Résurgence

SKU: CF.SPS49F

ISBN 9780825885129. UPC: 798408085124. 9x12 inches. Key: F major.

Resurgence is an inspiring tour-de-force from Larry Clark, depicting the healing and rebirth experienced after a tough stretch. Overwhelmingly positive and powerful, this work is thrilling for both advancing bands and their audiences. No one can get you down after hearing Resurgence!

SKU: CF.CAS113

ISBN 9781491151327. UPC: 680160908820. 9 x 12 inches. Key: E minor.

Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters.
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.

SKU: CF.CAS113F

ISBN 9781491151693. UPC: 680160909193. 9 x 12 inches.

Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters.
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.

SKU: HL.1189828

UPC: 196288131359. 6.75x10.5x0.029 inches.

José Maurício Nunes Garcia was a well-respected 18th-century Brazilian composer. This “Gloria” comes from a Christmas Eve Mass he wrote in 1811. There has recently been a resurgence of interest in his work, as the world awakens to classical composers outside of Western Europe. This delightful setting of the Liturgical Latin from the Mass is an excellent choice for both church and school choirs.

SKU: AP.47699

UPC: 038081543925. English.

Originally performed by Fred Astaire and Ginger Rogers in the classic movie Shall We Dance, this bubbly Gershwin tune has enjoyed a recent resurgence thanks to the contemporary Lady Gaga and Tony Bennett recording. Full of charm and wit, the arrangement sparkles with light jazz harmonies. Your accompanist will love the stride piano part, and your audience will get a kick out of the uniquely American references.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SKU: BT.PL3754

SKU: AP.47698

UPC: 038081543918. English.

Originally performed by Fred Astaire and Ginger Rogers in the classic movie Shall We Dance, this bubbly Gershwin tune has enjoyed a recent resurgence thanks to the contemporary Lady Gaga and Tony Bennett recording. Full of charm and wit, the arrangement sparkles with light jazz harmonies. Your accompanist will love the stride piano part, and your audience will get a kick out of the uniquely American references.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SKU: BT.PL3753

SKU: SP.ME1032

ISBN 9781585607440.

The Masterpiece Edition series, published exclusively by Santorella Publications, is a collection of original piano works, as well as challenging arrangements and transcriptions designed for the experienced to advanced pianist. The series is meticulously engraved and printed on heavy cover stock and quality paper to last for generations. With original works from the great masters, Bach, Beethoven, Mozart, and alike, as well as arrangements and transcriptions from some of the greatest works of all time, these Masterpiece Editions are sure to be popular favorites while enhancing the repertoire of most any serious pianist. In this case, we are extremely proud to release the original, unedited, Masterpiece Edition of Joplin's Entertainer and Maple Leaf Rag as a 2 in 1 sheet in its purest form. Our ultimate goal is to emphasize the necessity of exceptional quality in printed sheet music. Time has heard the strains of a myriad of musical styles. Some styles liven with age while others fade. The same is true of the composers themselves; some are regarded as brilliant masters from the beginning of their lives while others are praised only posthumously. Endurance is the ultimate test. Scott Joplin endured great injustices and criticism, yet he remains the King of Ragtime. We remember the genius of Scott Joplin by publishing The Entertainer and Maple Leaf Rag in this 2 in 1 original edition. Joplin's most popular rag, The Entertainer reached high acclaim in 1973 as a recognizable theme from the film classic, The Sting. This Academy Award-Winning film was solely responsible for the resurgence of ragtime in general, but more specifically brought renewed interest in the works of Scott Joplin. The Maple Leaf Rag, unlike so many others, became quite popular during Joplin's lifetime, so much so that it was the first sheet of music to sell over one million copies. We are pleased to combine these two rags in one as a special part of our Masterpiece Ragtime Selections. This newly engraved edition is clean, sharp, distinct, and accurate. An absolute pleasure to read as each crisp note seems to pop off the page.

SKU: BT.PL3755

SKU: GI.G-CD-459

In recent years chant has enjoyed a resurgence of interest and popularity. More Sublime Chant is an extension of the highly successful Sublime Chant, delving further into the glorious sounds of our past and once again featuring the voices of The Cathedral Singers under the direction of Richard Proulx. This beautiful recording includes Gregorian, Ambrosian, Mozarabic, and Sarum chants, many being recorded for the very first time! Chants for Advent, Christmas, Lent, and Easter are included, as are two mass settings. More Sublime Chant also features the complete Office of Compline, sung in English. The chants are realized in proportional, modal, and equalist rhythms, employing organum, drones, tone clusters, and ornamentation. The use of recorders, handbells, and small percussion, combined with the enchanting voices of The Cathedral Singers and the warm acoustics of Chicago's Columbus Hospital Chapel, make this recording yet another must-have for any music lover!  .