorded and full demonstration recordings help in learning the songs. / Date parution : 2005-05-27/ Recueil / Clarinette et Piano
SKU: AP.46164
UPC: 038081529028. English.
Yep, it's in 4/4 not 5/4. A clever chart on a super classic that everyone will recognize, young or old. The bossa nova tempo is around 130 BPM and there are written suggested solos for piano and alto sax. Lead trumpet range is to written B-flat above the staff, and an interlude reoccurs to offer contrast. It all works great! Take Five has been skillfully arranged by John Zontek. (4:50).
SKU: AP.41162S
UPC: 038081474243. English.
A straight-eighth groove that's a little funky plus a catchy melody at 130 BPM, and you have a winner. Features written solos for tenor, trumpet 2, or guitar, lead trumpet range to written A, a great bari sax part, and optional parts for Latin percussion and vibes. Excellent writing. (5:15) This title is available in MakeMusic Cloud.
SKU: AP.50085
ISBN 9781470663001. UPC: 038081580210. English.
This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like oom-pah feel, then back into a slow-building swing with a big shout section. A captivating chart you and the band will relish! (5:25).
SKU: AP.50085S
ISBN 9781470663018. UPC: 038081580227. English.
SKU: CL.032-4141-00
Plays easy and sounds cool. That's the perfect combination found in this carefully-crafted blues tune for younger bands. The trumpets and bones take the lead, with the saxes providing interesting counter lines. Then several bars of full ensemble lead to an open solo section for any instruments over simple Blues changes, giving young players the opportunity to improvise. If they aren't quite ready for that yet, suggested solos are provided. After the solos, the bones, tenors and bari get to shine playing some fun unison licks which lead back to the whole band playing a big finish. This chart will sound great even for bands with limited experience, instrumentation, and rehearsal time. Don't Miss The Bus!
